Matthew Tang

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This beautiful arrangement combines two of the most common and well known
  melodies of "In the Bleak Midwinter," a poem written by Christina
  Rossetti, into the same song. The first melody by Gustav Holst and the second
  by Harold Darke. This arrangement will take the audience through a journey of
  key signatures beginning in F Major, continuing through Bb, G, E and finally
  ending in Ab Major. Each key signature helps to convey the meaning of that
  particular verse. This is geared more towards a smaller choir, preferably a
  choir of 16 singers and it is also meant for one on a part situations.The
  harmonies in this arrangement are simple, yet powerful and reverent. I hope
  this arrangement helps remind us of the real reason why we celebrate
  Christmas. Gifts and Santa Claus are fun traditions but the real reason why
  we celebrate Christmas is because it is the birth of our Savior, Jesus
  Christ. I hope you guys enjoy it!!!

In the Bleak Midwinter

SATB Octavo

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This piece was commissioned for Choral Audacity's performance: True to Our Native Land. The text of this piece comes from The Man'yoshu, Japan's oldest anthology of ancient Japanese poetry. I gained inspiration to write this piece from Christopher Tin's work "The Lost Birds," Josef Rheinberger's "Abendlied," and my love for Renaissance polyphonic music.

At the Edge of the Unharbored World

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In the Bleak Midwinter

At the Edge of the Unharbored World