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Few pieces carry the ceremonial weight of Elgar's Pomp Circumstance March No. 1 — and this chamber orchestra arrangement delivers that iconic sound in full, without requiring a full symphony orchestra to pull it off. Scored for strings, percussion, and flexible winds including flute, oboe, clarinet, bassoon, alto sax, tenor sax, trumpet, horn, trombone, and tuba, the flexible wind writing ensures your ensemble sounds complete and resonant regardless of available instrumentation.
 Optional parts and simplified doublings give directors the tools to substitute instruments as needed, keeping the texture full and the performance confident even when personnel varies. The arrangement also includes dedicated performance suggestions for tailoring the piece to graduation and commencement ceremonies — covering entrances, pacing, and repeats so you're not left making those decisions on the fly.
 Medium-advanced in difficulty, this is a must-have for any chamber orchestra library that serves schools, colleges, or community ensembles with regular ceremonial programming. Score and individual parts included.

POMP & CIRCUMSTANCE

Full Orchestra Score & Parts

Bring one of wind band literature's most beloved works into the chamber orchestra setting with this flexible, educator-friendly arrangement of the first movement of Gustav Holst's Second Suite in F for Military Band. Scored for strings, percussion, and a full complement of flexible wind parts — including flute, oboe, clarinet, bassoon, trumpet, horn, trombone, and tuba — this arrangement is designed to meet your ensemble where it is.
 Intermediate in difficulty, it works equally well for developing chamber orchestras and mixed-instrumentation groups. Optional parts and simplified doublings give directors the flexibility to adapt the piece to their available players, making it an ideal choice for differentiated instruction or varying rehearsal configurations.
 Stately and ceremonial in character, this movement shines as a concert opener or a graduation processional. Score and individual parts are included.

MARCH FROM SECOND SUITE IN F

Henry Fillmore wrote dozens of marches, but Lord Baltimore remains one of his best-kept secrets — and this arrangement is your chance to change that. Filled with thrilling fanfares, sweeping dynamic contrasts, and an irresistible rhythmic pulse, this is the kind of march that energizes players in rehearsal and stops audiences in their tracks at performance.
 Medium in difficulty and well-suited for high school and college concert bands, Lord Baltimore offers something genuinely fresh for programs that have cycled through the standard march repertoire one too many times. It programs equally well as a concert opener, a standalone feature, or a rousing closer — the fanfare writing and dramatic contrasts give it natural shape and momentum from start to finish.
 Flexible and optional parts along with simplified doublings allow directors to adapt the scoring to available instrumentation without losing the march's energy and drive. Included historical and program notes give audiences and students the context to appreciate Fillmore's outsized contribution to the American march tradition — and make a strong case for why this one deserves a place alongside his better-known works. Score and all individual parts included.

LORD BALTIMORE MARCH

Concert Band Score & Parts

Ensemble

Instrument Family

One of the great fanfares in the orchestral repertoire, brought to life for flexible brass ensemble without sacrificing a note of its brilliance or technical demand. Paul Dukas's Fanfare for La Peri is a masterclass in brass writing  bold, ceremonial, and thrillingly effective  and this arrangement delivers that full impact in a format accessible to high school and college ensembles. Scored for nine flexible brass parts across three trumpets, two horns, trombone/euphonium, and tuba/bass trombone, the instrumentation is designed to accommodate real-world ensemble configurations. Optional flugelhorn substitutions for horn parts and an optional horn substitution for third trombone/euphonium give directors meaningful flexibility without compromising the balance and weight the fanfare demands. Simplified doublings ensure the arrangement holds together regardless of exactly who's in the room. Versatile across contexts, this is a natural concert opener or closer, a strong festival and adjudication choice, and an ideal processional for ceremonies that call for something more distinctive than the standard repertoire. Medium in difficulty, it is well within reach of most advanced high school and college brass players. Score and all individual parts included.

Fanfare to LA La Peri "

Flexible Instrumentation Flexible Instrumentation

A sparkling, high-energy galop by Francis Johnson — an important and underrepresented figures in American band music history — arranged for concert band and accessible to a wide range of ensembles. Medium in difficulty, Victoria Gallop is short, stylistically distinctive, and genuinely fun to play, making it an ideal addition to any concert program without placing undue demands on your players.
 The piece works equally well as a concert opener, a program contrast piece, or an adjudication warm-up — its brevity and character make it versatile across contexts. Flexible and optional parts along with simplified doublings give directors the tools to adapt the scoring to available instrumentation, so the arrangement works whether your band is large or small.
 Included historical and program notes give directors and students the context to appreciate Johnson's remarkable place in American musical history — making this not just a performance opportunity but a meaningful curricular one, particularly for programming centered on the contributions of Black composers to the American band tradition. Score and all individual parts included.

Victoria Gallop

One of the crown jewels of the Renaissance brass repertoire, Giovanni Gabrieli's Canzona per Sonare No. 2 arrives in a flexible brass ensemble arrangement that preserves the antiphonal drama and contrapuntal richness of the original while putting it within reach of real-world ensembles. Written for one of the most celebrated composers of the Venetian School — whose music echoed through the vast spaces of St. Mark's Basilica — this is a piece with history in every phrase.
Scored for nine flexible brass parts across three trumpets, two horns, trombone/euphonium, and tuba/bass trombone, the arrangement is designed to accommodate varying instrumentation without losing the textural balance that makes Gabrieli's writing so distinctive. Optional parts and simplified doublings give directors the tools to adapt the scoring to available players, ensuring a complete and satisfying performance regardless of ensemble configuration.
Medium in difficulty and genuinely versatile, this arrangement programs beautifully across a wide range of contexts — as a concert opener or closer, a festival and adjudication selection, a ceremony or processional, a sacred service, or general concert programming. Included historical and program notes give students and audiences the context to appreciate Gabrieli's place in music history and the remarkable sonic world his canzonas were written to inhabit.
Score and all individual parts included.
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Canzona per sonare No. 2

Flexible Instrumentation Ensemble

A dignified, traditional setting of the American national anthem for marching band — ready for football games, homecoming, community events, and any occasion that calls for a confident, full-band performance of the national anthem. Medium in difficulty and accessible to most high school and college programs, this is a reliable staple that belongs in every band's library.
What sets this arrangement apart is the included SATB chorus parts, making it a natural opportunity for cross-program collaboration with your choral department. Pair the marching band with your choir for homecoming, graduation, or any high-profile community event and deliver a performance that's genuinely memorable. Full marching band scoring gives every section a role, with flexible and optional parts to accommodate varying personnel. Score and all individual parts — including SATB chorus parts — included.

THE STAR SPANGLED BANNER

Marching Band Score & Parts

A transcription of Anton Bruckner's beloved Ave Maria — originally written for chorus — reimagined for chamber orchestra with flexible wind parts. Scored for strings, percussion, and winds including flute, oboe, clarinet, bassoon, alto sax, tenor sax, trumpet, horn, trombone, and tuba, this arrangement is built for the real world of ensemble directing. Optional parts and simplified doublings give you the flexibility to work with whatever players are available, making complete, balanced scoring achievable even with an incomplete instrumentation.
 Intermediate in difficulty, the piece moves through three distinct textural layers — lyrical solos, intimate instrumental choir writing, and full ensemble passages — giving your players a musically rich and varied experience while offering directors multiple opportunities to feature individual voices or sections.
 Versatile enough for spring concerts, holiday programming, graduation ceremonies, sacred services, or general concert use. Score and individual parts included.

AVE MARIA

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