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This arrangement of the first two movements of Handel's Concerto Grosso in G Major, Op. 6, No. 1 incorporates the solo parts in the the full string group. Solos and tuttis are marked if you would like to have soloists perform the concerto sections.

Concerto Grosso in G Major

String Orchestra Score & Parts

Vivaldi – “Spring” from The Four Seasons, 1st Movement
Arranged by Tom LaJoie
String Orchestra – Unabridged, Transposed to D Major

This arrangement of the first movement of Vivaldi’s Spring offers student ensembles a joyful and accessible path into one of the most beloved works of the Baroque era. Transposed from E major to D major for greater playability and resonance on string instruments, this edition maintains the full structure of the original while simplifying the technical demands.

Solo passages have been carefully woven into the first violin section in a way that preserves their lyrical and energetic character. The result is a version that captures the spirit and vitality of Vivaldi’s music while keeping the parts within reach for developing players.

Ideal for spring concerts, festivals, or as part of a Baroque unit, this arrangement supports the development of stylistic articulation, dynamic contrast, and ensemble precision. It invites students to experience the elegance and exuberance of Vivaldi’s world, while providing directors with a flexible, pedagogically sound addition to their concert repertoire.

Spring from The Four Seasons

Vivaldi's turbulent finale to his Summer concerto is well represented in this exciting arrangement. This is sure to be the highlight of your next concert.

Summer from the "Four Seasons"

Vivaldi – “Winter” from The Four Seasons, 1st Movement
Arranged by Tom LaJoie
String Orchestra – Unabridged, Transposed to E Minor

This full-length arrangement of the first movement of Vivaldi’s Winter offers student ensembles an exciting and accessible entry into one of the most vivid and dramatic movements of the Baroque repertoire. Transposed from F minor to E minor for ease of reading and playability, this edition retains the complete musical form and emotional impact of the original.

The virtuosic solo passages have been thoughtfully simplified and integrated into the first violin section, maintaining their icy brilliance and intensity while reducing technical difficulty. The famous “chattering teeth” effect—originally written as rapid, difficult double stops—has been creatively reimagined by distributing the rhythm between the first and second violins an octave lower, preserving the musical effect without overwhelming the players.

Helpful fingerings are provided for chromatic passages and accidentals, supporting confident performance and clean intonation. This arrangement is ideal for winter concerts, festivals, and ensemble study of Baroque articulation, dynamic contrast, and dramatic storytelling through music.

Vivaldi - "Winter" from The Four Seasons

Announcing the First Publication from LaJoie de Musique's New Series of Critical Urtext Editions: Bach's Brandenburg Concerto No. 3 in G Major, BWV 1048

LaJoie de Musique is thrilled to announce the inaugural release in its new series of Critical Urtext editions: Johann Sebastian Bach's *Brandenburg Concerto No. 3 in G Major, BWV 1048*. This meticulously crafted edition is based on the esteemed Barenreiter Urtext Edition, ensuring the highest level of scholarly accuracy and authenticity. Our goal is to provide musicians and scholars with a version that is as faithful to Bach's original manuscript as possible while offering practical editorial insights for modern performers.  

In keeping with the integrity of the source material, this edition retains the clarity and precision of the Barenreiter Urtext. However, LaJoie de Musique has introduced a few minor edits to enhance interpretative possibilities. Specifically, articulations and dynamics have been subtly adjusted in parallel passages to provide a more cohesive musical narrative. These editorial suggestions are carefully marked: added articulations appear in parentheses, and supplementary slurs are rendered as dotted lines, allowing performers to distinguish between Bach's original intentions and modern interpretative aids.  

Notably, consistent with the manuscript tradition, figured bass symbols have been omitted from the cembalo part. This choice preserves the historical authenticity of the work, inviting keyboardists to engage in the informed improvisation characteristic of the Baroque continuo practice. By doing so, LaJoie de Musique aims to inspire a more creative and stylistically appropriate realization of the basso continuo.  

With this first release, LaJoie de Musique is excited to set a new standard for Critical Urtext editions that honor historical accuracy while embracing practical performance needs. This edition of *Brandenburg Concerto No. 3 in G Major* is an indispensable resource for musicians, educators, and Bach enthusiasts alike. We invite you to explore this masterwork through the lens of historical fidelity and modern musical insight.

