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The Concerto for horn was written for my father Larry Miller as a Christmas present when I was 21. I was two years behind, but still was inspired to compose the concerto by the story of Richard Strauss, who wrote his first horn concerto at the tender age of 10 for his horn-playing father Franz. The form loosely emulates Mozart's horn concerti and the melodies and harmonies found in the work are, by design, extremely lyrical and tonal. A recurring melodic motif of a rising and falling half-step to augmented sixth appears in all three movements. The intent behind the piece was to create a lyrical showpiece for the horn and a vehicle to showcase the horn's beautiful tone.

Concerto for Horn and Piano

Horn in F Solo with Piano

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For tuba piano.  First printing.  One movement work.  Includes program and biographical notes.  This edition includes a euphonium part which may substitute for tuba.  Score, 6 p. and parts.

Elegy

Tuba Solo with Piano

Format

For bass clef instrument and loop pedal. First printing. A loop or sampler pedal allows a performer to record and play back sections of music at any time. These etudes are designed to help performers learn to use the pedal. The edition includes two versions of the music in two different keys. Score, 10 p.

Looping Etudes

Bass Clef Instruments Solo Collection with Loop Pedal

For 4 trombones. First printing. Contents: Novus Sonorous and Ludus Tonalis. Premiered in August, 2004 by the UL Lafayette Trombone Quartet. Includes program and biographical notes. Score, 13 p. and parts.

Quartet No. 1

Trombone Quartet

Three Furies for Solo Tuba was composed in 1993 at the request of Mark Nelson. Each of the Three Furies requires virtuoso playing in its own right, offering distinct rhythms, melodic figures and articulations.

Three Furies

Tuba Solo

E Lucevan Le Stelle, extracted from the third act of the opera Tosca, is one of the most important arias in the operatic repertoire. The character Mario Cavaradossi, a painter in love with Tosca, sings it as he awaits his execution on the roof of the Castel Sant'Angelo in Rome. Here, it is set for solo tuba and trombone choir.

E Lucevan Le Stelle

Tuba Choir

For his fantasy for clarinet and piano, Domenico Mirco offers five themes from Vincenzo Bellini's tragedia lirica opera of 1833, Beatrice di Tenda. The fantasy travels through an Allegro introduction, a march-like initial theme followed by variations, multiple cadenzas, virtuosic passage work and a coda of original material. Mirco dedicated this operatic fantasy to his siblings.

Fantasia sopra motivi dellopera Beatrice di Tenda

Clarinet Solo with Piano

Though originally composed for organ, Bach was in many ways a practical musician, composing and arranging pieces for the forces he had at hand, and taking advantage of new instruments. Though he never had the opportunity to write for bass clarinet, the uniquely rich sonority proved to be an excellent match for the musical material of the Toccata and Fugue in D minor.

Toccata and Fugue in D minor

Bass Clarinet Duet

Franz Biebl (1906 - 2001) was born in Pursruck, Germany. For many years, Biebl spent his career as a professor of choral music at the Mozarteum Academy in Salzburg, Austria as well as serving as choirmaster and organist at many prominent churches throughout Germany. His beautifulaAve Maria, originally for men's combined trio and quartet, was written in 1964 for a local amateur firemen's choir competition near Munich. Since that time, American choirs have made the piece very popular in the U.S. The lyrics follow the Angelus liturgy about the Virgin Mary. This arrangement is for tuba-euphonium septet and was arranged by Mark Jenkins.

Ave Maria

Tuba Quartet

Like his elder brother Alessandro Marcello, Benedetto was principally a Venetian official, serving as a magistrate for some 20 years. A more prolific composer than his brother, Benedetto left little indication as to when any of his works were composed. A pupil of Lotti and Gasperini, Marcello was held in high regard throughout much of the 18th and 19th centuries. Chief amongst his works are the Salmi, highly characteristic works incorporating quotations from Greek and Hebrew interpretations of the Psalms of David. The Concerto for Oboe was written originally in D minor, but was lowered to C minor and edited for content by Pat Stuckemeyer.

Concerto for Euphonium and Piano

Euphonium Solo with Piano

Evoke the poignant emotions of farewell with "We Will Miss You" by Patrick Young. This contemporary classical piece captures the heartache and beauty of parting. Ideal for ensembles looking to add depth to their repertoire, it promises to leave audiences moved and reflective. A must-have for any poignant performance. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

We Will Miss You

2 Baritones, 2 Tubas Quartet

Chris Quade, tubist in the United States Air Force Band, inspired and commissionedaUnseen Colors.a Each movement represents a hidden side, or mood of the colors we think we know so well: imagine orange lying flat, pick up a corner - peer underneath and see what is swirling about.a Everyone assumes red is always feisty and bold, and so it is not hard to imagine it might make an enemy.a However, what color would be so bold as to fight with red? Let's find out together...

Unseen Colors

Horn in F Duet

Luigi Corrado borrows five themes based on Vincenzo Bellini's tragedia lirica opera of 1831 (Norma) to create this multi-thematic fantasy for clarinet and piano. The work begins with an orchestral introduction (scored for piano) and progresses through a duet, a piano solo section, a theme with variations and a coda of original material displaying the virtuosic capabilities of the clarinet. Corrado composed and dedicated this fantasy to the Marquis Tomaso Calcagnini.a

Fantasia sopra motivi dellopera Norma

Immerse yourself in the gripping intensity of "Monolith" by Alejandro Guardia, Jr. Tailored for Concert &amp; Contest settings, this composition commands attention with its robust dynamics and intricate harmonies, promising an unforgettable auditory journey. Perfect for advancing ensembles looking to showcase their precision and passion. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Monolith

Bass Trombone Solo with Piano

Elevate your concert and contest repertoire with "Endorphins" by James Grant. This captivating piece promises to engage both performers and audiences alike, weaving intricate harmonies with dynamic contrasts. Perfect for advancing ensembles seeking to showcase their expressive capabilities and technical prowess. A must-have for a memorable performance! - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Endorphins

For flute quartet. First printing. One movement work dedicated to Campbellsville University's Quarteto Gracioso. Includes program and biographical notes. Score, 11 p. and parts.

Backbeat

Flute Quartet

Suite for Reeds was commissioned by Trio Canna from the University of Wisconsin-Stevens Point (Andrea Splittberger-Rosen, Stacey Berk and Patricia Holland) and premiered by them in 2010. Cobb wrote the work as part of her grieving process within the first year after her husband’s death in 2009. The first movement, “Lamentation Perpetual” reflects the disorientation of grief. The second, “Wistful Waltz,” depicts the sadness that good memories of the dance in a former life can bring. Awkward and humorous attempts to recover and “march ahead” with life are found in March Gone Awry. The final movement, “Remedy in Tarantella,” reflects the triumph of renewed energy and the human spirit prevailing. All four movements are cast in familiar structures of unity and variety.

Suite for Reeds for Oboe, Clarinet, Bassoon

Woodwind Trio

"Goodnight" by James Grant is a melodious addition to any concert or contest repertoire. Crafted with a delicate touch, this piece weaves intricate harmonies that are sure to captivate and charm audiences. Perfect for showcasing musical artistry, it resonates with a tranquil yet poignant aura. A true listener's delight. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Goodnight

Clarinet Solo

For clarinet choir. First printing. One movement work. Includes program notes. The CD contains printable clarinet parts. Spiral bound score, 19 and CD.

Pulse

Clarinet Score & CD Clarinet Choir

For tuba piano. First printing. One movement work. Includes program notes. Score, 14 p. and part.

Jumpin' Holes

Global Sections - CORE [DO NOT TOUCH]*

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