III. Tarantella Blues (from Piano Sextet in D)

The final movement takes off with a whirlwind energy—an exhilarating tarantella infused with the gritty soul of the blues. By the time I reached this part of the piece, I had grown more confident in the octatonic tonal world, allowing me to loosen the reins and take a more playful, improvisatory approach. The movement explores the intersection of the rapid, compound-meter pulse of the traditional Southern Italian tarantella and the way a blues progression can interlock with an octatonic scale.  This synthesis of rhythmic drive and harmonic complexity generates a propulsive and unpredictable character, inviting both performer and listener into a space where dance and dissonance coexist. Don Bryn’s Piano Sextet in D is a compelling new work for advanced or professional ensemble that combines formal clarity with harmonic adventure. Written in three movements for a total about 16 minutes, the sextet is composed for 2 violins, viola, 2 cellos, and piano. The sextet explores the expressive potential of the octatonic scale–an eight-note collection alternating whole and half steps–while ensuring that its melodies remain singable, its textures enchanting, and its structures firmly rooted in tradition. Using formal structures like sonata form and thorough development of thematic material ensures the sextet is not only structurally sound but also rich in narrative and continuity.