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Thomas Keesecker
This well-known 13th-century text is the basis for the opening stanza, followed by a fine new text for stanzas two and three. Set for unison voices with an optional second part, it is easily adapted to performance by treble or mixed …
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Unison Octavo
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This well-known 13th-century text is the basis for the opening stanza, followed by a fine new text for stanzas two and three. Set for unison voices with an optional second part, it is easily adapted to performance by treble or mixed voices. The accompaniment, for organ or piano, adds nice touches of color.