Ross Duffin

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The ITALIAN SECULAR MUSIC volume of Renaissance Choral Favorites for SATB Singers features works in Italian by the leading composers of the day: Sebastiano FESTA (1490/95-1524): L'ultimo di de maggio (1526); Jacques ARCADELT (ca.1507-1568): Il bianco e dolce cigno (1539); Adrian WILLAERT (ca.14901562): O bene mio (1542)and Vecchie letrose (1545); Cipriano de RORE (ca.1515-1565): O sonno (1557); Orlando di LASSO (ca.1532-1594): Matona mia cara (1581); and Luca MARENZIO (ca.1553-1599): Ahi, dispietata morte (1585). Prize-winning musicologist and choral conductor, Ross W. Duffin, has created new, easy-to-read editions, from the original sources. He includes information about each composer and translations into English.

ITALIAN SECULAR MUSIC

SATB

Format

The SPANISH SECULAR MUSIC volume of Renaissance Choral Favorites for SATB Singers features works in Spanish by the leading composers of the day: Juan del ENCINA (1468-ca.1530): Fata la parte, Oy comamos y bebamos, Mi libertad en sosiego, and Tan buen ganadico (all ca.1500); Anonymous (Cancionero de Upsala): Fa la la lan (1556); Juan VASQUEZ (ca.1500-ca.1560): Soledad tengo de ti (1560); Francisco GUERRERO (15281599): Prado verde y florido (pub. 1589) ); and Juan ARANES (d. ca.1649): Un sarao de la chacona (pub. 1624). Prize-winning musicologist and choral conductor, Ross W. Duffin, has created new, easy-to-read editions, from the original sources. He includes information about each composer and translations into English.

SPANISH SECULAR MUSIC

SATB Choral Kit

The GERMAN SACRED MUSIC volume of Renaissance Choral Favorites for SATB Singers features works in German and Latin by the leading composers of the day: Anonymous (16th century): Christ ist erstanden / Es giengen drey Frauen; Johann WALTHER (1496-1570): Wir Glauben all an einen Gott (1524); Ludwig SENFL (ca.1486-1543): Da Jakob nu das Kleid ansach; Arnold von BRUCK (ca.1500-1554): Aus tiefer Not; Hans Leo HASSLER (1564-1612): Ein feste Burg (1607); and Michael PRAETORIUS (1571-1621): Es ist ein Ros entsprungen (1609) and Psallite, unigenito (ca.1591, pub. 1609). Prize-winning musicologist and choral conductor Ross W. Duffin has created new, easy-to-read editions, from the original sources. He includes information about each composer and translations into English.

GERMAN SACRED MUSIC

One of the great pleasures in life is singing with friends; composers of the Renaissance seemed to understand that better than anyone. The ENGLISH SACRED MUSIC volume of Renaissance Choral Favorites for SATB Singers features works in Latin and English by the leading composers of the day: John TAVERNER (ca.1490-1545): Le Roy Kyrie; Thomas TALLIS (ca.1505-1585): If ye love me (1560); William MUNDY (ca.1528-ca.1591): O Lord, the maker of all thing; William BYRD (ca.1540-1623): Agnus dei from Mass for Four Voices (ca.1592) and Ave verum corpus (1605); Thomas MORLEY (1557-1602): Agnus dei; and Thomas FORD (ca.1580-1648): Almighty God, who hast me brought (1614). Prize-winning musicologist and choral conductor Ross W. Duffin has created easy-to-read editions, newly prepared from original sources, with information about each composer and translations into English.

ENGLISH SACRED MUSIC

SATB Full Score

The ITALIAN SACRED MUSIC  volume of Renaissance Choral Favorites for SATB Singers features works in Latin by the leading composers of the day: Giacomo FOGLIANO (1468-1548): Ave Maria (ca.1500); Giovanni Pierluigi da PALESTRINA (1525-1594): Alma redemptoris mater and Sicut cervus (1584); Orlando di LASSO (ca.1532-1594): Domine fac mecum (1585); Luca MARENZIO (ca.1553-1599): Veni sponsa Christi (1585); Orazio VECCHI (1550-1605): Velociter exaudi me (1590); and Gregorio ALLEGRI (15821652): Veni sancte Spiritus (1619). Prize-winning musicologist and choral conductor, Ross W. Duffin, has created new, easy-to-read editions, from the original sources. He also includes information about each composer and translations into English.

ITALIAN SACRED MUSIC

One of the great pleasures in life is singing with friends; composers of the Renaissance seemed to understand that better than anyone. The ENGLISH SECULAR MUSIC volume of Renaissance Choral Favorites for SATB Singers features partsongs and madrigals by the leading composers of the day: Anon. (HENRY VIII's Book); Madame d'amours, all tymes or ours (ca.1513); ?Robert JOHNSON (ca.1500-ca.1560): Defyled ys my name (ca.1560); Thomas MORLEY (1557-1602): Since my teares and lamenting (1594); Giles FARNABY (ca.1563-1640): Somtime she would (1598); John WILBYE (1574-1638): Adew, sweet Amarillis (1598); John FARMER (ca.1570-1601): Faire Phyllis I saw sitting all alone (1599); and John BENNET (ca.1575 to after 1614): Weepe, O mine eyes (1599). Prize-winning musicologist and choral conductor Ross W. Duffin has created new, easy-to-read editions, from the original sources. He includes information about each composer and translations into English.

