The Robert Burns Suite for Wind Quintet by Hugh Levey is a four movement
work, based on the well-known Burns songs; My Love She's But a Lassie Yet, YeRead More
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Woodwind Quintet
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Woodwind Quintet
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The Robert Burns Suite for Wind Quintet by Hugh Levey is a four movement
work, based on the well-known Burns songs; My Love She's But a Lassie Yet, Ye
Banks and Braes o' Bonnie Doon, The Deil's Awa' Wi' the Exciseman, and Auld
Lang Syne. Although Burns wrote the words of the songs, he set them to
existing Scottish traditional tunes.
I: My Love She's But a Lassie Yet (Lady Badinscoth's Reel)
II: Ye Banks and Braes o' Bonnie Doon (The Caledonian Hunt's Delight)
III: The Deil's Awa' wi' the Exciseman
IV: Auld Lang Syne (Suitable for recital or for accompanying solo or
community singing)
The movements can be played separately but are presented here as a suite,
with a suggested order. They are also available to purchase separately as
individual pieces at www.woodwindly.com. They are ideal pieces to play in
Recital, for Burns and St Andrews Night celebrations, as well as other social
occasions.
Movement 1 begins with a stately 'classical' arrangement of My Love She's
But a Lassie Yet, but as it develops the tune combines with another
traditional melody, followed by some operatic quotations, and a five part
fugue. It ends with an embellished restatement of the opening.
Movement 2 opens with gentle chords that accompany the flute which plays
the simple yet beautiful melody of Ye Banks and Braes. In the middle section,
the French Horn takes the lead with the clarinet playing a counter melody.
They are joined by the Oboe and Flute playing the same two musical lines in
canon with them. The flute resumes the melody in verse 3 with slightly
altered chordal accompaniment.
Movement 3 begins with oboe and bassoon playing the tune and bass line,
almost exactly as they appeared in The Scots Musical Museum, published by
James Johnson & Co between 1787 and 1803. The other instruments all get
the opportunity to play the melodic line in the ensuing 5 verses, as the
arrangement gets more complex and fun. The composer makes great use of the
tritone; or "devil's interval" as it is often known because of its
unsettling presence. However, in this arrangement it merely adds to the fun
and excitement.
Movement 4 is a simple arrangement of Auld Lang Syne, in a key that is
suitable to accompany solo or community singing. After a short introduction
by Bassoon, the Flute and Oboe play verse 1 accompanied by 'bagpipe' drones
from the other players. Oboe and Clarinet take over the tune for the chorus
and the final verse is in majestic four part harmony to bring a rousing end
to this popular Burns song and the suite.
Duration: 8' to 10'