Brandenburg Concerto No. 3 in G Major, BWV 1048

The first movement of Haydn's Symphony No. 104, as arranged for string orchestra with the inclusion of timpani, brilliantly captures the grandeur and sophistication of the original orchestration. Marked *Adagio - Allegro*, the movement opens with a stately and mysterious introduction, where the timpani adds a dramatic weight to the unfolding tension. As the movement transitions into the *Allegro*, the strings take center stage, driving the rhythmic energy and thematic development. The primary theme, characterized by its bold and assertive character, is expertly passed between the violins and lower strings, while the timpani punctuates key moments, enhancing the movement's dynamic contrasts. This arrangement maintains the structural integrity of Haydn's sonata form, with the development section showcasing intricate contrapuntal exchanges and harmonic exploration. The inclusion of the timpani adds a layer of rhythmic propulsion and grandeur, highlighting Haydn's innovative use of orchestral color. The result is a performance that retains the full dramatic and emotional impact of the symphony, even in the more intimate setting of a string orchestra.

Symphony No. 104 "London"

I'm thrilled to present this new arrangement of the first movement of the Violin Concerto in D major. While the original features a dazzling violin solo, this edition for school string orchestra artfully incorporates those parts into the first violin section. This ensures all the brilliance and excitement of the movement is preserved, even in a larger ensemble setting.  Young musicians will relish the opportunity to delve into Vivaldi's signature fast-slow-fast movement structure, experiencing both virtuosic passages and moments of tender lyricism. This arrangement not only introduces students to the timeless beauty of Baroque music but also challenges them to develop their technical and interpretive skills.

Violin Concerto in D Major

Ludwig van Beethoven’s Piano Sonata No. 14 is most famous for its somber, titular "Moonlight" opening, but it is the third movement—the Presto Agitato—that provides the work’s true emotional climax. In this reimagining, titled "Moonlight Pursuit," the work is liberated from the keyboard and transformed into a cinematic tour de force for string orchestra.

Transposed to D minor to harness the dark, resonant power of the string family’s open lower registers, this arrangement moves beyond a literal transcription. The original piano arpeggios, which rely on individual finger dexterity, are here replaced by relentless, driving 8th-note pulses. These collective rhythmic crescendos create a "treadmill" of tension, punctuated by explosive chordal outbursts that utilize the full vertical weight of the ensemble.

The "pursuit" is a relentless one, demanding rhythmic precision and a keen sense of dynamic contrast. While the work retains the stormy fire of Beethoven’s original vision, it speaks a new, idiomatic language—one where the soaring lyricism and aggressive textures of the strings turn a solo masterpiece into a monumental orchestral chase.

Moonlight Pursuit

Mozart's Symphony No. 39 in E-flat Major, K. 543, is a work of grandeur and elegance, and the first movement, Allegro, showcases the composer's mastery of symphonic form. This string orchestra arrangement artfully incorporates the important wind parts into the string texture, creating a rich and cohesive sound that retains the brilliance of the original orchestration. The movement begins with a stately introduction, followed by a lively and sophisticated Allegro filled with dynamic contrasts, intricate counterpoint, and spirited energy. Perfect for an advanced string ensemble, this arrangement offers a satisfying and rewarding experience, capturing the full drama and charm of one of Mozart's final symphonic masterpieces.

Symphony No. 39 in E-flat major, KV 543

Maurice Ravel – Boléro
Arranged by Tom LaJoie
String Orchestra with Snare Drum – Slightly Abridged, in Original Key
Medium Advanced - Grade 5

This arrangement of Maurice Ravel’s Boléro reimagines the full orchestral masterpiece for large string orchestra with snare drum, preserving the original key and the work’s iconic structural design. Conceived as an extended orchestral crescendo, Boléro is presented here with careful attention to its evolving texture, beginning with thinner scoring and gradually building in density and intensity.
To reflect the original orchestration, brief solo passages are incorporated at the opening, allowing individual players to capture the transparency of Ravel’s initial textures before the full ensemble enters. As the piece unfolds, all sections actively participate in the signature repeated Gs of the bolero rhythm—including the basses—ensuring a fully engaged ensemble and a rich, layered sound. The snare drum part maintains the traditional rhythmic foundation throughout, anchoring the work’s unmistakable pulse.
This edition is only slightly abridged while maintaining the integrity and dramatic arc of the original. Rehearsal marks are strategically placed to support efficient ensemble preparation, and extensive bowings are included to unify articulation and style. Fingerings are provided in higher positions and in passages with complex flat keys, making this arrangement both a musically rewarding and pedagogically practical addition to the string orchestra repertoire.

