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Scott Joplin (1867-1917) was an American composer and pianist renowned for his ragtime compositions. "Maple Leaf Rag in particular achieved great fame and popularity, becoming one of ragtimes most influential pieces, and has been dubbed 'the archetypal rag'. The roots of ragtime originate from African-American communities in the late 19th century, identifiable by its syncopated, or ragged, rhythms. This is a challenging recital piece, combining scalic passages, arpeggiated phrases, and syncopated rhythms.

Maple Leaf Rag

Clarinet Solo with Piano

This piece has been arranged to be suitable for the beginner / intermediate level double bass player.

The piece provides an exercise in melodic scalic practice and position work. Melodic phrases over the slow tempo, with aditional long sustained notes, provide a good opportunity to really listen to intonation and encourage a supportive exercise in even bowing / rebowing.

Air for G String

String Bass Solo Unaccompanied

Format

Tango Unchained

Flute Solo Collection

This piece has been arranged to be suitable for the beginner flute player. The piece provides an exercise in melodic scalic practice and position work.

Prelude; First movement from Suite No. 1 in G

Flute Solo Unaccompanied

Frederic Chopin (1810-49) was a Polish composer and pianist of the romantic era. He wrote primarily for the solo piano, although his works also include two piano concertos, chamber works, and Polish songs. This version of Chopin's Fugue in A minor, arranged here for bass guitar duet, provides a comprehensive study for two bass players in scale study and position work, particularly past the 12th fret. It should be performed at a steady pace (andante), preferably with a metronome. An ideal teaching aid for a student/teacher duet.

Fugue in A minor

Bass Guitar Duet

Johannes Brahms (1833-97) was a Romantic German composer and virtuoso pianist who maintained a classical sense of form in his works. He composed for piano, organ, orchestra, chamber ensemble, voice and chorus. This Brahms waltz has been arranged from the original piano score and presented to be played by the solo double bass player. It presents a study to strengthen the left hand and improve bowing technique, while providing a challenging sight reading exercises.

Brahms Waltz No. 4

Move beyond standard bass exercises with this collection of classical arrangements adapted for double bass. Encompassing music from the Baroque to the Romantic period, each piece is designed to improve technique, tone, phrasing, and sight reading, while staying true to the character of the original composition.

Ideal for developing double bass players looking to build confidence and musicality.

Classical Studies for Double Bass [Vol. 1]

This piece has been arranged to be suitable for the beginner / intermediate piano player. The piece provides an exercise in melodic scalic practice and position work.

Mazurka in A minor

Easy Piano Solo

This piece has been arranged to be suitable for the beginner / intermediate bass guitar player. The piece provides an exercise in melodic scalic practice and position work.

Bass Guitar Sheet with Tab

Brahms Waltz No. 3

This piece has been arranged to be suitable for the beginner cello player. The piece provides an exercise in melodic scalic practice and position work.

Minuet in G

Cello Solo Unaccompanied

Johannes Brahms (1833-97) was a Romantic German composer and virtuoso pianist, who maintained a classical sense of form in his works. He composed for piano, organ, orchestra, chamber ensemble, voice and chorus. This Brahms waltz has been arranged from the original piano score and presented to be played by the solo double bass player. It presents a study to strengthen the left hand and improve bowing technique, whilst providing a challenging sight reading exercises.

Brahms Waltz No.1

This piece has been arranged to be suitable for the beginner piano player. The piece provides an exercise in melodic scalic practice and position work.

Johannes Brahms (1833-97) was a Romantic German composer and virtuoso pianist, who maintained a classical sense of form in his works. He composed for piano, organ, orchestra, chamber ensemble, voice and chorus. This Brahms waltz has been arranged from the original piano score and presented to be played by the solo double bass player. It presents a study to strengthen the left hand and improve bowing technique, whilst providing a challenging sight reading exercise with some upper register playing.

Brahms Waltz No.2

Lowell Mason (1792-1872) was an American composer and leading figure in American Church music. Considered to be the first important music educator in the United States, he was largely responsible for introducing music into American public schools. This well-known tune has been arranged as a recital piece for accompanied Bb Trumpet, with each verse offering melodic, dynamic, and harmonic contrasts.

Joy to the World

Trumpet Solo with Piano

Claude Debussy (1862-1918) was a French composer and pianist. He was experimental in his compositional techniques, favouring dissonance, chromaticism, and the use of non-traditional scales. The adaptation of this piano piece for accompanied double bassist is of grade 5-6 difficulty. It offers some challenging rhythmic passages, upper register playing, and an opportunity to practice good bowing technique.

Cakewalk

String Bass Solo with Piano

This piece has been arranged to be suitable for the intermediate level double bass player. The piece provides an exercise in melodic scalic practice and position work.
Melodic phrases over the slow tempo, with aditional long sustained notes, provide a good opportunity to really listen to intonation and encourage a supportive exercise in even bowing / rebowing.

Air for G String (Intermediate)

Johannes Brahms (1833-97) was a Romantic German composer and virtuoso pianist who maintained a classical sense of form in his works. He composed for piano, organ, orchestra, chamber ensemble, voice and chorus. This waltz has been arranged from the original piano score to be played by the solo Tuba player.aIt presents a melodic scalic study and an effective sight reading exercise, while providing a great model for developing upper and lower registers.

Waltz No. 1 for Tuba

Tuba Solo Unaccompanied

This selection of Brahms waltzes has been compiled from the original
  piano scores and expertly arranged to be played by the solo pedal
  harpist.
    
    
    
    Each piece presents a study to improve technique whilst providing a range
  of challenging sight reading exercises in a variety of key signatures.
    
    
    
    These studies are appropriate for grades 3-6.

Brahms Studies for Pedal Harp: Waltzes 1 - 16 (Op. 39)

Harp Book

The pieces in this book have been loyally arranged from the original
  piano scores to be performed on the double bass. The collection consists of
  seventeen solo pieces and four pieces with piano accompanied.
    
    
    
    All the arrangements have been compiled from the original piano scores and
  arranged to be played by the solo instrumentalist.
    
    
    
    Each piece presents a study to strengthen the left hand and improve bowing
  technique, whilst providing a range of challenging sight reading exercises in
  a variety of key signatures. The Brahms Waltzes would serve as ideal warm up
  or warm down exercises and are excellent for position work and when combined
  with scale practice.
    
    
    
    Features:
    
    
    
    Prelude in E minor (F. Chopin)
    
    Largo in Eb major (F. Chopin)
    
    Bourree No.1 (F. Chopin)
    
    Children's Corner (C. Debussy)
    
    Bourree No.2 (F. Chopin)
    
    Waltzes No.1 in B major (J. Brahms)
    
    Waltzes No.2 in E major (J. Brahms)
    
    Waltzes No.3 in G# minor (J. Brahms)
    
    Waltzes No.4 in E minor (J. Brahms)
    
    Waltzes No.5 in E major (J. Brahms)
    
    Waltzes No.6 in C major (J. Brahms)
    
    Waltzes No.7 in C# minor (J. Brahms)
    
    Waltzes No.8 in Bb major (J. Brahms)
    
    Waltzes No.9 in D minor (J. Brahms)
    
    Waltzes No.10 in G major (J. Brahms)
    
    Waltzes No.1 in B minor (J. Brahms)
    
    Waltzes No.1 in E major (J. Brahms)
    
    Waltzes No.1 in B major (J. Brahms)
    
    Waltzes No.1 in G# minor (J. Brahms)
    
    Waltzes No.1 in A major (J. Brahms)
    
    Waltzes No.1 in C# minor (J. Brahms)

Twenty One Classical Studies for Double Bass

String Bass Book

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