Edna Yeh

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Large Print Edition

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Prop65

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A lyrical setting of Christina Rossetti's poem, originally written for a memorial service. Flowing melodies and a supportive piano accompaniment make this an excellent choice for any choir.

Remember

SATB Octavo

Five humorous texts from Alice Duer Miller's 1915 book, "Are Women
  People? A Book of Rhymes for Suffrage Times."

Are Women People?

SSA Octavo

A passionate setting of Alice Meynell's poem on unrequited love.

Renouncement

SSAA Octavo

Written for women's chorus, this setting of Sara Teasdale's contemplative text begins with a delicate, dreamy texture, and builds to the fullness of night. The independent piano part plays a featured role in setting the scene, with raindrops and bird calls woven into the texture.

Twilight

<p>Written for a memorial service, this setting of the popular poem can be performed with either string quartet or piano accompaniment.</p>

Miss Me, But Let Me Go

In Emily Dickinson's poem, Death is the great equalizer; arbitrary classifications like race and religion are mere human artifacts. This setting for advanced women's chorus alternates aleatoric sections with more traditional techniques to create a powerful statement on equality. Featured in the Project Encore catalog.

Color - Caste - Denomination -

SSSSAAA Octavo

An exciting double-chorus fanfare for women's chorus.

Hodie

Henry Wadsworth Longfellow's sentimental poem describes an idyllic family
  life. In this setting for a cappella chorus, warm harmonies outline the
  poet's inner thoughts, in contrast with the playful energy of his beloved
  daughters.

The Children's Hour

A setting of Yvo Barry’s 16th century tale of unrequited love. Shifting meters highlight the rhythm of the words, and a virtuosic soprano solo at the climax of the piece conveys the passion and fire of the text.

Quando Son Piu Lontan

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