Bolero

This educationally accessible arrangement of Vivaldi's "Autumn" offers students a rewarding opportunity to experience one of the Baroque era's most iconic works in its full musical form. Presented in the original key and unabridged, this setting allows students to explore authentic Baroque style, articulation, and form without being overwhelmed by technical barriers.

The solo violin part has been thoughtfully adapted into the first violin section, preserving the spirit and character of the original while simplifying the passagework. First violins and violas will encounter some third position, and cellists will have brief moments in fourth, making this piece a strong choice for developing shifting technique and expressive playing. The remainder of the ensemble remains comfortably in first position.

Ideal for concert programming, festival performance, or Baroque unit study, this arrangement helps bridge the gap between historical repertoire and modern student ensemblesoffering a musically satisfying experience for players and audiences alike.

Autumn from The Four Seasons

Grade Level 6 - Advanced

Carl Philipp Emanuel Bach's *Sinfonie in G Major*, Wq 182/1, third movement (*Presto*) bursts with energy and vitality, showcasing the composer's bold and forward-thinking style. This movement exemplifies the *Sturm und Drang* aesthetic, with its driving rhythms, rapid passages, and sudden dynamic shifts that demand precision and intensity from the ensemble. Bach's mastery of contrast and phrasing creates a thrilling musical experience, requiring performers to bring out the movement's dramatic character and inherent momentum.  

In this arrangement for string orchestra, the music remains true to Bach's original, with only the addition of carefully considered bowings to facilitate clarity and consistency across the ensemble. The *Presto* challenges advancing players to maintain crisp articulation, seamless phrasing, and an unwavering tempo, all while capturing the movement's exuberant spirit. This final movement is both a technical showcase and an exhilarating closer, leaving audiences captivated by its brilliance and energy.

SINFONIE NO. 1 in G MAJOR

This string orchestra arrangement of the Sinfonia from Bach's *Christmas Oratorio*, BWV 248, captures the serene beauty and pastoral charm of the original. With its lilting rhythms and expressive melodic lines, this piece evokes the peaceful countryside imagery often associated with the Nativity. The arrangement retains the delicate interplay between the parts, offering players an opportunity to focus on blending, phrasing, and dynamic contrasts. Accessible to intermediate ensembles, this arrangement allows students to experience one of Bach's most tender and contemplative works. Whether performed in a holiday concert or as part of a sacred program, this Sinfonia is sure to enchant both performers and audiences with its timeless grace.

Sinfonia

The *Chaconne in E minor*, BuxWV 160, originally composed by Dietrich Buxtehude for solo organ, takes on a new life in this powerful arrangement for string orchestra. This piece showcases Buxtehude's dramatic flair, with a stately, repeating bass line that serves as the foundation for increasingly intricate and expressive melodic layers. As the music unfolds, each variation intensifies, leading to a thrilling climax that highlights the interplay between the grounded bass and the soaring upper strings. The rich sonorities of the string orchestra bring warmth and depth to Buxtehude's harmonies, making this work a rewarding challenge for musicians. With its dynamic contrasts and relentless forward momentum, the *Chaconne in E minor* promises to be a captivating and enjoyable piece to perform, providing both players and audiences with a vivid experience of Baroque drama and passion.

Chaconne in E Minor

This arrangement of the first movement of Vivaldi's Sinfonia in G major, RV 149, has been thoughtfully adapted for school orchestras by simplifying some of the more virtuosic passages. While the original composition is known for its lively and energetic character, this version maintains the joyful spirit and rhythmic drive of the piece, making it accessible for younger musicians. The adjustments ensure that students can focus on developing their ensemble playing and musical expression without being overwhelmed by the technical demands of the original score. This arrangement allows school orchestras to experience the brilliance of Vivaldi's music while providing a rewarding performance opportunity that fosters growth and confidence.

Sinfonia in G Major, RV 149

Antonio Vivaldi's String Concerto in D Minor, RV 127, is a quintessential example of the Italian Baroque's dramatic flair and structural elegance. Composed for a string ensemble, this concerto is a masterclass in contrast and dynamic interplay. The opening movement is marked by its bold, vigorous rhythms, which are punctuated by the interplay between the violins and the lower strings, creating a vivid dialogue. The middle movement, typically a slow and lyrical Largo, offers a moment of introspection with its expressive melodies, allowing the listener to savor Vivaldi's gift for crafting poignant, singing lines. The final movement, with its spirited and dance-like character, showcases Vivaldi's skill in fusing technical brilliance with emotional depth, making RV 127 a captivating and enduring work in the Baroque repertoire.

