Flávio Régis Cunha

Audio Available

Component

Delivery

Eprint Folders

Format

Grade

Item Sequence

Large Print Edition

Marketed Status

Minimum Sell Quantity

MINTS Data Available

Product Line

Prop65

Score Available

Video Available

Voice

Voice Category

Voice Subcategory

Illuminate Your Choir's Performance with "This Little Light of Mine"!

Are you ready to bring a radiant spark to your choir's repertoire? Dive into the vibrant world of "This Little Light of Mine," a stunning African American spiritual that shines like never before in this fresh, exhilarating arrangement by Flavio Regis Cunha.

What Makes This Arrangement Special?

- Vibrant SATB A Cappella: Elevate your choir's sound with rich divisi harmonies that create a captivating and dynamic performance.
- Advanced-Intermediate Level: Perfectly balanced for choirs aiming for an inspiring yet achievable challenge.
- 12 Pages of Pure Joy: From the first note to the last, experience a powerful blend of sacred and jazz influences that will uplift and energize your ensemble.

Arranged by Flavio Regis Cunha

Why Choose This Arrangement?

- Perfect for Church, Theatre, and School Choirs: Whether you're performing in a sacred setting or a festival, this arrangement is designed to shine in any venue.
- Rehearsal Piano Part Included: Easily prepare and perfect each performance with the helpful rehearsal piano part.

Get your hands on this brilliant piece today! 

Let your choir's voices glow with this vibrant arrangement and make every performance unforgettable!

Order now and let your choir illuminate the stage with "This Little Light of Mine"!

This Little Light of Mine

SSAATTBB Octavo

Instrument

The St Matthew Passion (German: Mattheus-Passion), BWV 244, is a Passion,
  a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices,
  double choir and double orchestra, with libretto by Picander. It sets
  chapters 26 and 27 of the Gospel of Matthew (in the Luther Bible) to music,
  with interspersed chorales and arias. It is widely regarded as one of the
  masterpieces of classical sacred music. The original Latin title Passio
  Domini nostri J.C. secundum Evangelistam Matthum translates to "The
  Passion of our Lord Jesus Christ according to the Evangelist Matthew
  Originally for alto voice, violin solo and string orchestra. In this
  arrangement the alto solo part was written for violoncello solo. 
    
    
    
    The arias are in da capo format (ternary form). "Erbarme dich",
  for alto, and "Mache dich, mein Herze, rein", for bass, are
  examples of such arias in Part Two of the oratorio. In these movements the
  singers are accompanied by one or a few solo instruments and continuo,
  occasionally completed by other instrument groups of the orchestra.

Erbarme Dich, mein Gott

String Orchestra String Pack/Additional String Set

This is a music of great beauty and exuberance. In this new arrangement,  based on the Berlin edition: Bote &amp; Bock, and the Kalmus edition, the  arranger Flavio Regis Cunha sought to follow Mascagni's intentions when  orchestrating his Easter Hymn for full orchestra. There is nothing like this  original orchestration, where there are creative and powerful passages for  brasses and woodwinds and a string background during the middle section. The  work ends in a majestic and grandiose way with the woods and strings in the  high register, together with the beauty, the brightness and the impact of the  Timpani and the brasses. This score is certainly a great addition for your  orchestra. You and your orchestra will love playing this piece. Your audience  will be delighted. The work will be well received and can be used in the  Easter period or in services.                Orchestration                 2.2.2.2 - 2.2.3.1 - Timp - Choir SSATTB - Org - Str                 INSTRUMENTATION                 2 Flutes, 2 Oboes, 2 Clarinets in Bb,2 Bassoons, 2 Horns in F, 2 Trumpets  in C, 2 Trombones, Bass Trombone, Tuba, Timpani SSATTB Choir, Organ,  Strings.﻿

Easter Hymn from Cavalleria Rusticana

Full Orchestra String Pack/Additional String Set

Ensemble

"O Holy Night" (also known as "Cantique de Noel") is  a well-known Christmas carol composed by Adolphe Adam in 1847 to the French  poem "Minuit, chretiens" (Midnight, Christians) by poet Placide  Cappeau (1808 - 1877). The carol reflects on the birth of Jesus as humanity's  redemption.

