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Pulse is a marimba solo with percussion quartet accompaniment. Each accompaniment part calls for several instruments requiring skills in mallet, hand, and battery percussion.

Pulse

Marimba Quintet and Percussion Ensemble

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For marimba solo. Â First printing. Â For five-octave marimba. Â 10 p.

Balaphuge

Marimba Solo

For solo marimba, percussion quartet and piano. First printing. In seven movements: I. ritmico; II. molto tranquillo; III. vivace con forza; IV. mobile; V. molto tranquillo; and VII. agitato espressivo. First performance: Rosenbergssalen, Malmo, May 15th, 2002. Score (spiral, 80 p.) &amp; parts.

Faces

Percussion Quartet plus Piano

For multiple percussion solo. Â First Printing. Â Scored for: prayer bells, tubular bells, prepared cowbells, slit drum, bongos, congas, bass drum, tambourine, tibetan cymbals, and claves. Â Performance score (oversized, spiral, 13 p.)

Nocturne

Multiple Percussion Solo

For percussion quartet. Â First printing. Â Scored for bogos, timbales, 4 toms, crash cymbal, snare drum, bass drum, susp. cymbal, and 3 cow bells or almglocken. Â Commissioned by the Swedish Navy Band. Â Score (spiral, 20 p.) &amp; parts.

Nordic Peace

Percussion Quartet

An exciting piece from award-winning composer Lynn Glassock! Written for 10 percussionists, the piece requires 2 vibraphones, 4 marimbas, a cabasa, woodblock/cowbell, tambourine, guiro, small and large gongs, temple blocks, bowed crotale, and flexatone. Special effects include drumming with fingers and using rattan on the side of a marimba.

Street Talk

Percussion Ensemble 10 Players

For marimba duet. Â First Printing. Â Score (spiral, 46 p.) &amp; parts (spiral).

Skylark Orange Circles

Marimba Duet

Instrumentation for the percussion quartet is not exactly specified. It is the composer’s intention that each individual group that performs this piece decide to some extent what instruments to play throughout the piece.

Route 666

This quintet is scored for field drum, four concert toms and splash splash cymbal; field drum and bass drum; field drum and cowbell; field drum and timbales; military bass drum and hi-hat. It is based on traditional military drum beats and on Steve Gadd's military samba Duke's Lullaby.

Away Without Leave

Percussion Quintet

Thanks in large part to the efforts of Bob Becker and his group NEXUS, the xylophone rag has earned its prominent place in keyboard percussion literature. Here is one of the greats by the composer who framed the genre!

Jovial Jasper

Keyboard Percussion Quintet

For solo marimba. Â First Printing. Â 14 p.

Three Spirals

A blues for solo marimba. Berg got the idea for this piece from the novels of Stieg Trenter, a Swedish journalist and crime novelist. Short and clever, this piece is a perfect addition to any recital program.

Cattelin

Explore the boundaries of contemporary classical music with "Impossible Etudes" by composer D. Berg. These challenging pieces push technical limits and interpretive depth, offering performers an opportunity to showcase virtuosity and emotional expressiveness. Ideal for advanced musicians seeking to explore avant-garde repertoire and elevate their performance skills. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Impossible Etudes

For vibraphone solo. Â First printing. Â Scored for vibraphone, cymbal, 2 java gongs (in f &amp; F), and windchimes (one player). Â 8 p.

Scene for Vibraphone

Vibraphone Solo

Beads of Glass is a beautiful tapestry of tonal sounds for five-octave marimba. The work is about eight minutes long and provides the marimba player a chance to showcase the beautiful sounds of the marimba, mostly in the middle and low registers. It is dedicated to Leigh Howard Stevens.

Beads of Glass

For nine percussionists. Â First Printing. Â 1st Prize winner of the 2005 Percussive Arts Society Composition Contest. Â Score (oversized, spiral, 43 p.) &amp; parts.

Whispers

Percussion Ensemble 9 Players

Caritas is a three-movement piece that employs a traditional harmonic language throughout. The first movement, titled Mystic, employs rapid double lateral and sequential sticking patterns that create a blurred effect while maintaining a strong rhythmic pulse. The second movement, Solemn, is a chorale that employs one-handed, traditional, and double lateral rolls. The third movement, Majestic, is a dance-like conclusion that has rapid arpeggiated figures in the left hand as well as octaves and sequential sticking patterns.

Caritas

The title of this work is a combination of two separate sources; the 19th century popular song The Girl in the Gilded Cage, and the 20th century percussion ensemble work Third Construction by John Cage. There are numerous influences from Cage’s notable piece, including an early quote of the opening theme, here divided between the four performers and played on tom-toms. The cage theme is further exhibited in the way the performers create a constantly evolving visual cage with their sticks.

Gilded Cage

Dive into the unique textures and captivating dialogue between tuba and marimba in "Capriccio for Tuba and Marimba" by W. Penn. Ideal for concert and contest settings, this piece showcases intricate interplay and inventive sonorities that challenge and engage performers, making it a standout addition to any repertoire. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Capriccio for Tuba and Marimba

Tuba Duet & Marimba

In Twilight, Brostrom focuses on basic ideas of chords and color transformation. An example of this occurs in the opening phrase as chords are passed off from duo to duo. "Twilight" is defined as the light from the sky between full night and sunrise or between sunset and full night, or simply as an intermediate state that is not clearly defined.

Twilight

Marimba Quartet

Global Sections - CORE [DO NOT TOUCH]*

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