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Teach beginning band on a budget with The Quarter Note Companion Level 1! This method includes materials for 18 instruments plus a full conductor score. Our logical approach builds rhythm skills through ensemble pulse and unison playing. Students get a step-by-step intro to their instrument, covering posture, embouchure, sound production, and maintenance. The book introduces notes (Concert G–G) and rhythms (whole to eighth notes) gradually, with 12 engaging song sheets and three full concert pieces. Teachers love it for its student-friendly pacing, clear skill progression, and extra resources like fingering charts, progress tracking, and QR-linked practice tracks. The QNC is affordable, effective, and easy to use!

The Quarter Note Companion

Method Book

Embark on "The Great Adventure" with Kevin Hoff's thrilling composition. Crafted for concert and contest settings, this piece captivates with its dynamic intensity and technical challenges, perfect for ensembles seeking to showcase their prowess. Elevate your performance with this exhilarating musical journey that promises to inspire and engage. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

The Great Adventure

Concert Band Score & Parts

Help your students develop musicality beyond just notes and rhythms with The Quarter Note Companion Chorale Book! Featuring 49 chorales of increasing difficulty, this resource reinforces blend, balance, part importance, phrasing, and intonation. With a student-focused approach, skills build progressively through repeated practice, ensuring steady growth and success. Plus, it's budget-friendly—buy once and print for your entire class, eliminating the hassle of forgotten books!

Beginning Band Chorale Book

Spooky Spiders is a fun Halloween piece for your beginners. Set in the
  key of E minor (note that no C-natural is required in any part), the piece
  starts off with light cello and bass pizzicato and then joined by 8th notes
  in the upper strings. Make sure to keep the 8ths in the upper strings light
  and short to balance with the low strings pizzicato.
    
    
    
    At measure 7, the melody is introduced by the first violins. At measure 15,
  the cello takes over the melody at forte. A second theme is then introduced
  at measure 23 which builds to the climax of the piece at measure 31. The
  climax is felt as the upper string players play any note on their E/A strings
  and then G/C strings to give a clashing sound! This gives way to the first violins
  playing the main theme of the piece. At 41, the low strings take over the
  melody and transition the orchestra back to a recap of the beginning. From
  measure 45 to the end, the beginning themes are recapped and followed by a
  brief coda.
    
    
    
    This piece uses notes found in the D major scale (no shifting in bass
  required) and uses simple rhythms and bowing techniques. Additional
  techniques, such as pizzicato and extended techniques, like bowing any note
  on a string, are used as well.
    
    
    
    Educational Goals of the Work
    
    -Perform a variety of dynamics
    
    
    
    -Execute a variety of articulations/techniques including arco, pizzicato,
  and accents
    
    
    
    -Differentiate melodic and accompaniment material

Spooky Spiders

String Orchestra Score & Parts

Paso de Fuego is a bold and fiery concert march that captures the essence of Spanish flair with driving rhythms and dynamic contrasts. This exhilarating piece combines the traditional structure of a march with the rhythmic intensity and passion of a Spanish dance, making it a standout addition to any concert program.

Paso de Fuego

Twilight Empire is an exciting concert opener or finale for young concert
  band that reinforces concert Ab/A and concert Eb/E, minor sonorities, and a
  variety of articulations. The piece begins with accented full band G minor
  chords followed by brief percussion breaks. At measure 5, the music suddenly
  drops to mezzo piano before a crescendo brings the music back to forte at
  measure 8. Make sure these dynamic changes are dramatic and
  exaggerated.
    
    
    
    The main theme begins at measure 11 in the alto sax and horn. Make sure to
  differentiate between the slurred notes and repeated 8th notes. At measure
  19, the main theme continues in the upper woodwinds and upper brass. The
  lower voices and percussion play an accompaniment part that should be a nice
  contrast against the melody. A modulation between measure 25 and 27
  transitions the piece to the B section starting at measure 28.
    
    
    
    A slurred accompaniment in the reeds signals the beginning of the B section
  which, should be performed much softer, lyrical, and expressive compared to
  the material in the A section. Listen for the clarinet to emerge at measure
  29 and make sure that this melody is played out. At measure 37, the melody is
  passed to the flutes as the bottom of the ensemble drops out at measure 39.
  The trombones and bassoons take over the melody at 41. Make sure that this
  lower melody is still performed smooth and gently. At measure 45, the flutes,
  clarinets, and oboes take over the melody as the piece modulates and
  transitions back to the A section.
    
