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Four English madrigals by John Wilbye are adapted for AAB recorder
  trio.  Play moving melodies by the
  master of madrigals!  Pauses and
  melismas are marked to preserve vocal phrasing.  Conductor scores and 2-page individual
  parts.  Perform these in your small
  ensemble!

Four Wilbye Madrigals

Recorder Ensemble

Mozart's Divertimento #12 (K252) was composed in B-flat major for two oboes, two horns, and two bassoons in 1776.  It is transposed to F major and transcribed for AATTBB recorders. Four movements:  1) Andante, 2) Menuetto &amp; Trio, 3) Polonaise, Andante, 4) Presto assai. Conductor-friendly score and easy to read individual parts. Good choice for recorder orchestras and workshops. Play individual movements for shorter performances.

Divertimento No. 12 for Recorder Sextet

A five-part madrigal by Thomas Tomkins (1572 - 1656), a prominent member of the English Madrigal School. Adapted for SSATB recorders from a facsimile of "Madrigals: The Triumphs of Oriana" (1601) which honors Queen Elizabeth I. Fauns, Satyrs, and Nymphs present the Queen with gifts and pray that her life, wealth and fame be eternal. Score and individual parts, plus notes with lyrics. Good for recorder orchestras, workshops and recorder society meetings. Can be played by ensembles without a conductor.

The Faunes and Satirs Tripping

<p>Three chansons by the French composer Clement Janequin, (c. 1485 â€“ 1558), one of the two most popular writers of chansons in his time.  Adapted from a facsimile of the Johannes Petreius manuscript of 1541.  Arranged for AAT, ATB and TTB recorder trios.  A companion edition offers four more chansons from the same manuscript.  Conductorâ€™s score and individual parts for each chanson.</p>

Three Renaissance Chansons for Recorder Trio

Joseph Haydnas String Quartet in F major (Op. 3, No. 5) is arranged for Alto and Tenor recorders. Play Presto, Andante Cantabile, Minuet/Trio, and Scherzando movements together or separately. The Andante is the familiar aHaydnas Serenadea.  

Conductoras score and individual parts for each movement.  The audio preview has no repeats.

Haydn String Quartet in F

Three fantasies (published 1550) by Adrian Willaert, maestro di cappella
  of St. Marks in Venice.  Two are
  adapted for SATB recorders, one is for STTB or ATTB.  One fantasy beautifully transitions between
  SA and TB sections.  Masterful harmony
  and counterpoint, but easy to play. 
  All with key signature of C major and few accidentals.  Conductor scores and individual parts.

Three Renaissance Fantasies

Four secular songs by William Byrd are adapted for SSAT, SSAB and AATB
  recorder quartets.  Expressive melodies
  in imitative counterpoint.  Pauses and
  melismas are marked to preserve vocal phrasing.  Lyrics are provided separately.  Conductor scores and individual parts.  Try these in your small ensemble!

Four Byrd Songs

Ave Maria for 8 Voices is a double-choir motet first published in 1572.  It is arranged for SATB / SATB recorders. The separation and imitation between the balanced choirs makes this excellent for recorder orchestras. Ideally, this sacred motet could be performed from opposing choir lofts in a large cathedral.  Conductors score and individual parts.  Magnificent piece for recorder orchestras, workshops, and recorder society meetings.

Ave Maria a 8 voce

Recorder Octet

This four-part dance from the Glogauer Liederbuch (c. 1480) is entitled "Der Pawir Schwantcz" and is attributed to Rubinus. This arrangement for SATB recorders is adapted from a facsimile of the manuscript. There is an interesting transition from duple meter to triple wherein the four players change meter is succession. This lively instrumental piece is not too difficult. Conductor's score and four parts are easy to read. A good example of late medieval music for small ensemble performances and recorder society workshops.

Medieval Dance (Recorder Quartet)

Last five of nine fantasies composed by Orlando Gibbons (about 1620).  
See Four Gibbons Fantasies for Recorder Trio for first four.  
Originally for viols, here adapted for SAB, SST, and SSB recorder trios.  
Three equally melodic lines with ranges up to two octaves.  
Easy-to-read conductor scores and individual 2 or 3 page parts.  
Great for small ensembles!

