ResFacta Editions

Audio Available

Component

Delivery

Eprint Folders

Format

Grade

Instrument

Item Sequence

Large Print Edition

Marketed Status

Minimum Sell Quantity

MINTS Data Available

Product Line

Prop65

Score Available

Video Available

Originally for string quartet, this is a brisk, lively fugue by Mozart's
  rival (if the stories are to be believed), Italian composer Antonio Salieri.

Fugue in G Major

String Orchestra Score & Parts

Originally written for piano duet by one of the leading Italian composers
  of the early 20th century - most famous for his three lavishly-orchestrated
  tone poems, "Fountains of Rome," "Pines of Rome," and
  "Roman Festivals" - these six little pieces are arranged her for
  string orchestra.

Six Little Pieces

"Le pas espagnol" from Gabriel Faure's "Dolly Suite" is a vivacious and spirited Spanish dance that serves as the suite's grand finale. Infused with the fiery rhythms and distinctive melodies of Spanish music, this movement bursts forth with a lively and exuberant character. Faure's mastery of color and atmosphere shines through in this movement.  The entire DOLLY SUITE is also available.

Le pas espagnol

Eight short, easy pieces with poems, arranged for string orchestra.  Suitable for performance around
  Halloween.  Poems that accompany each
  movement may be recited prior to the performance of the movement, during the
  movement, or simply included in the printed program of the performance.

Ghost Tales

Originally for SATB chorus and organ, Amy Beach's PEACE ON THE EARTH: Christmas Anthem, Op. 38 is a Brahmsian setting of familiar Christmas texts by E.H. Sears.  The accompaniment has been orchestrated for a small orchestra of woodwinds, horns, timpani, organ (optional), and strings.  The orchestration may also be performed with strings only.

Peace on the Earth (Score & String Parts only)

Gabriel Faure's "Pelleas et Melisande," Op. 80, is a suite of incidental music composed in 1898 for Maurice Maeterlinck's play of the same name. Faure's composition is renowned for its delicate and evocative portrayal of the mysterious and tragic atmosphere of Maeterlinck's symbolist drama.

The suite consists of four movements:

    Prelude: The Prelude sets the mood for the entire piece, introducing listeners to the ethereal and melancholic world of Pelleas et Melisande. Faure's masterful orchestration creates an otherworldly atmosphere, with shimmering strings, delicate woodwinds, and haunting harmonies.

    Fileuse: This movement, often translated as "Spinning Song," depicts Melisande at her spinning wheel. The music captures the hypnotic rhythm of spinning, with gentle, flowing melodies and a sense of introspection.

    Sicilienne: The Sicilienne is perhaps the most famous movement of the suite. Its graceful melody, accompanied by a gentle dance-like rhythm, evokes a sense of nostalgia and longing. Faure's use of the Sicilian rhythm lends the piece a timeless quality, transporting listeners to a world of beauty and sorrow.

    Mort de Melisande: The suite concludes with the "Death of Melisande." This movement is a powerful culmination of the emotional journey depicted throughout the music. Faure's music reflects the tragic climax of Maeterlinck's play, with poignant melodies and rich harmonies conveying a sense of grief and finality.

Overall, Faure's "Pelleas et Melisande" Op. 80 is a masterpiece of impressionistic music, capturing the emotional depth and beauty of Maeterlinck's timeless tale.

Pelleas et Melisande Suite, Op. 80

Score & Parts

A suite of six pieces by American composer, Amy Beach, originally for
  piano duet, arranged for string orchestra.

Summer Dreams, Op. 47

Originally written for organ, this somewhat solemn, brooding fugue by one
  of the giants of the Romantic era is set for string orchestra in a
  medium-easy arrangement.

Fugue in D Minor, WAB 125

Ensemble

Instrument Family

Instrument Type

Paul Jeanjean's "Duo de Concert" is a vibrant chamber work for clarinet, bass clarinet, and piano. Known for his clarinet studies, Jeanjean showcases the interplay between the two clarinets, alternating lyrical and fast, intricate sections. The clarinets engage in dynamic exchanges, blending harmonies and playful dialogue. The piano adds harmonic depth and rhythmic energy, supporting and contrasting the clarinet lines. The piece shifts between lively, reflective, and virtuosic moments, highlighting expressive and technical brilliance.

Duo de Concert

Bass Clarinet Duet

Six easy pieces inspired by the Lewis Carroll's classic novel,
  "Alice's Adventures in Wonderland" by English composer, Ernest
  Markham Lee, arranged for string orchestra.

Alice in Wonderland, Book I

Italian composer, Ottorino Respighi was known for his skill in capturing the atmosphere and mood of various scenes and landscapes. "Natale! Natale!" ("Christmas! Christmas!") evokes a sense of festive cheer and celebration, capturing a sense of nostalgia, joy, and festivity. Included are musical elements that bring to mind scenes of Italian Christmas festivities, the ringing of bells, and the excitement of gift-giving. Originally written for piano duet. Arranged for string orchestra.

