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Piano reduction and fingering by Andras Schiff.  Includes a cadenza by the composer.

Piano Concerto in A Major, K. 488

Piano Duet-2 Pianos, 4 Hands

Edited by Peter Jost. For 2 violins, viola cello. Published here in an Urtext Edition for the first time since 1955. Set of parts available separately. Miniature study score, 51 p.

String Quartet in F Major, Op. 96

2 Violins, Viola, Cello Quartet Set of Parts

The circumstances in which these poetic Soiree Pieces (thus their original title) came into being are quite surprising. In 1949, Dresden was seized by violent political turmoil that ultimately forced Schumann to flee with Clara to the countryside. Yet none of this is apparent in the music of these three pieces, whose idyllic character signifies a longing for harmony and seclusion. Originally conceived for the clarinet, they were accompanied by alternate parts for violin and cello. This edition contains parts for either B-flat or A clarinet.

Fantasy Pieces, Op. 73

Clarinet Solo with Piano Clarinet in A or B-flat

Rieding's short concert pieces for violin and piano, written at the start of the twentieth century especially for beginners on the instrument, have maintained their place in lessons and class recitals. Remaining in first position, the B-minor Concerto, op. 35 is an ideal first concerto for students. For this Urtext edition, based on the first printing, Slovenian Rieding specialist Marusa Zupancic contributes an interesting preface on the composer.

Concerto in B Minor, Op. 35

Violin Solo with Piano

This charming work with Mendelssohnian character has firmly established itself in the trombone repertoire and is today one of the standard international audition pieces.

Concertino in E-flat Major, Op. 4

Trombone Solo with Piano Reduction

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The world-famous pianist András Schiff, a most familiar name to Bach fans on account of his complete recordings of Bach's piano works, has provided fingerings for both parts of the Well-Tempered Clavier. He discusses aspects of performance practice in a detailed preface. The basis for the musical text was Henle's revised edition of Part I published in 1997 and Yo Tomita's revision of Part II (spring 2007). A detailed commentary rounds off the editions. Both parts of the Well-Tempered Clavier are also available as Henle Urtext editions without fingerings and as study editions.

Well-Tempered Clavier, Book 1

Piano Solo Collection w/fingerings-Paperback-Revised

Beethoven's 32 piano sonatas are often referred to as the “New Testament of Music” (Hans von Bülow). Since the publication of our complete edition in two volumes, experts have praised it as being the most reliable Urtext edition. Its contents: an almost inexhaustible wealth of pianistic, musical flights of inspiration, predominantly high profile works – the Sonatas “Pathétique,” “Moonlight,” “Storm,” “Appassionata,” “Waldstein,” “Hammerklavier.” Even if one will never be able to play them all, the acquisition of the “New Testament” is always worthwhile, whether clothbound, paperbound, or as a study edition in the Henle Urtext.
 
Sonata in F Minor, Op. 2, No. 1; Sonata in A Major, Op. 2, No. 2; Sonata in C Major, Op. 2, No. 3; Sonata in Eb Major, Op. 7; Sonata in C Minor, Op. 10, No. 1; Sonata in F Major, Op. 10, No. 2; Sonata in D Major, Op. 10, No. 3; Sonata (Grande Sonata Pathetique) in C Minor, Op. 13; Sonata in E Major, Op. 14, No. 1; Sonata in G Major, Op. 14, No. 2; Sonata in Bb Major, Op. 22; Sonata in Ab Major, Op. 26; Sonata in Eb Major, Op. 27, No. 1; Sonata (Moonlight) in C# Minor, Op. 27, No. 2 and Sonata (Pastorale) in D Major, Op. 28.

Piano Sonatas, Vol. 1

Piano Solo Collection

At the end of the eighteenth century, cellist and composer Jean-Baptiste Bréval wrote not only virtuosic concerti for his instrument, but also easier sonatas and duets that still belong to the core repertoire of pedagogical cello literature. Opening with impressive chords, the Sonata in C-major op. 40 no. 1 also offers beginners the chance to savor beautiful melodies and master smaller shifts in position.
 
The Parisian first edition of 1799 leaves the choice of accompanying instrument open. For this reason, this Urtext edition offers several options: a two-part score from which a second cello may comfortably provide accompaniment during lessons, as well as a moderate setting for piano that may be used in concerts. Rounding off this starter kit for cello literature is a carefully marked solo part.

