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It’s not easy to bring a fresh idea to a tune that’s been arranged hundreds of times, but that’s precisely what Cook has done with “How Can I Keep from Singing.” An appealing piano accompaniment figure unties the entire work while Cook patiently builds and develops her musical ideas. The music is accessible and consistently singable. Great for developing choirs.

How Can I Keep From Singing?

SATB Octavo

Discover the enchanting melodies of "Joy Never Leaves" by Christopher Harris. This  secular concert piece captivates with its uplifting harmonies and spirited composition, perfect for engaging young musicians and audiences alike. Elevate your ensemble's performance with this radiant work that celebrates the enduring spirit of joy. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Joy Never Leaves

"Step to the Fiddle" by Martha Hill Duncan is a lively, engaging piece perfect for  secular concerts. This composition vividly captures the essence of vibrant rhythms and melodies, making it an excellent choice for ensembles looking to showcase their dynamic range and spirited performance style. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Step to the Fiddle

SSA Octavo

This piece captures the nonbinary and nonsingular mystery and grandeur of the divine creating force: Mother Nature. It features a blend of traditional choral vocal technique and elements of modern pop singing and will highlight creative soloists in the ensemble.

They Are Mother

SATB Octavo divisi with SA soli & piano

A beautifully written piece, "Neither Angels, Nor Demons, Nor Powers" is a lovely statement of faith and can be programmed either as a moving memorial or simply as an affirmation of belief. This piece gives the men and women an opportunity to work as separate groups, but in tandem with each other. Great phrasing and text stress will bring out the nuances of this lyrical piece.

Neither Angels Nor Demons Nor Powers

With soaring harmonies and lyrical lines this piece illuminates the joy behind singing and the pleasure it brings. Your choir will enjoy performing this beautiful piece as much as your audience will enjoy closing their eyes and listening to it.

Always Singing

This exciting movement from the larger work "This Is How You Love" is rhythmic and motivic - individual voice parts come together to weave a tapestry of sound, stitching together two broken hearts. Hagen takes these few lines of text and expertly develops them into a work that your singers and audiences are sure to love.

Needle & Thread

The homophonic texture moves swiftly and easily through the text, and the poetic images of the sea are mirrored in the beautifully undulating harmonies. Frequent meter changes throughout the piece are never surprising, they serve to give the text speech rhythms, making the narrator's desire to go back to the sea clearly understood. This setting of the famous John Masefield poem is wonderfully suited for a high school or college choir.

Sea Fever

"Stardust" by B.E. Boykin is a captivating piece perfect for  secular concerts. This composition weaves a tapestry of harmonious melodies and intricate textures, engaging performers and audiences alike. Its emotive, celestial themes inspire a sense of wonder, making it a standout addition to any concert repertoire. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Stardust

Energize your concert repertoire with "JAM! (Jom-Ayuh-Mari!)" by Tracy Wong. This spirited composition infuses youthful zeal into  performances, blending dynamic rhythms and melodies. Perfect for secular concerts, it promises to engage performers and audiences alike, making each concert a lively and memorable experience. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

JAM! (Jom-Ayuh-Mari!)

Ignite your  multicultural spirit with "Singkap Siaga" by Tracy Wong. This composition weaves diverse cultural threads into a vibrant musical tapestry, celebrating global harmony. Perfect for educational settings, it encourages inclusivity and unity through the universal language of music. A must-have for any forward-thinking music curriculum. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Singkap Siaga

Jong Jong Inai is a Malay folk song about everyday life, with its origins from the state of Terengganu on East Coast of Peninsular Malaysia. Many communities in this state live by the sea and one would see children playing on the beaches. This Malay folk song is usually sung by children, passed down by their elders, while playing a game of tag. It is a hybrid story of nature, food, and a maiden’s incident. There are variations on the original meaning of this folk song, and this is one of them:
The song tells a story of a maiden, Mak Ipong (a maiden from the Rajawali village), who accidentally stubbed her big toe on the stump of the inai plant while bringing food to the Sultan.
This piece can be performed a semitone higher if needed. -Tracy Wong

Jong Jong Inai

Three-Part Treble Octavo

Introducing "Holding the Light," a transcendent choral piece by B.E. Boykin. This  sacred concert selection weaves together ethereal melodies and profound harmonies, crafted to inspire and elevate. Perfect for ensemble performances that seek to create a reflective and uplifting musical experience. Illuminate your concert repertoire with this radiant composition. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Holding the Light

This quirky and catchy piece features improvisation by a beatboxer, vocal percussionist, or instrumental percussionist and allows each choir to explore their unique artistic interpretation and non-traditional performance style… in chaotic joy!

RIUH (Chaotic Joy)!

This is an exciting and delightful piece for treble choir. The piano part is lovely, and the vocal lines are carefree and intriguing. A perfect piece for a festival choir!

I Started Out Singing

Sometimes simple adjectives best describe a piece: Bold, imaginative, fearless, expressive. These words all apply to Cook’s unaccompanied “For You I Will be an Island.” She opens the piece with an instantly memorable melody in the soprano voice, built around that melancholy interval, the minor 6th Passages of wordless chorus and delicate use of extreme tessituras result in a piece that is brilliantly “orchestrated” for voices.

For You, I Will Be An Island

SATB Octavo div. a cappella choir

“Over and Over” is a combination of popular and traditional music traditions. Canonic and catchy, this song is easy to learn. When life gets monotonous from social media, news, or other forms of boredom, “we” can come together as a communal “I” and unite in a single musical expression.

Over and Over

SSAA Octavo with TTB and/or synth bass

This unique concert round is a perfect blend of elements: minimal, mantra-like vocal material but crafted and paced in a masterful way. The optional djembe adds a lot of depth to this piece, and the climactic section calling for peace will send chills down your spine. "Gamaya" can be learned quickly and effectively for a festival context and provides enough depth of musicality for other concert experiences.

Gamaya

A modern reframing of a well-known folksong, this arrangement pays tribute to the victims of a 1973 tragedy in New Orleans.

The House of the Rising Sun

TTBB Octavo

This simple and catchy tune suggests the story of a person moving leisurely in a carefree manner (lenggang), like a water spinach (kangkung) swaying/dancing by the paddy field or marsh. It goes on to describe their return home from working at the fields only to eat plain rice.

Lenggang Kangkung

Two-Part Octavo 2-part treble, percussion (hand drum), opt. flute

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