Jarle Brosveet

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A beloved and much played classical Pavane from the romantic period arranged in six parts for almost every conceivable combination of wind instruments, although flute, two clarinets, tenor saxophone, baritone and tuba is recommended. A tuneful piece for small bands or training ensembles requiring flexible instrumentation to suit their needs.

Pavane

Flexible Instrumentation Score & Parts

Borg is best known for his marches for wind band and has been called ‘The March King of Norway’. He composed 60 marches for military band, 100 songs and about 170 arrangements of various kinds. Crown Prince Olav Honorary March (1891) was initially written to honor Swedish Prince Carl and renamed when Norway had a new royal family in 1905.

Crown Prince Olav Honorary March

Concert Band Score & Parts

Promenade for solo clarinet with concert band was originally published in 1960 as a piano composition (it never had lyrics by Ira Gershwin). In the 1937 movie Shall We Dance it was performed as a solo for clarinet with orchestra while the dance stars, posing as would-be lovers, meet aboard an Atlantic steamer whilst walking dogs. Published in Europe according to the 70 years pma rule. Sound clip is AI-generated.

Promenade (Walking The Dog)

Elevate your ensemble's performance with "Funiculi Funicula," expertly arranged by Jarle Brosveet. This classic piece by Luigi Denza captures the essence of Italian spirit and charm. Brosveet's arrangement brings a refreshing vitality, making it perfect for concerts, competitions, and celebratory occasions. An essential addition to any classical repertoire. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Funiculi Funicula

One of the most performed mezzo-soprano arias has been transcribed for wind band while preserving the original key. This is a must if you have a classical singer performing with your band; and it will most certainly become a real crowd-pleaser. Alternatively, the aria can be rehearsed and performed with a solo trumpet taking on the vocal part. The solo trumpet part is included as an extra. In the AI-generated sound clip, a flute is playing the solo part.

Samson and Delilah

This epic march is one of the most performed world-wide by bands as well as by orchestras. It owes much of its fame to the introductory clarinet solo and well as some demanding woodwind passages and unusual dynamics throughout. The concert band version presented here is a new transcription of the printed orchestral score. A free 1st Clarinet part can be downloaded from www.windclassics.com.

Entry of the Boyars

Gershwin referred to the second Prelude as ‘a sort of blues lullaby’ due to its distinct flavor of jazz. The harmonies and melodies are built on thirds, emphasizing both the interval of the seventh and the major/minor duality of the blues scale.

Prelude No. 2

Halvorsen considered his Norwegian Fairy Tale Pictures to be one of his best works. The suite is colorful and vividly programmatic, drawn from music that Halvorsen had written for a children’s comedy.

In the first movement of the suite, Peik, the Princess and the Giant Troll, clarinets portray the fairy tale hero, a boy named Peik; flutes play the part of the abducted princess; while the villainous troll is represented by a scary motif in the bass.

Peik, the Princess and the Giant Troll

Opie - University of Maine Stein Song

At Rondane is a song about the mountainous region of Rondane in Eastern Norway. In the poem, an old man reminisce about his childhood days in this region. Lyrics in English and New Norwegian are included, as well as a solo trumpet part.

At Rondane

Christmas in France combines two traditional French Christmas carols in flexible instrumentation for almost every band instrument. The carols are He is born the Divine Child and Christmas anew. Set contains a 5-part score split into 18 instrumental parts. Ensemble should be small and varied.

Christmas in France

Two Nordic Melodies of 1895 came about after Grieg received a musical motif in folksong style from a Swedish-Norwegian diplomat who enjoyed being a part-time composer. Grieg made use of the motif as his own and developed it into a lengthy piece for string orchestra.

In Folksong Style

Movements four and five are Entry of Trolls into the Blue Mountain and Dance of the Little Trolls. Halvorsen specified that these movements should be played attacca.

The 4th movement illustrates the slow and heavy steps of sluggish adult trolls, whereas the 5th and very last movement is vivacious to show the quicksilver nature of mischievous young troll brats. This movement requires some virtuosity in many sections of the band.

Entry of Trolls into the Blue Mountain

Implausible March was written as an ironic piece for wind band, showing that Hjellemo had some tongue-in-cheek humour when required. He called it a parodic march, probably as a statement that he never wrote any military marches, although he was a military musician by profession most of his life.

Implausible March

Jesu, Joy of Man's Desiring

Under the Blue and Yellow Banner has become one of the most played Swedish marches. In 1999 it was adopted as the march of the Swedish Armed Forces. Today, it is played mainly at ceremonies and official events.

Under the Blue and Yellow Banner

Peasant Dance conceals the real meaning of the Norwegian title, which implies ‘a tune played by a fiddler sitting on a tree stub as people dance around him’. This is the last part of the Two Nordic Melodies suite.

Peasant Dance

Cow-Call is based on a simple musical motif frequently belted out in the evening to attract the attention of cows grazing in distant mountain pastures. It is part of a small suite, Two Nordic Melodies.

Cow-Call

On Hearing the First Cuckoo in Spring (1912) was inspired by a Norwegian folk song that Grieg had used previously. However, it is far removed from Grieg’s arrangement (which imitates bell-ringing) as well as from the theme of the traditional folk song, where there is no cuckoo indeed.

On Hearing the First Cuckoo in Spring

Dance of the Little Trolls

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