Concert Band Music

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Vocal Solo with Concert Band

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LudwigMasters Publications

This work has become a jazz standard over the years and is the perfect vehicle for your band's vocal soloist. It may be played without the vocalist if you wish, with no cuts or substitutions necessary.

Back Home Again in Indiana

Concert Band Score & Parts

Copyright Year

Tierolff-Muziekcentrale BV

This beloved Christmas song from the early 1950s has become a seasonal standard known for its warm, cheerful melody and instantly recognizable charm. In this concert band version with optional vocal solo, the sparkling tune and classic holiday spirit shine through. The result is a festive, crowd‑pleasing highlight for any high school Christmas concert.

It's Beginning to Look a Lot Like Christmas

Alfred Music Publishing

George and Ira Gershwin's classic song featuring a male or female vocalist (or optional Eb or Bb instrumentalist) will be an unforgettable moment in your concert.  Sassy, smooth and classy!

They Can't Take That Away From Me

Concert Band Score & Parts Solo M

Baton Music

La Traviata tells the story of the young and beautiful courtesan Violetta who falls in love with Alfredo, an ordinary and poor young man. She leaves her luxurious live for him and finally offers her love for the sake of the future of Alfredo's family. Addio del passato (Farewell past) is a beautiful aria sung by Violetta in the last act of the opera: Violetta is now poor and about to die and sings a farewell to her happiness with Alfred

Adio del passato

Concert Band Part soprano and wind ensemble

The opera 'Macbeth' was first performed in Florence in 1847. A second revised version was premiered in the Paris Theatre Lyrique in 1865. The aria  'Comme dal ciel precipita' is sung by Banco in the fourth act: A gang of murderers lie in wait. Banco is apprehensive ('Come dal ciel precipita' 'O, how the darkness falls from heaven'). He is caught, but enables his son Fleanzio to escape.

Come dal ciel precipita

Concert Band Part Bass and Concert Band

La Sonnambula is the first of Bellini's major opera's. The first performance took place in 1831 at the Teatro Carcano in Milan.The aria Vi ravviso, o luoghi ameni is sung in the first act: Count Rodolfo visits the place in which he spent a happy childhood; virtually a land of lost contact. The aria demands suavity and smoothness of vocal line.

Vi ravviso, o luoghi ameni

Concert Band Part with bass vocal solo

Die Zauberflte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement.Not love between two people is in the centre but a more individual and higher form of it that should exist between all people.The comic duet Pa pa pa is placed at the very end of the opera: Papageno and Papagena are reunited, despite Papageno's failure to maintain silence, one of the trials he had to undergo to be accepted into the brotherhood of the temple.

Pa pa pa

Concert Band Part with soprano and baritone vocal solos

Nessun dorma (Fanfare)

Du bist die Welt fur mich

Concert Band Part

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Maslanka Press

A Carl Sandburg Reader

One of the musical highlights from Franz von Supp's operetta 'Boccaccio' is the aria 'Hab'ich nur dein Liebe' wich is sung by Fiametta. It's a beautiful small aria which has come repertoire for many famous soprano's all around the world and was even used as a the title for an Austrian music film about Supp and Offenbach in 1953.

Hab' ich nur deine Liebe

If we say that zarzuela is Spanish light opera with spoken dialogue we shall be near the mark. Frederico Chueca composed many Zarzuela's. The aria Schotis del Eliseo madrileo is from his zarzuela La Gran Via.

Schotis del Eliseo madrileno

Concert Band Part with Soprano Solo

Min's aria Si, Mi chiamano Mim is heard in the first act of Puccini's opera La Bohme. She introduces herself to Rodolfo: she is called Mim but her real name is Lucie Louvet, a famous model suffering an illness that will kill her near the end of the opera.

Si, Mi chiamano Mimi

Rinaldo was the first opera Georg Friederich Hndel produced for London and the first Italian opera composed specifically for the London stage. Even now it's still one of his most performed opera's. In the aria  Lascia ch'io Pianga sings kidnapped Almirena, the beloved of Rinaldo, her tragic fate in the enchanted garden of Armida (the ally of Rinaldo's rival Argante). The melody of this beautiful aria is known worldwide and for example used in the soundtrack of the movie Farinelli.

Laschio ch'io pianga

Seolta Music Limited

'Donde Lieta Uscì' (Mimi's Farewell) from Act 3 of Puccini's opera La Bohème arranged for soprano and concert band by Brendan Power. 
 
In this aria Mimi bids her lover Rodolfo a tearful farewell - however Mimi, suffering from tuberculosis and very close to death soon passes away in his embrace after singing of their undying love for each other.

Donde lieta (from 'La Boh?me')

Concert Band Score & Parts with Solo Soprano Voice

"Return to Sorrento" ("Torna a Surriento") is a celebrated Neapolitan Song by Ernesto De Curtis arranged for tenor solo and concert band by Mark Armstrong.

Return To Sorrento

Concert Band Score & Parts with Solo Tenor Voice

Jerry Bilik Music Inc

Ogden Nash Suite

Core 'n Grato (Ungrateful heart) written in 1911 by Salvator Carfillo for Enrico Caruso, has remained a staple of the Italian tenor concert repertoire, having been recorded by Corelli, Domingo, and Pavarotti.

Core 'n Grato

Concert Band Part with tenor vocal solo

'Frhlingsstimmen' ('Voices of Spring') op. 410 is a waltz by Johann Strauss  that was written in 1882. The work was intended as a waltz with a solo voice accompaniment (as opposed to a choral waltz) of whom the famous coloratura soprano Bertha Schwarz (stage name Bianca Bianchi) was to sing the waltz at a grand matine charity performance at the Theater an der Wien. Bianca Bianchi was then a famous member of the Vienna Court Opera Theatre and Strauss was sufficiently inspired to compose a new work for the acclaimed singer as well as to write a waltz for solo voice. The result was his world-renowned 'Frhlingsstimmen' waltz which glorified spring and remained one of the classical repertoire's most famous waltzes.

Fruhlingsstimmen

Concert Band Part with soprano solo

Catalani's most celebrated aria for the opera La Wally in an arrangement for soprano and concert band by Mark Armstrong. (Please note that this arrangement is in the key of Eb - down one semitone from the original key of E). 
 
La Wally, an opera in four acts by composer Alfredo Catalani, to a libretto by Luigi Illica, tells the story of Tyrolean painter Anna Stainer-Knittel. The opera is best known for its aria "Ebben? Ne andrò lontana" ("Well, then? I'll go far away,") from Act 1 when Wally decides to leave her home in Austria forever.

Ebben? Ne andro lontano (from 'La Wally')

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