Harry Bulow

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Adieu for Flute is a intermediate level solo work with beautiful lines. It has a modest range and is a great work for introducing young players to solo work.

Adieu for Flute

Flute Solo

Sonata for Piano is a three movement work with robust and challenging rhythms and beautiful lyrical lines. The composer was asked to compose a work that loosely resembles the Classical sonata ideal. While holding to this concept, it retains a strongly modern and contemporary tone. The three movements, I. Primal Impulses, II. Interludes, and III. Pointillistic Play cover many, if not most, of the contemporary musical developments of the middle to late 20th century piano music. The work could easily serve as a centerpiece for any recital.

Sonata for Piano

Piano Solo

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Chaconne for Strings is a beautiful work. It is not technically demanding and offers the developing string section a wonderful piece to showcase their skills. High school through professional players will love this piece.

Chaconne for Strings

String Orchestra Score & Parts

Taegeuk is crowd pleaser, often played as a closer to a concert. It has a good blend of technique and beautiful lyrical string writing. Taegeuk (takook) for Solo Cello was composed in 2024 for Kristen Yeon-Ji Yun, Professor of Cello at Purdue University. The term has a long and significant meaning for Koreans. Translated it means "supreme ultimate or great polarity/duality." Some see it as an icon of balance in life: light/darkness, joy/sadness, East and West, North and South, etc. The piece reflects its title in the contrast between the presto, outer sections, and the slower interior of the piece. The outer prestos are rhythmically robust, leaping from one register to another, constantly moving with very pronounced highs and lows. In contrast, the middle section featuring the Korean folksong "Arirang" is lyrical in nature, somewhat contemplative in design, and serves as a "balance" to the energetic prestos. Just prior to Arirang is an extended technique typically referred to as seagull sounds. It seemed appropriate to use the technique since Korea is surrounded by water on three sides of the peninsula. The composition is basically a ternary design where the two outer prestos are essentially equivalent in time to the middle andante section. While having three parts, the work is a contrast of two contrasting musical ideas.

Taegeuk for Solo Cello

Cello Solo Unaccompanied

Introduction and Allegro for Saxophone is a medium to advanced work for an instrumentalist looking for a piece that is lyrical as well as technical. It has beautiful lines and textures and is not overwhelming when it comes to technical demands. A must have for advancing saxophonists.

Introduction and Allegro for Saxophone

Saxophone Solo

Adieu for Clarinet is work with beautiful lines and textures. It's of medium difficulty and is a great first solo work for an advancing clarinetist.

Adieu for Clarinet

Clarinet Solo

Boulevard Blues is an up tempo jazz composition for two pianists. It uses a simple hymn tune as the basis for a series of variations. The work goes through a variety of jazz styles including blues, boogie-woogie, and progressive. Not too difficult to perform, it's a fun closer for any concert.

Boulevard Blues

Piano Duet-2 Pianos, 4 Hands

One might characterize High-Rise as industrial music for the piano. The composer sought to represent musically the development and construction of a skyscraper. At times, the work uses dense sonorities, jagged lines and figures as well as blocks of sound rather than chords to achieve its goals. Still, there are other moments in the piece where there is clear harmonic motion and pleasant tunes as the high-rise appears to be developing new levels built on each other. The work culminates in a section where the achievement is complete and the majestic design of a towering building is represented. High-Rise is a challenging work for the pianist looking for new directions in piano performance.

High-Rise

The Suite for Piano is a light-hearted work with jazz overtones. Consisting of three movements: I. First Impressions, II. Quiet Elegance and III. Purposeful Play, it reflects the 18th century suite that largely consisted of dance-style movements. The composer decided to base his modern suite on jazz-oriented harmonies and rhythms. The first Movement, I. First Impressions, is a jazz waltz, the second, II. Quiet Elegance, is a jazz ballad and the third movement, III. Purposeful Play, is minimalist in tone with the slower section consisting of jazz lines and harmonies. The various movements can be played as a whole or as independent pieces. It's a fun work for pianists of all ages.

Suite for Piano

Mixed Motives is an upbeat composition featuring catchy rhythms, lines and figures. While contemporary in style, it shows influences from minimalism, jazz and pop music. The work is eclectic in nature and borrows freely from a variety of contemporary styles. It was first presented as an improvisation by the composer and later developed into a formal written composition. It retains its improvisatory feel and energy. The work breaks itself down into three basic parts. The outer sections are quick moving with a slower more reflective interior. The composition would work well as an opener or closer to any recital.

Mixed Motives

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