Five Gibbons Fantasies

Five popular children's songs arranged for recorder quartets. Booklet of scores, plus four easy-to-play scores for each piece. Includes: Froggy Went A Courtin' (ATTB), Oh Dear! What Can The Matter Be? (SATB), Polly Wolly Doodle (AATB), Pop! Goes the Weasel (AATT), and A Tisket, A Tasket (AAAB. Play these short, familiar songs from easy-to-read scores. They are good for lessons, performances, or just for fun!

Five Children's Songs for Recorder Quartet

<p>Arranged for SATB quartet and SAATTB sextet with alternate alto parts in octave treble clef. This familiar military march is enjoyed by audiences. It is played at presidential inaugurations and an excerpt was the theme song for the TV comedy Monty Pythons Flying Circus. The score is conductor-friendly and three-page parts are easy to read.  Can be played without a conductor. Try this in your ensemble or orchestra, and at your next ARS meeting!</p>

Liberty Bell March

Recorder Quartet

Five popular children's songs arranged for recorder trios.  Booklet of scores, plus three easy-to-play scores for each piece. Includes: Froggy Went A Courtin' (ATT), Oh Dear! What Can The Matter Be? (SAT), Polly Wolly Doodle (ATT), Pop! Goes the Weasel (ATT) and A Tisket, A Tasket (AAA). Play these short, familiar songs from easy-to-read scores.  They are good for lessons, performances, or just for fun!

Five Children's Songs for Recorder Trio

Six popular English, Scottish and Irish traditional melodies arranged for SA, AA and AT recorder duets.Booklet of scores, plus two easy-to-play scores for each piece.  GreensleevesLondonderry AirComin' Thro' the RyeMy Bonnie Lies Over the OceanDrink to Me Only With Thine EyesBelieve Me, If All Those Endearing Young CharmsThese lively arrangements are played from easy-to-read scores. They are good for lessons, performances, or just for fun!

Six British Melodies for Recorder Duet

Six madrigals for four voices are adapted for quartets of S, A, T, and B recorders.  From Thomas Weelkes first set of madrigals (1597).  Pauses and melismas are indicated to preserve vocal phrasing.  The lyrics poems are included.  Express the joy of country dancing, the drama of mythical beings, and the agony of unrequited love!  

Easy to read conductors scores and two-page parts.  Great for small ensembles.

Six Weelkes Madrigals

Faire Ladies and Mongst Thousands Good are five-part madrigals by Orlando Gibbons (1583 - 1625). Adapted for SSAAB and SSATB recorders from a set of 20 madrigals and motets published in 1612. These two madrigals were written to be played together. They offer advice on love: have chaste desires and sweet affections for fair ladies but not lust for a wanton dame! Scores and individual parts, plus notes with lyrics. Fun to play in small ensembles.

Two Madrigals on Love

First four of nine fantasies composed by Orlando Gibbons (about 1620).  
See Five Gibbons Fantasies for Recorder Trio for last five.  
Originally for viols, here adapted for SAB recorder trio.  
Three equally melodic lines with ranges up to two octaves.  
Easy-to-read conductor scores and individual 3-page parts.  
Great for small ensembles!

Four Gibbons Fantasies

Sixteen rondeaux by Adam de la Halle (c. 1240 - c. 1300), a French trouvere, poet, and musician. Adapted from the Valliere manuscript for three tenor recorders or other instruments. Limited range and easily playable. Interesting Medieval sonorities and voice leading. Three playable scores for each piece.

Sixteen Medieval Rondeaux for Recorder Trio

Daisy Bell (a.k.a. Bicycle Built for Two, 1892) is arranged for SSAATTBB recorders. Conductor's score and individual parts are easy to read. Daisy Bell is instantly recognized and enjoyed by audiences. This octet arrangement is a good choice for large ensembles and orchestras, workshops, and recorder society meetings.

Daisy Bell (Recorder Octet)

Three motets in Latin and two secular German songs are adapted for SAT, AAB, ATB, and ABB recorders from a collection of trios published in 1541.  Lively polyphony makes these interesting for performers and audiences!

Five Renaissance Songs

Global Sections - CORE [DO NOT TOUCH]*

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