''Perfect Solfeggio'' Book 1
Intervals - originals
Petros Shoujounian
INTONATION INTERVALS
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INTONATION INTERVALS
The exercises (complete musical phrases) are composed specially for each
interval and
are designed to develop strong intonation base. They are presented
individually from
small to largeseconds, thirds, perfect fourths, tritones, fifths, sixths,
sevenths, octave,
and unison together, ninths, and tenths. The initial exercise introduces
seconds. In the
next one, thirds are added but seconds remain, and so on for each
subsequent exercise.
Thus, there is a gradual introduction of fourths, fifths, sixths, etc. In
this way, singing each
interval becomes increasingly natural.
Each exercise includes different rhythmic and melodic characteristics. By
varying the
pulse (the beat), many types of rhythms are tackled simultaneously with the
intervals.
The exercises are not very long, keeping the focus on each interval as it
is developed.
They are designed to keep interested in the music and the phrasing, and
also to accentuate
the newly introduced interval. In the exercises, the measure where the new
interval
is introduced is very striking.
This method enables more natural auditory memorization of the intervals,
especially
with combinations of intervals that are harder to maintain.