Maël Fauvy

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Romanza Andaluza is one of the most famous pieces by the Spanish violinist and composer Pablo de Sarasate (1844–1908). It is part of the collection of Spanish Dances (Danzas Españolas), a series of eight pieces composed between 1878 and 1882, which pay homage to the richness of Spanish musical folklore.

A true masterpiece for the violin, the arrangement for guitar brings a Spanish folkloric color that is perfectly suited to the subject of the work!

Composition : Pablo de Sarasate

Arrangement &amp; fingerings :Level : Difficile – Cycles III &amp; Supérieurs

Violin &amp; Guitar
Conductor score &amp; separate parts : 20 pages

Sarasate Romanza Andaluza Spanish Dance n3 op.22 | Violin & Guitar

Mixed Duet

Instrument Type

Composer : Arturo Gervasoni

Level : Advanced - Grades III &amp; highter
Fingering : Quatuor Asterion

For Guitar Quartet - 13 pages

Composed for the guitar quartet Asterion in 2018, the work Avant le regard posé sur l’infiniment petit by Arturo Gervasoni is based on repetitive, minimal and modal musical processes. The first part, polymetric, is made up of finely shifted repeated musical cells, while the second part of the work, measured, reveals a duality between rich and calm harmonic colours and very lively melodic and rhythmic elements.

GERVASONI  Before the gaze fixed on the infinitely small | Guitar Quartet

Guitar Quartet

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Voice

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Choralenti is a vocal work for choir from six voices: 2 Sopranis, 2 Alti or Mezzos, 2 Tenors and Bass ad lib. ; each music stand can accommodate additional singers.

Written in homage to the Norwegian composer Knut Nystedt, the work blurs the listener's relationship to time by working on the tiling of voices outside the notion of pulsation. Through these tiles, the tonal writing is saturated with delays and enrichments of chords opening up different perspectives of interpretation of the harmonic discourse. Furthermore, the vocalizations sculpt the harmonic space by asking each chorister to gently modulate their phonemes in their own time, creating the echo of a second distant choir.

Composer : Maël Fauvy

Level : Medium - Grades II &amp; III

From six voices : 2 Soprani, 2 Alti/Mezzos, 2 Tenors, Bass ad lib. — 8 pages

Choralenti | Choir SAT(B)

SSAATTBB Full Score

Originally composed for guitar in 1888, the “Caprice Arabe” is one of Francisco Tárrega’s most famous works representing a cultural mix inspired by Valencia. The work is dedicated to Tomas Breton, an influential Spanish musician of the late 19th century, and was first published in 1889.

This version for solo Flute, arranged by concert flautist &amp; arranger Paul Gil, retains all the richness of polyphony for guitar using numerous ornaments and appoggiaturas and offers to the Flute repertoire one of the greatest pages of 19th century Spanish music.

omposer : Francisco Tárrega

Level : Medium - Grades II &amp; III
Arrangement &amp; Doigtés : Paul Gil

Capricho Arabe | Flute solo

Flute Solo Unaccompanied

The famous sonata La Vibray, composed by the virtuoso flautist Michel Blavet around 1732, is part of the French tradition of sonatas for flute and continuo, developing ornamented, expressive passages with dynamic contrasts.

The score is presented for Flute and Guitar with the bass figured to allow the performer to move through the work as best as possible and even to modulate the arranger's choices with full knowledge of the facts.

La Vibray – Sonate op.2 n°2 :
Andante – La Vibray
Allemanda Allegro
Gavotta Moderato – Les Caquets
Sarabanda Largo
Allegro

Composer : Michel Blavet
Arrangement &amp; fingerings : Maël Fauvy

Level : Medium – Grades II to III

Conductor score &amp; separated parts : Flute &amp; Guitar with Basso Continuo

Conductor score : 14 pages

BLAVET La Vibray Sonata op.2 n2 | Flute & Guitar in Continuo

Composer : Nicolas Meunier

Level : Medium - Grades II &amp; III

For Flute, Oboe, Clarinet Bb &amp; Bassoon or Bass Clarinet - 10 pages

Sucreries is a contemporary work for Flute, Oboe, Bb Clarinet and Bassoon or Bass Clarinet, composed by the Belgian composer Nicolas Meunier. Structured in five sketch movements, the sweets suggest a number of writing techniques that pay homage to the different stylistic trends that mark the history of European music, all in a neo-tonal language tinged with humor.

