Lewis INK Press

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This setting of Ruth I:16 juxtaposes two contrasting ideas.  The opening homophonic motive is present at both the beginning and the end, while the middle section is much more polyphonic.  The harmonic language explores how slight dissonance added to triadic movement creates beauty and tension.

Entreat Me Not

SATB Octavo

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Written in the style of a Chopin nocturne, this piece is a homage to Margaret Stoker, a gifted pianist, philanthropist, and lover of the key of Bb!

Nocturne in Bb Major

Piano Solo

Commissioned by the Rush-Henrietta School district for they Middle School graduation, this 3-part mixed piece is a lyrical setting of the famous O'Shaughnessy text.

We Are the Music Makers

Three-Part Mixed Octavo

I have taken the beautiful text, attributed to St. Francis of Assisi, and set in for a cappella choir. Unisons lead way to rich harmonic colors. The text is set in a very intimate way.

Lord Make Us Servants of Your Peace

An a cappella setting featuring a soloist, set against a supporting SATB choir.

Precious Lord

A simple, yet haunting arrangement of a classic American spiritual, with soloist(s).

Deep River

Based on a newly inspired chant, this piece is perfect for Maunday Thursday services.

Ubi Caritas

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from the Cantata, "Lux!" this movement is for a cappella 8 part SATB choir.  The piece, based on the text, "Born of Light," opens with a call and response that permeates the outer sections of the work.  This middle section is polyphonic, building, and building to a dramatic climax.  The listen is then brought back to the opening motive that helps the piece fade away to its conclusion.

from "Lux!" - O Nata Lux

SSAATTBB Octavo

A lovely setting of a traditional text. Set for a cappella choir with several opportunities to feature individual members of your choir.

Lullay my liking

A setting of the Edna St. Vincent Millay poem, for SSAA a cappella voices. Close harmonies and rhythm intensity help make this piece sparkle.

What Lips My Lips Have Kissed

SSAA

From the Cantata, "God So Loved the World," a lovely new setting of this classic text from the Gospel of John. Perfect for Good Friday, or as benediction during Lent.

God So Loved the World

Modeled after John Stainer's sublime piece, this setting was a gift from the composer to the choir at St. Francis Episcopal Church, in Stamford, CT., for their dedication and support during his music ministry with them.  Personal, intimate, and idealized in a community of faith.

Sevenfold Amen

Taken from the song cycle, "The soul selects her own society, this intimate, setting for SSAA, captured the sadness of love lost, yet retains a hint of joy, having known such a love. Based on the haunting poem by Emily Dickinson.

Heart, we will forget him

SSAA Octavo

Scored for SSAATTBB, this exquisite, rich textured piece draws on the Latin text Adoramus te - We Adore Thee.  Highly recommended.

Adoramus te

A stirring arrangement perfect for Palm Sunday services.

Calvary

An a cappella carol, based on the chant "Of the father's love begotten." Rich harmonies and a brief foray into three-part women's divisi makes this piece both challenging and rewarding.

Evermore!

A beautiful setting of this beloved text.

The Lord Bless You and Keep You

Based on the poem by Khalil Gibran the piece was a gift to Anton Armstrong, as a thanks for his support and encouragement.   Premiered at the Oregon Bach Festival, it is scored for SATB and a sizable piano accompaniment.

The Life of Love XVI: Spring

An a cappella setting based on the text: We break this bread for those who journey the way of Sikhs and Hindus, for those who follow the path of the Buddha, for our sisters and brothers of Islam, for the Jewish people from whom we come and for all who walk the way of faith.

We Break This Bread

A hauntingly beautiful portrayal of the arrival of the women at the empty tomb of Jesus. Written for the sunrise service at Trinity Lutheran Church, Robesonia, PA, it is scored for S/A and piano, with a brief solo portraying the angel saying, "Why seek ye the living among the dead?"

Where Have They Taken Him?

SA/SA Octavo

Global Sections - CORE [DO NOT TOUCH]*

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