O Holy Night

Soprano Solo

Instrument Family

Instrument Type

This is a poignant arrangement for tenor saxophone with piano  accompaniment.                 The piano does not act simply as an accompanying instrument, but performs  solo parts in this much-loved hymn.                 This arrangement can be used in services, during preludes or postludes,  weddings and other liturgical situations.

Holy, Holy, Holy! Lord God Almighty

Saxophone Duet

This arrangement was written with new harmonies, new piano accompaniment
  with a variety of rhythms and proper tango language. Written for intermediate
  advanced level of cellists and pianists.
    
    
    
    Jalousie is a tango written by Danish composer Jacob Gade in 1925. Its full
  title is Jalousie 'Tango Tzigane' (Jealousy 'Gypsy Tango' ) and it soon
  became popular around the world and is today a classic in the modern
  songbook. The work consists of two themes, the first , a temperamental theme
  in D minor, followed by a lyrical section in D major, both with a typical
  tango rhythm.
    
    
    
    The composer claimed that the mood of the piece had been inspired by his
  reading a sensational news report of a crime of passion, and 'jealousy'
  became fixed in his mind.

Tango Jalousie

Cello Solo

Rameau: Les Boreades: "The Arts and the Hours" for Piano (as
  played by Vikingur Olafsson) C Major Version.
    
    
    
    Les Boreades is a tragedie lyrique mise en musique, or a lyric tragedy put
  into music, a type of opera, in five acts by Jean-Philippe Rameau (1683
  -1764). It is the last of his five such works. The libretto, attributed to
  Louis de Cahusac (1706 - 1759), is loosely based on the Greek legend of
  Abaris the Hyperborean and includes Masonic elements; the Boreades are the
  descendants of Boreas.
    
    
    
    'The Arts and The Hours' interlude from Rameau's final opera, Les Boreades,
  written in 1763 when Rameau was 80. 
    
    
    
    Olafsson played it on the piano because its colourful resonance because its
  colourful resonance allows for new and interesting textural possibilities in
  a piece that seems so ahead of its time: its rich harmonies of suspended 9ths
  and 11ths one could almost imagine Mahler writing in the late 19th century.
  In the original opera, based on a Greek legend, the interlude bears a
  somewhat lengthy title: "The Arrival of the Muses, Zephyrs, Seasons,
  Hours and the Arts." As all these mythical beings summoned to the stage
  have something to do with the arts and with time's passing, Olafsson allowed
  himself to call my transcription simply 'The Arts and the Hours', with a nod
  to the Greek aphorism best known in its Latin version as "Ars longa,
  vita brevis". Almost three centuries after his death, the legacy of his
  art is still growing, with works still being discovered, premiered and
  brought back from obscurity.

Les Boreades: The Arts and the Hours

Piano Concerto

The Concerto for Oboe and Strings in D minor, attributed to Alessandro
  Marcello, is one of the most performed oboe concertos in the repertory. It
  was written in the early 18th century and has become Marcello's most famous
  work. Bach wrote a keyboard transcription of the concerto. 
    
    
    
    
    
    The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for
  oboe, strings and continuo attributed to the Venetian composer Alessandro
  Marcello. The earliest extant manuscript containing Johann Sebastian Bach's
  solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.
  As a concerto for oboe, strings and continuo its oldest extant sources date
  from 1717: that year it was printed in Amsterdam, and a C minor variant of
  the concerto, S Z799, was written down.
    
    
    
    Bach's keyboard version was published as an arrangement of a concerto by
  Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe
  concerto was published as a composition by Benedetto Marcello, Alessandro's
  brother. In the second half of the 20th century several publications
  indicated Alessandro again as the composer of the piece, as it had been in
  its early 18th-century print, and the oboe concerto was again published in
  its D minor version.

ADAGIO from Concerto in D minor, BWV 974 for Violin and Piano

Violin Solo

The Keyboard suite in D minor (HWV 437) was composed by George Frideric Handel, for solo keyboard (harpsichord), between 1703 and 1706. It is also referred to as Suite de piece Vol. 2 No. 4. It was first published in 1733.The piece was used in an orchestral arrangement for Stanley Kubrick's Barry Lyndon. Dutch singer Petra Berger used the Sarabande as the musical setting for her song about Mary, Queen of Scots, "Still a Queen (In My End Is My Beginning)," from her album Eternal Woman (2001). An orchestral version was also used on the first episode of the 2018 television mini-series of Agatha Christie's "A.B.C. Murders", starring John Malkovich as Poirot.This beautiful arrangement for orchestra brings in its variations, an intercalation of orchestral forces and different climaxes. The first part of the theme starts on the strings accompanied by the continuum. The second part includes the metals and the tympani. In the first variation, the theme is played by a group of strings, within a chamber proposal. In the third variation, the strings give way to the woodwinds, where horns, trombones talk to the woodwinds. In the fourth variation, the same group of winds remains, but they are accompanied by the ow strings. Finally, in the last variation, the orchestral force appears with brilliance and intensity.