The version for Bass Clarinet is directly available as a separate part in the copy.

Sweets | Wind quartet

Mixed Quartet

The famous lute suite BWV997 in C minor is presented here for Flute and Guitar in Continuo. Stripped of a good part of the high melodic elements, the guitar is then able to further clarify the harmony when this best serves the purpose of the original work, while the flute dialogues with it in all its volubility.

The score is presented for Flute and Guitar with the bass figured to allow the performer to move through the work as best as possible and even to modulate the arranger's choices with full knowledge of the facts.

Suite for Luth in C minor BWV997 :
Prelude
Fugue
Sarabande
Gigue and Double

Composer : Johann Sebastian Bach
Arrangement &amp; fingerings : Maël Fauvy

Level : Intermediate – Grade II to Advanced – grades III &amp; higher

Conductor score &amp; separated parts : Flute &amp; Guitar with Basso Continuo

Conductor score : 24 pages

BACH Suite for luth in Cm BWV997 | Flute & Guitar in Continuo

Original for Flute and Harpsichord (Continuo). 6th string in D.
6e corde en Ré.

Composer : Georg Friedrich Haendel
Arrangement &amp; fingerings : Maël Fauvy

Level : Medium - Grades II &amp; III

Four movements : Larghetto, Andante, Adagio, Presto — 16 pages

HAENDEL Sonata op.1 n2 HWV360 | Flute & Guitar

Gabriel FAURÉ's Deux Mélodies opus 1, characteristic of the composer's lyrical and expressive style and originally written for Voice &amp; Piano, are here arranged for Soprano or Tenor Voice and Guitar by guitarist and arranger Yite Chang.
This arrangement is presented for the first time in May 2023 on the occasion of podcast n°2 of Drink a Little Lied With Me « French Love Songs à 3 temps feat. Gladys Roupsard ».

N°1 : Le Papillon et la Fleur
6th string in D.
Key: D Major
Voice range : C3 – G4 (8vb for Tenors)

N°2 : Mai
6th string in D, 5th string in G.
Key: G Major
Voice range : C#3 – G4 (8vb for Tenors)

Composer : Gabriel Fauré
Arrangement &amp; fingerings : Yi-te Chang

Level : Advanced - Grades II &amp; III

Two pieces : Le Papillon et la Fleur, Mai — 8 pages

FAURE Two Songs op.1 | Voice & Guitar

Loome Laute Bord, The Man from the Other Side in Canuck, the mother tongue of the writer Jack Kerouac, transcribes into music the multiple facets of personality that tear the author apart and which he confides in his work. Sur Le Chemin. These different interpretations of reality are symbolized by the work of different modalities and rhythms on the same melodic material which runs through the four guitars, in a minimalist work evoking the language of Steve Reich.

The work was created in 2021 at the Théâtre des Bains Douches in Elbeuf by the quartet Asterion.

Composition &amp; fingerings : Maël Fauvy

Level : Medium – Grade II

Guitar Quartet
Conductor score : 8 pages

FAUVY Loome Laute Bord | Guitar Quartet

The Sérénade by Nicolas Meunier is a contemporary work oscillating between modality and tonality for Cello &amp; Guitar. It is dedicated to the Edenwood duo composed of Belgian musicians Catherine Struys and Wouter Vercruysse.

