Dukas: Fanfare To La Péri
A brilliant, tightly constructed brass fanfare composed in 1912 as the ceremonial prelude to Dukas’s final major work, the ballet La
Péri.
⭐ What the Fanfare is
• A standalone brass ensemble piece scored for 4 horns, 3 trumpets, 3 trombones, and tuba.
• Written specifically to announce the ballet—not as incidental music, but as a formal prelude with its own identity.
• A compact, rhythmically incisive, harmonically bold work that encapsulates Dukas’s late style: refined, economical, and
brilliantly orchestrated.
🎺 Musical Character
The fanfare is beloved by brass players because it is:
1. Majestic and ceremonial: Built from bold triadic calls and antiphonal exchanges between trumpets and horns.
2. Rhythmically driven: The opening motive—short‑short‑long—propels the entire piece.
3. Harmonically rich: Dukas avoids simple fanfare clichés; instead, he uses chromatic voice‑leading and shifting harmonic planes
that give the music a sense of grandeur without bombast.
4. Architecturally tight: Despite its brevity, the fanfare is meticulously crafted, with motivic unity and a clear dramatic arc.
📜 Why it’s so often performed alone
• It’s self-contained and makes a perfect concert opener.
• Brass ensembles love it for its virtuosic writing and sonic impact.
• It adapts well to various brass configurations (quintet, choir, octet), which is why so many arrangements exist.
🎧 If you want to listen
Recordings are widely available; many orchestras and brass choirs feature it prominently. (The YouTube performances in the
search results are representative.)