Mark Henry

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The bold and versatile melody presented in the classic hymntune Ellacombe is given a bursting rhythmic flair in this fun and moving arrangement. Written to dance around "I Sing the Almighty Power of God", the poem often set to this famous tune, each verse is delicately crafted to evoke the meaning behind the words as if the piano itself was singing. The rise and fall of the melody calls to mind a visage of flowers rising to face the peaceful morning sun before eliciting a night sky bursting with fireworks in praise.

I Sing the Almighty Power of God

Piano Solo

The well known and traditional English tune "Kingsfold" has been used as a setting for many sacred and secular poems over the centuries with its adaptable and spirited melody. This instrumental piano arrangement for Horatius Bonar's 1846 lyrics, "I Heard the Voice of Jesus Say", is set to bring out the meaning of the words to each verse written in praise and thanksgiving with a bouncy feeling meant to evoke the old folk roots of this classic hymn.

I Heard the Voice of Jesus Say

This collection of six vibrant and lush settings of classic and well-known hymns for solo piano is crafted with a focus on framing the poetry of the songs' words in an impressionist instrumental voice. These arrangements are meant to give the soloist opportunities to express their musicality with styles ranging from bouncy and light to warm and meditative. Included in the collection are "I Sing the Almighty Power of God" [ELLACOMBE], "Come, Ye Sinners, Poor and Needy" [BEACH SPRING], "His Eye Is On the Sparrow", "I Heard the Voice of Jesus Say" [KINGSFOLD], "Come, My Way, My Truth, My Life" [THE CALL], and "How Can I Keep From Singing?".

Prayers of Grace and Mercy

In this arrangement of the classic hymn "All Creatures of Our God and King" [LASST UNS ERFREUEN], an impressionistic take is applied to the gentle melody allowing for the artist to express many layers of their musicality. At times quiet and contemplative, later resolute and confident, the lyrics form this setting's overall tone of praise and thanksgiving.

Also available in the collection of piano solos, "Prayers of Grace and Mercy, vol. 2"

All Creatures of Our God and King

In this solo arrangement of Robert Lowry's classic hymn, the melody is set to a joyful, dancing rhythm that expresses the feelings at the heart of singing praise. The artist is given freedom to explore their own voice in the dynamic shifts of rhythm and tone throughout the composition before resolving to a relaxed, peaceful conclusion.

Also available in the collection of piano solos, "Prayers of Grace and Mercy".

How Can I Keep From Singing?

This new collection of seven dynamic settings of classic and well-known hymns for solo piano is crafted with a focus on framing the poetry of the songs' words in an impressionist instrumental voice. These arrangements are meant to give the soloist opportunities to express their musicality with styles ranging from bouncy and light to warm and meditative. Included in the collection are "All Things Bright and Beautiful" [ROYAL OAK], "For the Beauty of the Earth" [DIX], "All Creatures of Our God and King" [LASST UNS ERFREUEN], "In Heavenly Love Abiding" [NYLAND], "My Song Is Love Unknown" [LOVE UNKNOWN], "O Come and Sing Unto the Lord" [IRISH], and "My God, My Portion, and My Love" [DUNLAP'S CREEK].

Prayers of Grace and Mercy, vol. 2

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"The Other Side of the Cloud" is inspired by the first images
  released by the James Webb Space Telescope and sings of the discoveries and
  beauty of our universe now being revealed to us. Written to fit within a
  comfortable range for tenor and baritone voices, the song relies on a simple
  6/8 pattern in the accompaniment to evoke movement and allows for the
  performers' musical talents to shine through.

The Other Side of the Cloud

TB Octavo

Charles Gabriel's classic melody for Civilla Martin's timeless poetry is set to an impressionistic piano accompaniment in this new arrangement for solo voice. The singer is invited to express the musicality and dynamic emotion presented with few changes to the original song's thoughtful verses and soaring choruses while the piano lays a foundation evoking the delicate and joyful nature of the words. Suitable for singers of any level, this arrangement seeks to give the vocalist a simple and familiar opportunity for performance with an intricate piano backdrop.