String Concerto in D Minor, RV 127

Parts

SKU Part count

Symphony No. 31 in D Major, “Hornsignal,” Mvt. I
Franz Joseph Haydn – Arranged by Thomas LaJoie

This arrangement of the first movement from Haydn’s Symphony No. 31, known as the “Hornsignal,” brings the brilliance and vitality of the original orchestral work to the string ensemble. Carefully adapted to preserve the spirit of Haydn’s writing, wind parts have been thoughtfully incorporated into the string textures, allowing the ensemble to capture the work’s characteristic brightness and energy. The cello and bass lines remain true to the original score, providing a strong and authentic foundation throughout.

To reflect the dialogue and contrast found in Haydn’s orchestration, echoing scalar passages are skillfully distributed among the violins and violas, creating a sense of interplay across the ensemble. In a creative departure from the original scoring, the violas take on the iconic “horn signal” material, giving them a prominent and engaging role while maintaining the identity of the symphony. This arrangement offers a rewarding opportunity for string players to explore Classical style, ensemble communication, and the lively character that defines Haydn’s music.

Symphony No. 31 in D Major, 1st Movement

Score

Composed by George Gershwin, Someone to Watch Over Me is one of the most beloved songs of the Great American Songbook, known for its tender lyricism and expressive melodic line. This arrangement presents the timeless standard in the key of D major, offering a warm, resonant setting well suited to string orchestra while maintaining the song’s intimate and lyrical character.

Designed with developing ensembles in mind, this setting incorporates expressive chromatic lines supported by thoughtfully placed fingerings to encourage confident intonation and musical phrasing. Rhythmic elements such as syncopation and dotted eighth–sixteenth note patterns provide valuable opportunities to explore style and nuance within a popular idiom. Clearly marked rehearsal points and carefully considered scoring make this arrangement both accessible and musically rewarding—an inviting choice for ensembles seeking to expand into jazz-influenced repertoire while cultivating tone, balance, and expressive playing.

Someone to Watch Over Me

Jupiter, the Bringer of Jollity from The Planets – Program Notes
Arranged by Tom LaJoie
Grade 3 - Easy

Gustav Holst’s Jupiter, the Bringer of Jollity is one of the most celebrated movements from The Planets, known for its exuberant energy and broad, noble melodies. At its core lies a soaring hymn-like theme, later adapted into the hymn tune Thaxted, which captures a sense of warmth, unity, and grandeur. This arrangement presents that iconic material in a form accessible to young string players, transposed from the original key of E-flat major to G major for greater comfort and resonance.
In Holst’s original scoring, much of the string writing is presented in unison, with harmonic richness supplied by the brass. In this adaptation, those harmonic elements have been thoughtfully redistributed to the inner string parts, allowing students to experience a fuller ensemble texture while developing their understanding of balance and harmony. A brief repetition of selected phrases helps shape the music into a satisfying standalone work, making it an ideal choice for young ensembles seeking to explore expressive phrasing, tonal blend, and the uplifting character of Holst’s music.

Jupiter - Thaxted

Johann Christian Bach's Sinfonia in D Major (Op. 3, No. 2), originally marked as an "Overture," exemplifies the graceful elegance and clear formal structure that define the early Classical style. Published in 1763 as part of his Opus 3 set, this spirited work reflects Bach's flair for melodic charm and balanced phrasing, which so influenced the young Mozart during his formative years. Though originally composed as a three-movement sinfonia, this arrangement features only the first movementa lively and engaging Allegro that stands well on its own as a concert selection.
This arrangement preserves the integrity of the original string parts while incorporating thoughtful editorial bowings and fingerings designed to support student ensembles in rehearsal and performance. It provides a rewarding opportunity to explore Classical style, articulation, and ensemble playing while engaging with the music of one of the most stylistically refined composers of the 18th century. Whether performed as a concert opener or as part of a unit on Classical repertoire, this movement offers both elegance and vitality in equal measure.

Sinfonia in D Major, Op. 3, No. 2

Global Sections - CORE [DO NOT TOUCH]*

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