Natale! Natale! (Christmas! Christmas!)

"Variations on a Jewish Folk Theme, Op. 24" is a compelling and expressive work for string quartet by Russian Jewish composer and teacher, Mikhail Gnessin. Completed in 1917, this piece showcases Gnessin's mastery in incorporating Jewish folk elements into classical music.  The work is structured around a central Jewish folk melody, which serves as the foundation for a series of variations. Each variation explores different musical elements such as rhythm, harmony, and instrumentation while maintaining the essence of the original theme. Gnessin skillfully weaves intricate and emotive melodies, allowing the listener to experience the rich cultural heritage of Jewish music within a classical framework.

Variations on a Jewish Folk Theme, Op. 24

2 Violins, Viola, Cello Quartet

The final movement from "Summer Dreams," a suite of six pieces
  by American composer, Amy Beach, "Good Night" is calm and
  hymn-like. Originally for piano duet, arranged for string orchestra.

Good Night

The third movement from "Summer Dreams," a suite of six pieces
  by American composer, Amy Beach, "Twilight" is serene and
  prayer-like. Originally for piano duet, arranged for string orchestra.

Twilight

"Song of the Sea" is a short and simple work meant to evoke the joy of a sailor as they navigate the sea, drifting through light playful waves on a clear and beautiful day. It blends a march-like feel with longer melodic phrasing in order to represent some of the more rigorous elements of sea life with the wistful yearning for adventure.

Song of the Sea

Concert Band Score & Parts

Originally written for organ by American composer, Arthur Foote, "Christmas" utilizes rich harmonies, majestic melodies, and intricate textures to convey a sense of warmth and grandeur. Foote's composition skillfully blends traditional Christmas themes "Listen, Lordlings Unto Me," "What Child Is This?" and "The First Nowell" with his own creative interpretation, resulting in a piece that is both evocative and uplifting.

Christmas, Op. 80

A collection of five pieces for orchestra by French composer, Gaston Borch (1871-1926) written to accompany creepy, suspenseful, mysterious, and supernatural scenes for silent films. A prolific composer, cellist, conductor, and arranger,  Borch moved to the United States in the early 1900s where he significantly contributed to the American musical landscape. He became particularly known for his work in the burgeoning field of silent film music, composing scores that enhanced the emotional impact of films. Borch's music was characterized by its melodic richness and dramatic expressiveness, which made it ideal for the cinema. His ability to craft music that perfectly matched the narrative and emotional arcs of films made him a sought-after composer in the industry.  The entire collection - or any number of the individual selections - would make an ideal addition to any Halloween-themed program.  Score and parts.

Silent Frights

A collection of five pieces for orchestra by French composer, Gaston Borch (1871-1926) written to accompany creepy, suspenseful, mysterious, and supernatural scenes for silent films. A prolific composer, cellist, conductor, and arranger, Borch moved to the United States in the early 1900s where he significantly contributed to the American musical landscape. He became particularly known for his work in the burgeoning field of silent film music, composing scores that enhanced the emotional impact of films. Borch's music was characterized by its melodic richness and dramatic expressiveness, which made it ideal for the cinema. His ability to craft music that perfectly matched the narrative and emotional arcs of films made him a sought-after composer in the industry. The entire collection - or any number of the individual selections - would make an ideal addition to any Halloween-themed program. Score and parts.

A brief, lyrical and serene work for string orchestra by Alberto Nepomuceno (18641920), a Brazilian composer, conductor, and pianist, often hailed as one of the pioneers of Brazilian classical music and is credited with laying the foundation for the development of a nationalistic style in Brazilian art music.

Nepomuceno's music blends European Romanticism with Brazilian folk elements. He incorporated rhythms, melodies, and harmonies typical of Brazilian popular and folk music into his works, making him a forerunner of the nationalist movement in Brazilian music. His compositions range from piano pieces and songs to orchestral works, chamber music, and operas.

Adagio for String Orchestra

A three-movement work, originally composed for organ by American
  composer, Joseph W. Clokey in 1924. Inspired by the natural beauty of the
  mountains, each movement captures a different aspect of that beauty.  "Jagged Peaks in the Starlight"
  begins with a slow and mystical introduction that evokes the feeling of being
  surrounded by the majesty of towering mountain peaks in the quiet of the
  night. "Wind in the Pine Trees" is a more subdued and peaceful
  piece, with gentle melodies and harmonies that suggest the rustling of the
  trees in a mountain breeze. The final movement, "Canyon Walls," is
  a more dramatic and intense piece, with powerful chords and rhythmic motifs
  that suggest the rugged terrain of a mountain canyon.

Mountain Sketches, Op. 32

Global Sections - CORE [DO NOT TOUCH]*

Favicon

Need Help? Contact Us or call 1-800-345-6296    Live Chat

Header

Don't have a business account? Create one

Products