Sonata in C Major, Op. 40 No. 1

Cello/String Bass Duet

Kol Nidrei numbers among Max Bruch's most famous compositions. The melancholy "Adagio after Hebrew melodies" was written in 1880 for the cellist Robert Hausmann. It sings two old Jewish songs using the tenor cello sound as the voice of a Jewish cantor. In this text, based on the first edition of 1881, "Kol Nidrei" appears for the first time in an Urtext edition substantiated by scholarly research, for which musical sources, letters, and documents from the Max Bruch Archive were consulted.

Kol Nidrei, Op. 47

Cello Solo with Piano

Published in early 1806, Kreutzer's "40 Études ou Caprices" for violin are the product of his years-long employment at the Conservatoire de Paris. Their systematic and complete reappraisal of essential violin technique make them an indispensable tool of the trade for every serious student of the violin at the conservatory level. The virtuoso violinist and pedagogue Ingolf Turban acted as a consultant for this Urtext edition, furnishing modern markings to provide an ideal foundation for contemporary violin instruction.

42 Etudes for Violin Solo

Violin Solo

To this day, Pierre Rode's  “Caprices” are a milestone in every violinist's education conservatory level. This Urtext edition offers detailed text regarding source material and historical annotations. Rode specialist and violinist Friedemann Eichhorn contributed fingering and bowing suggestions ideal for contemporary violin instruction.

24 Caprices

Violin Method Book

With this one-movement concertino, Oskar Rieding turns to already advanced students of the violin. Aside from playing in third position, it also requires a considerable degree of dexterity and mastery of bowing. The Hungarian style mentioned in the title alludes to the fact that Prussian-born Rieding gave more than three decades of service at Budapest's National Theatre. Its marked rhythms recall Hungarian folk music and will appeal to more spirited young violinists.

Concertino in A Minor in Hungarian Style, Op. 21

To mark the 150th anniversary of Debussy's birth in 2012, Henle presents a tribute to his piano solo works in three volumes, available in softcover and hardcover.  All of the previously published single works by Debussy have been drawn together by Henle in these three volumes and arranged according to their date of composition.  Each of the three volumes contains true highlights for the piano.  Also included are the short and lesser-known works offering a glimpse of the modern composer, Claude Debussy, from a different angle.  Each volume contains a fascinating glossary with all of Debussy's vivid performance instructions translated into English and German.

Piano Works, Vol. 2

Piano Solo Collection Softcover

“With humor, slow and tender, extremely brisk”: the very expression marks of the Op. 12 “Fantasy Pieces” illuminate their musical universe, a kaleidoscope of ideas and moods. Our revised new edition presents not only the eight original pieces, but also an appendix containing a ninth piece that Schumann excised during the final stages of publication. Several of the composer's friends, including the work's dedicatee Robena Ann Laidlaw, played some of Op. 12 in public before it appeared in print. Later the work achieved rapid and widespread popularity. Perhaps the greatest compliment came from Franz Liszt, who excitedly wrote to the composer, “Your 'Fantasy Pieces' have captured my interest in an extraordinary way. I play them truly with delight, and Lord knows there are not many things of which I can say the same.”

Fantasy Pieces, Op. 12

Piano Urtext Edition

Piano Works, Vol. 3

To mark the 150th anniversary of Debussy's birth in 2012, Henle presents a tribute to his piano solo works in three volumes, available in softcover and hardcover.  All of the previously published single works by Debussy have been drawn together by Henle in these three volumes and arranged according to their date of composition.  Each of the three volumes contains true highlights for the piano.  Also included are the short and lesser-known works offering a glimpse of the modern composer, Claude Debussy, from a different angle.  Each volume contains a fascinating glossary with all of Debussy's vivid performance instructions translated into English and German.

Piano Works, Vol. 1

Two evergreens of the violin repertoire, with moderate technical demands, prepared using the first editions, and with fingering by the British violinist and Elgar scholar Rupert Marshall-Luck.

Chanson de nuit; Chanson de matin, Op. 15

Piano reduction and fingering by Andras Schiff. Cadenzas by the composer.

Piano Concerto in G Major, K. 453

Obermann, the epistolary novel by the French Romantic Senancour, inspired Liszt to write the first volume in his collection Annees de Plerinage (HN 173). A wanderer is searching for his ideals in the solitude of the Swiss mountains. The composer was able to identify with these ideas to such a great degree that he prefaced the eighth piece (Le Mal de Pays) with an extract from the novel's 38th letter. It is this text which also accompanies our edition of the sixth piece Vallee d'Obermann. To aid comprehension we have also included translations of the French orginal into German and English. Now the most important composition in the Annees I is also available in a separate Henle urtext edition.  27 p.

Vallee D'obermann

Piano Solo

Oboe Quartet in F Major, K. 370 (368b)

Chamber Music Miniature Score Henle Urtext Edition

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