Composer : Nicolas Meunier

Level : Grades II &amp; III
Fingering : Catherine Struys et Wouter Vercruysse

For Cello &amp; Guitar - 6 pages

Serenade | Cello & Guitar

Kelebek, Papillon in Turkish, is a work by Maël Fauvy for Flute, Clarinet in Bb, Guitar (plectrum ad lib.) and Double Bass inspired by the traditional Turkish music of the Aşıks bards.
The work sculpts a haunting and seductive melody using many asymmetrical measures and piquant harmonizations. It gives pride of place to improvisation by proposing a flute cadence for ad lib improvisation.

The Double Bass can be replaced by a Cello, the arrangement of which is proposed as a separate part.

Composition &amp; fingerings : Maël Fauvy

Level : Medium - Grades II &amp; III

Quartet for Transverse Flute, Clarinet in Bb, Guitar &amp; Double Bass or Cello (in separated part)
Conductor score &amp; separated parts : 32 pages

FAUVY Kelebek | Flute, Clarinet, Guitar & Bass or Cello

Ancipes is a work in vocalises for Soprano or melodic instrument ad lib. &amp; Flute with B foot ad lib.

Commissioned by Soprano Marie Lombard and flautist Camille Chaumont, it was premiered in May 2019 at the Rennes Opera, its title from Latin means "who has two heads" or "double, hesitant, ambiguous". Treating the flute and the voice as a single instrument that dissociates, the work explores with virtuosity the inconstancy of human relationships, strewn with pitfalls, from unity to completeness.

Composer : Maël Fauvy

Level : Advanced - Grades III &amp; highter

For Soprano (up to D flat 5) &amp; Flute (B foot ad lib.) — 7 pages

FAUVY Ancipes | Flute & Soprano Coloratur or ad lib. instrument

Flexible Instrumentation Duet

Das Märchen von der Wolke, Koulume Nehan Tonghao in Korean, commissioned in its initial form for the traditional Korean instruments Kayageum and Jaggu by Mezzo Soprano Ji-Youn Park, is a contemporary work by Maël Fauvy based on the eponymous poem by Reiner Maria Rilke: The Cloud Rhyme.
His recomposition for guitar and percussion ad lib and for the Mezzo Soprano Sophie Belloir was premiered in 2019 at the Rennes Opera.

The work evokes the usual playing methods of Kayageum and Janggu using various accessories (various sticks and bottlenecks).
The song, whose prosody is designed for the Korean translation of the poem, is presented in Korean (Latin and Korean forms) and in German.

Composition &amp; fingerings : Maël Fauvy
Text : Das Märchen von der Wolke – Reiner Maria Rilke ;
Korean Translation : Jae-Hyuk Kim
Level : Advanced - Grades III &amp; highter

Duo for Voice and Guitar, in Trio with Percussion ad lib. on a poem ‘The Cloud Rhyme’ by Reiner Maria Rilke, presented in Korean and German — 12 pages

FAUVY Das Marchen von der Wolke | Mezzo, Guitare & Percussion ad lib.

Mixed Trio

Composed for the guitar quartet Asterion in 2018, the work Avant le regard posé sur l’infiniment petit by Arturo Gervasoni is based on repetitive, minimal and modal musical processes. The first part, polymetric, is made up of finely shifted repeated musical cells, while the second part of the work, measured, reveals a duality between rich and calm harmonic colours and very lively melodic and rhythmic elements.

Composer : Arturo Gervasoni

Level : Advanced - Grades III &amp; highter
Fingering : Quatuor Asterion

For Guitar Quartet - 13 pages

Avant le regard pose sur l'infiniment petit | Guitar Quartet

Ir, " To go" in Argentinian, is a work for Violin &amp; Guitar composed by Arturo Gervasoni. Resolutely atonal and also involving different playing modes, it reveals a form of dance between the two performers who constantly join or pull each other forward, alternating parts of great volubility with calm and ethereal passages.

It was created in 2017 by the duo Cordes &amp; Âmes, composed of Sarah Chenal and Olivier Pelmoine.