His Eye Is On the Sparrow

Mezzo-Soprano, Tenor Solo

This piano solo arrangement of Ralph Vaughan Williams's ethereal melody for George Herbert's 1633 prayer, "Come, My Way, My Truth, My Life," allows the performer to feel the words of this classic hymn in an instrumental setting. Each verse is intended to evoke to lyrics of the original poem as the pianist prayerfully brings out the meaning and the meditative nature of this transformative call.

Come, My Way, My Truth, My Life

This meditative and dynamic arrangement of Charles Gabriel's classic melody brings Civilla Martin's poem to life with an instrumental setting intended to paint a lush background for the words of grace and mercy written without speaking them audibly. The performer is invited to create a prayerful backdrop that evokes the emotion of each verse of this beautiful hymn with humble praise and joyous celebration bursting from each chorus.

Emily Dickenson's poem "I Gained It So" tells of the author's
  reliance on patience and strength to achieve goals through life's struggles.
  Written as a moderately advanced performance piece, the melody is introduced
  with unison voices before branching out into lush, rhythmic harmonies
  allowing the singers to showcase their dynamic abilities and attention to
  musicality.

I Gained It So

SSA Octavo

The Finnish folk melody NYLAND is set to Anna L. Waring's text in this arrangement meant to inspire a feeling of warmth and comfort in grace and love. As the piece grows into a bold verse, the emotions give way to a confident knowledge and then a relaxing, peaceful ending.

Also available in the collection of piano solos, "Prayers of Grace and Mercy, vol. 2".

In Heavenly Love Abiding

In this setting, the popular folk melody Beach Spring is arranged with a warm and inviting tone, mimicking the text of the lyrics in an impressionistic style. Meant to bring a sense of comfort and being at home, the tune grows into the final verse with confidence before resolving with a relaxing serenity.

Also available in the collection of piano solos, "Prayers of Grace and Mercy".

Come, Ye Sinners, Poor and Needy

This inspirational arrangement of the early 20th century Lenten hymn by John Ireland draws from the text a meditative feel that explores the author's awe of Christ's sacrifice and utilizes a pensive nature in it's 3-against-2 rhythm to give a sense of grace falling like water before growing into a resolute final statement that then fades away. Intended as a Holy Week selection, this quiet yet dynamic composition can be adapted for use in many worship and performance settings.

Also available in the collection of piano solos, "Prayers of Grace and Mercy, vol. 2".

My Song Is Love Unknown

Samuel McFarland's joyful melody is given a rhythmic flair in this arrangement of the classic hymn, "My God, My Portion, and My Love". The sweeping lines of this piano solo setting allow the artist's musical expression to shine with dynamism and uses the words of the original poem to add an impressionistic touch to their meaning.

Also available in the collection of piano solos, "Prayers of Grace and Mercy, vol. 2"

My God, My Portion, and My Love

This arrangement of the tune IRISH uses the text of Psalm 95 as a celebratory expression of joy and praise. The introduction and melody set the mixolydian key before relaxing into more calm major section, allowing the two key signatures to explore the composition's dance-like rhythms. Bold and accented expression along with hushed, chorale style moments are intended for the artist to show their own dynamic interpretation of this lush and sweeping hymn.

Also available in the collection of piano solos, "Prayers of Grace and Mercy, vol. 2".

O Come and Sing Unto the Lord

In this setting of the classic hymn "For the Beauty of the Earth" [DIX], a flowing and gentle 6/8 rhythm forms the foundation for the sweeping melody. The uncommon meter gives the soloist opportunities to express their own rubato and freely feel the way the piece speaks to ones own musical interpretation. The poetry in Pierpoint's text and it's pairing with Kocher's original tune are presented here as a peaceful expression of thanks to God for His creation.

For the Beauty of the Earth

This setting of the classic and well-known 17th Century English tune ROYAL OAK relies on a light off-beat rhythm and bounce to bring a sense of dance to the hymn's celebration of God's creation. Each verse is arranged with a focus on the original 1848 text by Cecil F. Alexander and is intended to give a joyful tone to worship and fellowship.

All Things Bright and Beautiful

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