Jazz Ensemble Music

Jazz Ensemble Charts

Solo Features

Vocal Solo with Jazz Ensemble

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Jalen Publishing

This song was a country hit for Eddy Arnold, Jerry Vale, Ray Charles, and Elvis Presley in the '50s and '60s and has since become a jazz standard performed by Michael Buble, Harry Connick Jr., and Norah Jones. This swinging big band version of the tune is a feature for your vocalist but can also be used to feature other players in your group. Along with the vocal solo, there are alternate parts included for solo alto sax, tenor sax, trumpet or trombone, and an improvised alto sax solo. With stirring lyrics and some exciting big blow moments from the band, this tune will bring the house down!

You Don't Know Me

Jazz Ensemble Score & Parts

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Alfred Publishing Belwin Division

Jazz vocal quartet, jazz choir, or an individual vocal soloist – any way you like it, this is a great chart! It's arranged by Darmon Meader, the musical director and chief arranger for the New York Voices. This chart is for SATB choir and jazz ensemble, but it also includes a solo vocal part for performances by a vocal soloist with jazz ensemble. A swing chart with wonderful jazz harmonies throughout, it has a written vocal scat solo plus a written tenor sax solo. The lead trumpet range is to written B above the staff. If you have the vocalists, it doesn't get better than this! Highly recommended!

On a Clear Day

Jazz Ensemble Part

While this arrangement is written to feature a vocalist, it also has great instrumental appeal. The style is Latin/mambo groove, the tempo is about 136 bpm, the ensemble accompaniment is creative and interesting, it's accessible for both band and vocalist, and there are no instrumental solos. Optional solo parts for C, B-flat, E-flat Instruments and Trombone are included as substitute parts for the vocal solo. A great vocal and big band chart! Vocal in C Major.

No Moon at All

Jazz Ensemble Score & Parts (or Any Instrument)

Hal Leonard Corporation

Composed in 1946 and recorded by countless artists over the years, here's a jazz standard that never goes out of style! This medium tempo chart features a shuffle groove and highlight spots for the band trading phrases with a solo trumpet. Don't have a vocalist to feature? No worries, there's an optional tenor saxophone solo part included. Fun for the singer and band alike! Vocal key: F

Route 66

Jazz Ensemble with Vocalist (or Tenor Sax)

Although he wasn't the first to record this familiar rock ballad, George Benson was responsible for its widespread popularity thanks to his huge hit recording in 1976. Beautifully arranged for vocal soloist (or optional tenor saxophone) with jazz ensemble, here is Rick Stitzel's setting complete with sultry lines and smokey harmonies. Vocal Key: G minor

This Masquerade

Jazz Ensemble Score & Parts (or Tenor Sax)

From the James Bond blockbuster motion picture Skyfall, pop superstar Adele hit the airwaves and charts with this powerful and dramatic theme song that blends a soulful rock style with a hint of the signature Bond spy music. Here's a terrific setting for jazz ensemble that features either a tenor sax or vocal soloist. Vocal in C minor. Highly recommended!

Skyfall

Jazz Lines Publications

For the first time, here is Quincy Jones' arrangement originally written for the 1964 Sinatra-Basie studio collaboration It Might As Well Be Swing. This chart was also used a few times during the 1965 Sinatra-Basie summer tour and then at the famous 1966 Live at the Sands concert. This set comes from the original parts. Alto 1 and tenor 1 double on flute. As was customary for these recordings, Harry "Sweets" Edison would play fills throughout the arrangement and typically didn't have a part. The fill spots are in the trumpet 4 part, although they are not written out. Vocal key: C. Highly recommended!

Fly Me to the Moon

Jazz Ensemble with Vocalist

Night and Day never sounded so good! Here's a solo vocal feature with jazz ensemble arranged in the Sinatra style with a tenor sax solo and superb ensemble writing. It's arranged in two keys for vocal flexibility... just flip the page for the best key for the vocalist. Vocal solo ranges: female key (low) key of C, G below middle C to 3rd space C; male key (high) of Eb, Bb below middle C to top space Eb, treble clef. An excellent chart on this timeless standard! Highly recommended!