    
    
    The A theme returns at measure 54 in the upper woodwinds and upper brass.
  At measure 62, the A theme is passed to the low brass and low winds as the
  upper woodwinds play a rising counter melody. Make sure that all 8th notes
  are clearly articulated in the lower voices and that all slurs are properly
  executed in the upper voices. The coda begins at measure 70 with the return
  of the accented full band G minor chords heard at the beginning of the piece.
  The A theme is heard one final time at measure 74 and 75 as the piece comes
  to a close.
    
    
    
    Educational Goals of the Work
    
    -Differentiate between concert Ab and A and concert Eb and E 
    
    -Execute a variety of articulations including accents and slurs
    
    -Perform in minor sonorities

Twilight Empire

Fractured is an energetic fanfare for beginning band that explores the
  octatonic mode. The piece begins with an aggressive and intense full band
  unison motif before expanding into harmony in measures 3 and 4. Strive to
  make this section as heavy and dark as possible. At measure 6, the main
  melody and thematic motif is played in the alto saxes, tenor saxes, trumpets,
  and horns. The flutes, oboes, and clarinets join the melody four measures
  later at measure 10. This section should be driving and always pushing
  forward. After a brief decrescendo, the low brass and low winds play an
  altered version of the main motif at measure 14. Two measures later, the
  flutes, oboes, and clarinets take over the motif before passing it to the
  trumpets at measure 16. At measure 22, after a full band crescendo, the main
  melody returns with a countermelody in the flute and oboe parts. Keep this
  countermelody as smooth, melodic, and contrasting as possible.
    
    
    
    The B section of the piece begins at measure 30 as the texture is reduced
  down to flutes, clarinets, and percussion. Aim for smooth and melodic playing
  to create a strong contrast from the aggressive material in the beginning of
  the piece. At measure 38, the clarinets, alto saxes, tenor saxes, and horns
  take over the melody against a low wind bass line and flute and oboe
  countermelody. Make sure that each part is emphasized with equal importance.
  The main motif returns at measure 46 as the piece transitions back to the A
  section.
    
    
    
    At measure 50, the A section returns briefly before transitioning to the
  coda and the end of the piece. The coda begins at measure 58 with the unison
  full band motif from the beginning of the piece. At measure 61, full band
  chords are heard in the upper voices against the main motif in the lower
  voices. Aim for the lower voices to dominate this section. The opening motif
  returns one final time at measure 66 before the piece concludes.
    
    
    
    This piece was commissioned by Del Hubers for the 2021-2022 Brandon Valley
  Intermediate School 5th Grade Band in Brandon, South Dakota. Thank you for
  this opportunity to compose a piece for your students.
    
    
    
    Educational Goals of the Work
    
    -Differentiate between concert E-flat and concert E-natural 
    
    -Perform using non-traditional harmonies
    
    -Track motifs throughout the piece

Fractured

"Highway 99" by Kevin Hoff is a rousing piece for concert and contest settings, inviting performers into a journey of dynamic contrasts and exhilarating motifs. This composition will captivate audiences and showcase the ensemble's precision and passion. Ideal for advancing groups looking to elevate their repertoire with compelling, spirited music. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Highway 99

Evening Breeze is a lyrical piece for beginning band that uses only seven
  pitches. The piece begins immediately with the A theme performed by the
  woodwinds and percussion. Keep each quarter note light and sustain for the
  full duration. The full band joins the A theme at measure 9. Keep this
  section balanced, light, and smooth.
    
    
    
    The B theme begins at measure 17. Different voices in the band take turns
  playing the melody against the bass line. Have the bass line play their part
  out during any moving part in this section.
    
    
    
    At measure 33, the A theme returns in the woodwinds. The full band performs
  the A theme again at measure 41, but then crescendos to the climax of the
  piece at measure 48. Make this crescendo dramatic and exaggerated. The piece
  then fades away until the final fermata.
    
    
    
    Educational Goals of the Work
    
    -Interpret a lyrical piece of music
    
    -Perform a softer piece focusing on balance and blend 
    
    -Execute a variety of changes in dynamics

Evening Breeze

Have fun with your band this Halloween. Written to be playable by a young
  band to get the kids in the Halloween spirit. This piece uses the first six
  notes and has several percussion parts to keep your percussionists
  challenged. It is also playable by even the smallest bands with limited
  instrumentation.

