Cor Meum et Caro

Rameau followed in the French Baroque tradition of composers Du Mont, Lully, Charpentier, and Delalande, setting non- or para-liturgical texts for his contribution to this genre.  Four grand motets are attributed to Rameau and this piece is from Quam Dilecta.  Having a quasi-secular flavor, it is likely that these were intended more for concert performance rather than strict liturgical surroundings. Performing the piece with the string orchestra adds strength and color to the work. For high school, community and college choirs.  Medium difficulty.