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Let the rhythm section lay down an earthy groove in half-time funk. The horns ride along with a bluesy melody that builds to a great stop-time. Modest ranges all around with reduced instrumentation (three saxes, two trumpets, one trombone) keep it within reach of smaller groups (top trumpet note is D5), while extra parts for flute, clarinet, horn, baritone T.C., and tuba add flexibility. Solo transcriptions that match the recording are provided along with easier versions of those solos to give younger players a starting point. A hip, fun, and memorable chart.

Bad Apple

Jazz Ensemble Score & Parts

Copyright Year

Series

Let the bass take the spotlight in this straight-ahead swing chart with a classic jazz feel. Written to showcase the upright bass, it keeps the groove locked in while the band provides solid support with a brass interlude and a sax soli. This chart swings hard and gives your bassist a well-deserved moment to shine. Top trumpet note: G5

Another One for Ray

This clever arrangement transforms the iconic 19th-century supernatural tone poem into a dynamic 1930s hot jazz piece reminiscent of Django Reinhardt's swing style. The work brings the haunting themes to life, set against compelling backbeats. It features skillfully written solos for plunger trumpet and trombone, an open solo section for improvisation (transcribed solos provided), and a sizzling sax soli, inviting musicians to delve into a fusion of classical sophistication and the exuberant spirit of early jazz. Top trumpet note: F-sharp 5.

Danse Macabre

Here is a cheerful Latin waltz chart that brings a new age flair along with it. There's careful consideration for ranges, and the syncopation provides a great chance to focus on rhythm.

Abacus

This straight-eighth chart in 3/4 is an accessible trumpet or flugelhorn solo feature with an outstanding jazz ensemble background. In a beautifully quiet ballad style, your developing soloist will shine as the melodic material unwinds and is supported by the ensemble. A transcription of the recorded improvised solo section is provided. A jazz waltz swing section offsets the ballad style for contrast before returning to the opening style. The top trumpet note is G. Highly recommended!

Picasso

This blistering chart was originally recorded by the composer's band Sheroes and featured in New Standards: 101 Lead Sheets by Women Composers (Berklee Press, 2022 #11415956). Now arranged for big band with the same crisp, Charlie Christian-like melody, punchy half-time shuffle feel, and chromatic planning chord progression, it will be right at home with your medium-advanced group. Top trumpet note: D6.

Just Another Day at the Office

This high-energy calypso (or soca) original, first recorded by Sheroes, brings infectious rhythms and vibrant colors to the stage. The arrangement highlights smaller groups within the band, starting with soprano sax, muted trumpet, optional flute, and vibes. Solo transcriptions match the recording. A lively, feel-good chart! Top trumpet note: B5

Mosquitoes

There is a cool vibe in this approachable yet genuine outing in straight eighth-note fusion style. Layers are added to layers for a calculated build-up to a gritty ensemble punch. Every section and part gets the melody at some point, with solo space for tenor sax. A note-for-note transcription of the recorded solo is provided. Top trumpet note: F-sharp 5. Detailed rhythm section parts provide lots of voicings and comping patterns for younger players.

Mr. Fusion

Instrument Family

Young and developing jazz musicians can now study and learn with these six flexible-instrumentation charts for small jazz groups in various styles. At the easy to medium-easy grade levels, all arrangements are scored in three-part writing with flexible instrumentation provided for all three parts in each wind book. Alternate parts in every combination of transpositions and clefs let you build your ensemble from any combination of instruments. The solo sections are provided with changes, and also a mini-clinic for each tune with a breakdown of the spelled-out chord progressions and suggested scales to use throughout each solo. Twelve transcribed solos match the recordings note for note, and twelve suggested solos give younger players a starting point with themes taken from the recorded solos. The 49 downloadable play-along tracks provide every instrument an opportunity to sit in with the recorded band. Not only does this collection provide outstanding performance repertoire for small jazz groups, it is a wonderful teaching tool for playing jazz and creating solos!