October Monsters

Immerse yourself in "Colors" by Kevin Hoff, a vibrant addition to original concert works that captivates with its dynamic composition. This piece masterfully blends diverse musical hues to create an auditory palette that excites the senses. Ideal for ensembles seeking to showcase their expressive range and technical prowess. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Colors

"Little Symphony" by Kevin Hoff is a masterful composition perfect for concert and contest settings. This intricate piece weaves together elegant melodies and rich harmonies, challenging ensembles to showcase their technical skill and emotional depth. Elevate your performance with this captivating work that resonates with timeless musical sophistication. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Little Symphony

Instrument Family

Teach beginning strings on a budget with The Quarter Note Companion Level 1! This method includes materials for four instruments a full conductor score. Our logical approach builds rhythm skills through ensemble pulse and unison playing. Students get a step-by-step intro to their instrument, covering posture, sound production, and maintenance. The book introduces D major scale notes and simple rhythms, with 82 engaging songs/etudes. Teachers love it for its student-friendly pacing, clear skill progression, and extra resources like fingering charts, progress tracking, and QR-linked practice tracks. The QNC is affordable, effective, and easy to use!

The Quarter Note Companion for Strings

String Book

Teach sight reading on a budget with The Quarter Note Companion Level 1 Sight Reading Book! Featuring 84 sight-reading drills for 14 instruments plus a full conductor score, this resource reinforces music reading skills through repetition and progression. Designed to complement most beginning band method books, it builds student confidence, encourages true note reading over memorization, and prepares musicians for more complex music. With a single purchase, teachers can print unlimited copies, making it an affordable and effective tool for any band program.

84 Sight Reading Drills

The Jingle King is an approachable piece of Christmas sheet music that
  only uses seven pitches. The piece is based off of the Christmas carols Good
  King Wenceslas and Jingle Bells.
    
    
    
    The piece begins with an accented fanfare that quotes the beginning of Good
  King Wenceslas. Two measures later, the music drops to mezzo piano before
  growing back to forte two measures later. Make these changes in dynamics and
  articulations very clear. The melody to Jingle Bells begins at measure 13 and
  is passed around the band. When rehearsing this piece, make sure that all
  melody parts are strongly performed.
    
    
    
    The B section starts at measure 29, which is based off Good King Wenceslas.
  Like the beginning of the piece, the melody is passed around different
  sections of the band. At measure 45, the piece begins to transition back to
  the A section and back to Jingle Bells. The return of the Jingle Bells melody
  occurs at measure 49 and is performed at forte in the full band.
    
    
    
    Educational Goals of the Work
    
    -Differentiate between melodic, harmonic, and bass line material 
    
    
    
    -Execute a variety of changes in dynamics
    
    
    
    -Perform basic part independence

The Jingle King

"Snowy Ride" by Kevin Hoff is a magical journey through a winter wonderland. This original concert work weaves intricate melodies and dynamic rhythms to capture the essence of a crisp, exhilarating sleigh ride. Perfect for ensembles seeking to add a touch of seasonal charm to their repertoire. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Snowy Ride

Experience the magic of the season with "Snowy Fields" by Kevin Hoff. This enchanting Christmas &amp; Holiday composition captures the serene beauty of a winter landscape, weaving delicate melodies that warm the heart. Perfect for festive concerts and gatherings, it brings the joyous spirit of the holidays to life. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Snowy Fields

Introducing "Frolic" by Kevin Hoff, an exhilarating original concert work that captures the essence of playful adventure. This piece masterfully weaves intricate melodies with dynamic rhythms, making it a captivating choice for concerts and competitions. Elevate your ensemble's repertoire with this vibrant and spirited composition. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Frolic

The Quarter Note Companion Theory Book is the perfect music theory supplement for your beginning band class! Each instrument-specific book focuses on the essential skills needed for that instrument, aligning with the songs in the Quarter Note Companion First Level Method Book. With 35 pages of thoughtfully sequenced activities, this resource reinforces note reading, counting, fingerings, error detection, composition, and more. It’s an excellent tool for sub plans and helps solidify concepts taught during ensemble rehearsals, ensuring students build a strong musical foundation.

Instrument Specific Theory Supplement for Strings

Help your students develop musicality beyond just notes and rhythms with The Quarter Note Companion Chorale Book! Featuring 49 chorales of increasing difficulty, this resource reinforces blend, balance, part importance, phrasing, and intonation. With a student-focused approach, skills build progressively through repeated practice, ensuring steady growth and success. Plus, it's budget-friendly—buy once and print for your entire class, eliminating the hassle of forgotten books!

Beginning Strings Chorale Book

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