Sarabande HWV 437

Lascia ch'io pianga (Let me with tears), from the opera Rinaldo, is one  of the most famous and beautiful arias of the Baroque period. Its first  performance was in 1711 in London. It was composed by the German composer  Georg Friedrich Hndel. Although he used this tune as early as 1705, in the  oratorio "Il Trionfo del Tempo e del Disinganno"  "Lascia la  spina, cogli la rosa", with the libretto by Giacomo Rossi a masterpiece  was created  "Lascia ch'io pianga". The soprano part was based on  the film Farinelli.

LASCIA CH'IO PIANGA

"Air on the G String", also known as "Air for G
  String" and "Celebrated Air", is August Wilhelmj's 1871
  arrangement of the second movement of Johann Sebastian Bach's Orchestral
  Suite No. 3 in D major, BWV 1068.
    
    
    
    The arrangement differs from the original in that the part of the first
  violins is transposed down so that the entire piece can be played on just the
  violin's lowest string (the G string). In performance, that part is generally
  played by a single violin (instead of by the first violins as a group).

Air on the G String

This is a brand new arrangement to be sung at your next Christmas  performance. Conducting voices is different to each stanza with challenging  counterpoints for each voice. You, your choir and your audience will love to  sing and hear this arrangement. Grade-3.

Adeste Fideles

SATB Octavo

Introducing 'Erbarme dich mein Gott – from Matthäuspassion', for piano solo – a truly unique sheet music perfect for any pianist, amateur or professional. This moving and powerful piece is sure to be an amazing addition to your repertoire! With its distinct and beautiful melody, it’s sure to leave a lasting impression on all those who listen. Perfectly arranged for solo piano, this is an incredible work of art that you won’t want to miss! Buy Now and start enjoying this unique music today.

Aria Erbarme dich mein Gott

Immerse yourself in the elegance of Baroque with the "Gavotte from Partita No. 3" expertly arranged for piano solo. This timeless piece composed by Johann Sebastian Bach offers pianists a delightful challenge, capturing the refined grace of the original string composition in a fresh, engaging interpretation for the keyboard. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

GAVOTTE from Partita n. 3 (for Piano Solo)

Piano Solo

Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.

Do you want to bring Georg Friedrich Handel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras, 'Handel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.

Advanced Intermediate 
Format: Concert, 9 x 12 inches
44 pages
Full Score and Orchestral Parts  (0.2.0.1  0.1.0.0  harpsich. str.) + Trumpet and Continuo reduction
4 min.

Programmatic Interpretation

The 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.

Ouverture to the Opera Atalanta

String Orchestra Score & Parts

Leopold Kupelweiser was the son of Johann Baptist Georg Kilian
  Kupelwieser (17601813), co-owner of a factory that produced tableware. His
  talents were recognized at an early age by the sculptor Franz Anton von
  Zauner and by the time he was twelve, he was already attending the Academy of
  Fine Arts, Vienna.
    
    
    
    His brother was the theatrical director Joseph Kupelwieser, who wrote the
  libretto for Schubert's opera Fierrabras. With his brother, Joseph, he was a
  member of the "Schubertianern" (friends of Franz Schubert), a group
  that often got together for summers at the Schloss Atzenbrugg, west of
  Vienna. In 1826, Leopold married Maria Johanna Evangelista Augustina
  Stephania Theodora Lutz, an occasion which was marked by Schubert's
  composition, the "Kupelwieser Waltz" (never written down, but
  passed along by the family and later transcribed by Richard Strauss).
    
    
    
    Here we offer a beautiful arrangement for piano written by Richard
  Straus.You and your audience will love playing this piece.
    
    
    
    Intermediate.
    
    Format: Concert, 9 x 12 inches.
    
    4 pages.