Night and Day

Sung recently by Michael Buble and many others, this chart is a medium tempo swinger for vocal soloist and jazz ensemble. In the key of F, the vocal range is from A below middle C to middle line B. The lead trumpet range is to written A above the staff. A true standard from the Great American Songbook!

The Best Is Yet to Come

From the Broadway musical "The Roar of the Greasepaint - The Smell of the Crowd," this fabulous standard is popular again with a stunning rendition by Michael Bublé. Capturing the bluesy flavor of this version, here is a vocal solo feature sure to bring down the house. It can also be used as an alto sax feature. Highly recommended! Vocal in C minor.

Feeling Good

Jazz Ensemble with Vocalist (or Alto Sax)

Recorded by Mark Ronson and featuring Bruno Mars, this sassy funk tune is on its way to becoming a modern-day pop standard. Here's a hot version for vocal solo, or optional tenor sax, that captures all the excitement of the original. Vocal key: D minor

Uptown Funk

Recorded most recently by Michael Buble, here is a smooth arrangement of this appealing Latin tune for vocal soloist (or optional tenor sax). The instrumental section features saxes answered by the brass. This is a natural sounding feature for any vocalist!

Sway

Check out this vocal with big-band chart on one of the most familiar jazz standards!  It swings at 152 bpm, the key is F and the vocal range is A below middle C to 3rd space C, treble clef. There are no instrumental solos, and the lead trumpet range is to G on top of the staff. Plus, there are optional solo instrumental parts for B-flat, E-flat and bass clef instruments to be used in lieu of the vocal solo. A great tune, and a great chart! Accessible and highly recommended!

Take the 'A' Train

Jazz Ensemble with Vocalist (or Any Instrument)

Arranged for vocal soloist with jazz ensemble, you're sure to fill the dance floor with this funk classic by Earth, Wind Fire! The vocal key is C, and an optional tenor sax solo part is included as a substitution for the vocal part. Highly recommended!

September

Featuring a vocalist with big band, this gorgeous ballad is played around 74 bpm. The vocal range is G below middle C to third space C, and the lead trumpet range is to F-sharp top line. Included are optional solo parts for B-flat, E-flat, and Bass Clef instruments to be used in place of the vocal feature. It's an accessible chart for the band and a great way to feature a vocalist or instrumentalist!

Cry Me a River

This standard tune from 1945 has consistently remained a favorite with jazz musicians. Featuring a timeless melody, beautifully scored background parts, and a medium swing style, this standout chart for vocal soloist belongs in every library.

Autumn Leaves

Michael Buble sang this hit song and now it's time for your vocal soloist and jazz ensemble. Arranger Scott Ragsdale captured the essence of the Buble arrangement with his terrific adaptation at an easier level of this great tune. The vocal range is from F below middle C up to third space C, treble clef, and the vocal part has some easy scat lines with vocal syllables. Lead trumpet range is to written A above the staff. A wonderful chart on a neat tune!

Everything

Swingin' and singin' with big band! This vocal feature chart with a hard swing feel practically plays itself. The key is F minor, the vocal range is middle C to 3rd space C, and the lead trumpet range is to written F top line. The solo space is for tenor, trombone, alto, and trumpet, or optional vocal scat, all written out. It's Ellington, it's Lopez, it's great! Highly recommended!

It Don't Mean a Thing (If It Ain't Got That Swing)

Alfred Music Publishing

Here's a wonderful ballad for solo vocalist and jazz ensemble arranged in two keys for flexibility. Arranger Dave Wolpe, one of the best in the business, has written this swing ballad in G minor and C minor with reversible parts, just flip the page! There are no individual solos, but plenty of superb ensemble work and the usual, excellent band chorus in the middle. The vocal ranges are: low key,  G below middle C to third line Bb and,  high key: middle C to fourth space Eb. This just may be the ultimate jazz ballad, done here in another great Wolpe arrangement! Very highly recommended! Vocal in G minor or C minor.

My Funny Valentine

At Last is the ever-popular, bluesy, vocal ballad feature as arranged by Dave Wolpe. The chart is arranged in two keys to suit the needs of all vocalists. Substitute instrumental solos are included, with a written tenor sax solo in the low female key and a written alto sax solo in the high male key. The vocal ranges are: low female in the key of G, high male in the key of B-flat.

At Last

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