Composer : Arturo Gervasoni

Level : Advanced - Grades III &amp; highter

For Violin &amp; Guitar — 11 pages

Ir | Violin & Guitar

Two great cantata arias arranged for solo guitar.
Zion Hört Die Wächter Singen :
6th string in D – (Capo I). From grade II.
Schafe Können Sicher Weiden :
6th string in C.

Composer : Johann Sebastian Bach
Arrangement &amp; fingerings : Maël Fauvy

Level : Advanced - Grades III &amp; highter

Two pieces : Zion Hört Die Wächter Singen, Schafe Können Sicher Weiden — 10 pages

BACH Two Cantata's Arias BWV140-208 | Guitar

Guitar Solo

Le Jour Que Je Suis Né is a work for violin and voice based on a traditional Acadian drinking song. The writing encourages performers to confront each other through the juxtaposition of contemporary (for the violin) and traditional (for singing) musical aesthetics but also two contradictory interpretations of the text : one simple and cheerful, the other more cerebral and dark.
Composition &amp; fingerings : Maël Fauvy
Text : Traditional Acadian
Level : Advanced - Grades III &amp; highter

Duo for Violin and Mezzo-soprano/Tenor on a traditional Acadian melody — 8 pages

Le Jour Que Je Suis Ne | Voice & Violin

These twenty pieces taken from the opera Carmen retrace the entire narrative of the work, they can thus serve as a basis for professional or class projects to present a shortened version of the opera in 45 minutes of music in the form, for example, of a musical tale, an audition show...
The result of extensive arrangement work, these pieces faithfully present Bizet's orchestral material while maximizing the Andalusian colors of the work through the many traditional playing modes worked on the guitar.

The score is presented for violin and guitar and provides context for each piece within the opera's narrative. Separate parts for violin and guitar are also included.

The arrangement has also been designed for Flute &amp; Guitar and Viola &amp; Guitar, each of which you will find a separate part specially dedicated to in the collection.

1 – Ouverture
2 – La Garde Montante
3 – Chœur des cigarières : Dans L’air nous suivons des yeux la fumée
4 – Habanera : L’Amour est un oiseau rebelle
5 – Parle-moi de ma mère
6 – Au secours !
7 – Tralala
8 – Séguedille : Sur les remparts de Séville
9 – Danse Bohème
10 – Toréador
11 – La la la
12 – La fleur que tu m’avais jetée
13 – Là-bas, là-bas dans la montagne
14 – En vain pour éviter
15 – Je dis que rien ne m’épouvante
16 – Aragonaise
17 – Entr’acte
18 – Si tu m’aimes
19 – Duo Final
20 – Final

Composer : Georges Bizet
Arrangement &amp; fingerings : Maël Fauvy &amp; Chani Stroobant

Level : Intermediate – Grade II to Advanced – grades III &amp; higher

Conductor : Violin &amp; Guitar
Separate parts : Flute, Viola, Violin, Guitar

Original for Orchestra — Conductor : 53 pages

BIZET Carmen 20 great pieces from the Opera | Guitar and Violin/Flute/Viola

Frantic race for the climax at the Disco-club or highway violence? Composed in February 2019 and recorded by concert performer Nicolas Nageotte in 2022, Poursuite Autoroute combines instrumental virtuosity, freedom for the instrumentalist and almost danceable rhythmic preponderance with a lot of humor and self-mockery. The Bass Clarinet is propelled by a soundtrack of exceptional quality combining work on analog synthesizers and computer-assisted music in an explosion of noisy flavors tinged with Electro and Disco music !

Composer : Samuel Doguet

Level : Advanced - Grades III &amp; highter

For Bass Clarinet &amp; Tape - 11 pages A3

Poursuite Autoroute is a contemporary work for Bass Clarinet with recorded tape (include with a QR Code)

Poursuite Autoroute | Bass Clarinet & Soundtrack

Bass Clarinet Solo

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