Kupelwieser Waltz - Waltz in G-flat major,

Vikingur Olafsson made an unforgettable impact on the music world with
  the release of his first three Deutsche Grammophon albums: Philip Glass  Piano Worksa(2017), Johann Sebastian
  Bacha(2018) and Debussy  Rameau
  (2020), all of which earned the Icelandic pianist global critical
  acclaim.
    
    For his fourth DG album, Mozart &amp; Contemporaries, set for release on 3
  September 2021, the multi-award-winning Olafsson has devised a
  characteristically thought-provoking programme. It features a selection of
  his favourite Mozart keyboard works, including the Sonata in C minor K457 and
  Adagio in B minor K540, together with pieces by other leading composers of
  the day: Haydn, C.P.E.aBach and the lesser-known Galuppi and
  Cimarosa.
    
    The Mozart works are taken from the last ten years of the composer's life,
  by which time, as Olafsson explains, "Mozart was not just perfecting the
  Classical tradition but subtly subverting it. 
  The shadows are darker, the nuances and ambiguities more
  profound."
    
    Ave verum corpus (Hail, true body), (K. 618), is a motet in D major
  composed by Wolfgang Amadeus Mozart in 1791. It is a setting of the Latin
  hymn Ave verum corpus. Mozart wrote it for Anton Stoll, a friend who was the
  church musician of St. Stephan in Baden bei Wien. The motet was composed for
  the feast of Corpus Christi; the autograph is dated 17 June 1791. It is
  scored for SATB choir, string instruments and organ.

Ave Verum Corpus

Beautiful transcription of the world-renowned Cavatina of the Opera  "Norma" Casta Diva arranged for the string orchestra.

Casta Diva

This is a transcription of the beautiful "Larguetto e Piano"  that is part of The Concerti Grossi, Op. 6, or Twelve Grand Concertos, HWV  319 -330, are 12 concerti grossi by George Frideric Handel for a concertino  trio of two violins and violoncello and a ripieno four-part string orchestra  with harpsichord continuo.                Here we present a brand new edition, for strings and realized continuo,  which was based on the edition of Hallische Handel-Ausgabe, (Deutsche  Handelgesellschaft).                It is a very useful piece for concerts, presentations and weddings. Your  audience will be delighted.                INSTRUMENTS                Harpsichord, Violin, Viola, Cello, Double Bass, String Orchestra, Violin,  Viola (optional violin 3), Violoncello, Double Bass and Continuo (harpsochord  realized)                FORMAT                Score, Set of Parts                GENRES                Baroque Period, Wedding, Recital

Larghetto e piano

Waltz No. 2 – From Jazz Suite No. 2 by Dmitri Shostakovich
 
Bring the timeless elegance of Shostakovich's Waltz No. 2 to your orchestra with this meticulously arranged edition. Known for its sweeping melodies and rich harmonies, this beloved piece blends classical sophistication with a touch of jazz flair. This well-known and appreciated Shostakovich's Waltz gets a version with optional solos between the wind instruments, in case your orchestra doesn't have the necessary saxophones for the performance. Obviously, Shostakovitch thought for his waltz the insertion of alto and tenor saxophones, to give his waltz a tasty jazz freshness.
 
In this arrangement, we follow the original score and the composer's intentions as much as possible. You, your orchestra and your audience will love playing and listening to this beautiful jazz waltz.
 
New edition with clean dynamics indications and optional solo parts between the wind soloists. This arrangement offers optional solo parts for wind instruments, ensuring flexibility for orchestras without saxophones while preserving the brilliance of the original score.
 
Perfect for concert performances, recitals, and professional ensembles, this edition follows Shostakovich’s original intentions while providing cleanly engraved notation and refined dynamic markings for an exceptional playing experience. Let your orchestra and audience be transported by the enchanting dance of this unforgettable waltz.
 
Includes:
- Full orchestral score and parts
- Optional trumpet parts in C
- Clear dynamics and phrasing for an authentic performance
 
Format: 9 × 12 inches, 121 pages
 
Elevate your repertoire with this captivating and expressive masterpiece—order your copy today!

Waltz 2

Full Orchestra Score & Parts

Global Sections - CORE [DO NOT TOUCH]*

Favicon

Need Help? Contact Us or call 1-800-345-6296    Live Chat

Header

Don't have a business account? Create one

Products