Charting the Course, Book 1

C Treble Book & Online Play-Along

Brimming with optimism, this chart pulls from gospel tradition in a bright and cheerful full-band setting. After a straight-eighth-note introduction builds to a huge plagal cadence, the band emerges in shuffle swing time with each section featured in turn. Solo changes are provided for piano, alto 1, tenor 1, trumpet 2, trombone 2, and guitar. A transcription of the tenor sax solo from the recording is provided. Detailed rhythm section parts include written bass lines and suggested piano voicings. Great writing with lots of tasty lines for every part in the band!

Inspiration

This quintessential fusion tune is expertly arranged for a big band. This chart pays fond tribute to an American master with passion and a smart, hard edge. All sax parts include optional flute doubles.

Spherical

This jazz standard gets a bold, modern makeover with a metal fusion twist! Drop-D guitar riffs, optional double bass drum time, and high-flying horn acrobatics push the energy to the max. Quirky, unexpected, and a total blast to play – this one's not your typical take on a classic! Top trumpet note: C6

More Than You Know

The jaunty traditional melody appears briefly in its original 6/8 time before you're off on full ensemble, straight-ahead swing. A brief sax soli and some short drum set interjections take the role of soloist. Nothing but holiday cheer from end to end. If you're looking for a unique adaptation, try this one out!

The Wassail Song

Infused with rock-fusion influences throughout, this hip work is contemporary and cool. A synthesizer solo sets the tone for the bright-tempo rock feel. Muted trumpets and saxes build the first statement, punctuated by bari sax and bass bone, before the ensemble reaches a fantastic peak. There is ample solo space for any instrument. Don't miss this one! Top trumpet note: D6.

Catch 22

Understated, straight-ahead swing a la Dave Brubeck meets traditional English Christmas carol. There's mostly full-ensemble playing with a brief, written trumpet solo, cued for trombone. Features drums played with brushes and optional bells. The brass create some great color with muted playing. The top trumpet note is G5. A charming addition to your holiday library.

I Saw Three Ships

With a fun and lively New Orleans second line treatment, this setting of the traditional The Holly and the Ivy takes the familiar melody and transforms it into a great chart for holiday concerts. Solos are built in for trumpet and guitar, or optional trombone, with transcriptions of the recorded solos provided. The top trumpet note is G. Something unique and fun for Christmas and winter concerts!

Holly and Ivy

Instrument Type

An attractive introduction to the art of improvised jazz. Simple strategies are provided for young musicians to experience success learning to perform blues, swing, Latin, and rock music, all delivered in a stylish comic-book format. It features online play-along tracks, four flexible band charts in contrasting styles, transcribed demonstration solos, and a limited number of scales to learn. Through exercises geared to foster confidence, increase vocabulary, set historical context, and introduce multiple styles of improvisation, your students will be excited to Play Jazz.

Play Jazz

Flute Book & Online Play-Along / Oboe

It's time to burn with this up-tempo swing! The tune is heard first by a trio of tenor sax, trombone, and guitar before the full ensemble gives way to a crisp sax soli with alto 1 doubling on soprano. Solos are built in for trombone, tenor sax, and drum set. This tune is written with no holds barred!

Lookin' Back!

A timeless jazz standard with an irresistible melody built on a rising sequence, this fully flexible arrangement works with as few as five players plus rhythm or a full ensemble of winds, strings, or any combination. Ranges are limited, and a transcribed solo (plus an easier version) is included for all instruments. Piano and bass parts feature notated comping to support the youngest players. A versatile, accessible, and endlessly playable chart. Top trumpet note: E5

Mean to Me

Infused with rock-fusion influences throughout, this smart Jamie Roth work is contemporary and cool. A synthesizer solo sets the tone for the bright-tempo rock feel. Muted trumpets and saxes build the first statement, punctuated by bari sax and bass bone, before the ensemble reaches a fantastic peak. There is ample solo space for any instrument. Don't miss this one! Top trumpet note: D6. (7:11)

Jazz Ensemble Additional Score

Global Sections - CORE [DO NOT TOUCH]*

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