Rob Redei

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In Flanders Fields

SSAA Octavo

A unique sort of Christmas song, this piece focuses on our tendency to wait for miracles to happen instead of finding the splendor of ordinary things.

Ordinary Things

SATB Octavo

Commissioned as a gift from a departing teacher to her students, this piece is perfect for graduations and other goodbyes.

Until We Meet Again

This contemporary a cappella pop arrangement of our National Anthem is a perfect addition to your female ensemble. Easy to learn and memorize, but interesting in style and harmony,  you can have this ready to sing at a game or event in one rehearsal.

The Star Spangled Banner

Touched

The tight harmonies and dissonances of this arrangement are a great choice for any capable treble ensemble.

O Come, O Come Emmanuel

Suspensions and unresolved dissonances provide a fullness to this arrangement, while the parts and ranges make it very accessible to treble choirs of all levels.

Danny Boy

This haunting setting of William Blake's poem "Cradle Song"  is great for a middle school or high school women's choir.

Night Shall Break

SSA Octavo

In 2013, NPR Weekend Edition host Scott Simon famously tweeted his mother's final days in the ICU.  The Wicker Park Choral Singers commissioned composer Rob Redei to set many of those  tweets in a large choral work entitled "How Little Time We Have."  "Oh Earth" is the sixth tweet in the work. Achingly beautiful, it sets the words: Oh Earth, you're too wonderful for anyone to realize you. It does too quickly.

Oh Earth

This song of renewal and hope is perfect for spring performances and services.  The easy melody line and accessible part singing make it appropriate for community, adult and high school choirs.

Hope Springs

"Cry havoc, and let slip the dogs of war!"  This rhythmic setting of one of Shakespeare's best-known phrases is perfect for high school or advanced middle school men's choirs.  The limited ranges make it accessible for a mix of changed and unchanged voices.

Cry Havoc!

TTB Octavo

Dedicated to the helpers of the Las Vegas shooting in October of 2017, this piece utilizes a narrator over choir to pay tribute to those who rise up to help others in times of crisis. The narration may be changed or omitted as needed. Available in TTB, SATB. String orchestra parts also available.

Only in Darkness

in 2013, NPR Weekend Edition host Scott Simon tweeted during his mother's final days in the ICU.  Rob Redei was commissioned to compose a choral work based on those tweets.  This is the second movement in the larger work, which sets the following tweet: My mother in ICU, sees Kate and Will holding a baby and tears: every baby boy is a little king to his parents. So I tear too.

Every Baby Boy

Depression affects many, many of us, whether we are the person afflicted, or a loved one trying to help and feeling helpless.  This harrowing setting of a poem by Deborah Kennedy captures the complex mixture of guilt, pain and the seeming impossibility of accepting forgiveness.  For advanced mixed choir, this piece journeys into difficult emotional territory not often covered in choral settings.

Forgiven

Shakespeare's Sonnet 71, while one of the Bard's most well-known poems, is not one that is often set for choirs.  The despairing, bitter nature of the words explores a side of the human experience that is often eschewed in favor of more positive material. Yet it is a powerful work - full of grief and regret.  Commissioned by Constellation Men's Ensemble, this work for advanced men's quintet is also available in a treble voicing.

No Longer Mourn

TTBB Octavo

Originally commissioned for a wedding, this simple but rich setting of  E.E. Cummings' poem is a good fit for a capable high school women's choir.

love is a place

All Children

Global Sections - CORE [DO NOT TOUCH]*

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