ENGLISH SECULAR MUSIC

Voice Subcategory

The volume of ROUNDS in the series Renaissance Choral Favorites for SATB Singers features unison rounds for 3 to 14 voices. Most are anonymous, and appeared in collections by Thomas LANT, Thomas RAVENSCROFT, and David MELVILL. Unison Rounds a3 include: Joan come kiss me now; Three blind mice; Hey ho, to the greenwood; Browning madame; Margerie, serve well; He that will an alehouse; Hold thy peace; and Munda Maria (ca.1300). Unison Rounds a4 include Loath to depart; Sing we this roundelay; What shall he have (ca.1598); William LAWES (1602-1645): She weepeth sore (ca.1626, pub. 1648); Robert RAMSEY (fl.1616-1644): With humble voice (ca.1616); Orlando GIBBONS (1583-1625): Orlando (1623); William BILLINGS (17461800)When Jesus wept (1770); and Wolfgang Amadeus MOZART (1756-1791): Ave Maria (1788). The Unison Rounds a5-14 include Sing ye now after me (a5); How should we sing well (a5); Joy in the gates (Let us be merry) (a6); Now thanked be the great God Pan (a6); Let's have a peal for John Cookes soul (a8); Hey ho what shall I say (a9); Sing we now merrily (a10 or 11); and Sumer is icumen in (a6 to 14) (ca.1250). Prize-winning musicologist and choral conductor, Ross W. Duffin, has created new, easy-to-read editions, from the original sources. He includes information about each composer and translations into English.

ROUNDS

Unison 3-14 Voices

The FRENCH SECULAR MUSIC volume of Renaissance Choral Favorites for SATB Singers features in French by the leading composers of the day: JOSQUIN Desprez (1450/55-1521): Mille regretz (pub. 1533); NINOT le Petit (fl.1502-1529): Et la la la (1502); Claudin de SERMISY (ca.1490-1562): Tant que vivray (1528); Pierre PASSEREAU (fl.1509-1547): Il est bel et bon (1534); Pierre CERTON (1510/20-1572): La la la, je ne l'ose dire (1538); Thomas CREQUILLON (ca.1505-1557): Toutes les nuictz (1549); and Jacques ARCADELT (1507-1568): Margot labourez les vignes (1554). Prize-winning musicologist and choral conductor Ross W. Duffin has created new, easy-to-read editions, from the original sources. He also includes information about each composer and translations into English.

FRENCH SECULAR MUSIC

The volume of CANONS in the series Renaissance Choral Favorites for SATB Singers features ... Canons for 3 Voices: Johannes CICONIA (ca.1370-1412): Le ray au soleyl (AAB) (ca.1400); JOSQUIN Desprez (1450/5-1521): Agnus Ex una voce tres from Missa L'Homme arme (ATB) (ca.1492); and Anonymous (Catch that Catch Can): Non nobis Domine (SAT or ATB) (pub. 1652). Canons for 4 Voices include Johannes OCKEGHEM (ca.1410-1497): Agnus III, from Missa Prolationum (SATB) (copied ca.1500); Antoine de FEVIN (ca.1470-ca.1512): Quae est ista (SATB) (ca.1500); Anonymous: Salve radix varios (SATB) (1516); Jean MOUTON (ca.1459-1522): En venant de Lyon (SATB) (1520); Henry PURCELL (1659-1695): Miserere (SATB) (1677-80); Johann Sebastian BACH (1685-1750): Canon a 4 voc. perpetuus (SATB) (1713); and Johannes BRAHMS (1833-1897): Benedictus from Missa Canonica (SSAT) (1855). Prize-winning musicologist and choral conductor, Ross W. Duffin, has created new, easy-to-read editions, from the original sources. He includes information about each composer and translations into English.

CANONS

Three/Four-Part Choral Kit

One of the great pleasures in life is singing with friends; composers of the Renaissance seemed to understand that better than anyone. The FRANCO-FLEMISH SACRED MUSIC volume of Renaissance Choral Favorites for SATB Singers features works in Latin by the leading composers of the day: Johannes OCKEGHEM (ca.1410-1497): Ave Maria; JOSQUIN Desprez (ca.1450-1521): Ave Maria (ca.1485) and Gaude virgo (ca.1485); Antoine BRUMEL (ca.1460-ca.1512): Noe, noe (Bonus et rectus Dominus) (1502); Henricus ISAAC (ca.1450-1517): Rogamus te (1504); and Pierre de la RUE (ca.1452-1518): Plores gemier. Prize-winning musicologist and choral conductor Ross W. Duffin has created easy-to-read editions, newly prepared from original sources, with information about each composer and translations into English.

FRANCO-FLEMISH SACRED MUSIC

The SPANISH SACRED MUSIC volume of Renaissance Choral Favorites for SATB Singers features works in Latin and Spanish by the leading composers of the day: Francisco de PENALOSA (14701528): Ave verum corpus; Cristobal de MORALES (ca.15001553): Regina caeli (1543); Anonymous (Cancionero de Upsala): Riu Riu Chiu (1556); Francisco GUERRERO (1528-1599): Ave virgo sanctissima (1566) and Todo quanto pudo dar (1589); and Tomas Luis de VICTORIA (1548-1611): O magnum misterium (1572) and Vere languores nostros ipse tulit (1572). Prize-winning musicologist and choral conductor, Ross W. Duffin, has created new, easy-to-read editions, from the original sources. He includes information about each composer and translations into English.

SPANISH SACRED MUSIC

The GERMAN SECULAR MUSIC volume of Renaissance Choral Favorites for SATB Singers features works by the leading composers of the day: Paul HOFHAIMER (1459-1537): Nach willen dein (1512); Henricus ISAAC (ca.1450-1517): Isbruck ich muss dich lassen (pub. 1539); Ludwig SENFL (ca.1486-1543): Ach Elslein (1534) and Im mayen (1534) (ca.1486-1543); Anon. (Forster Teutsche Leidlein): Den besten Vogel (1540); Orlandus LASSUS (ca.1532-1594): Audite nova! Der Baur von Eselskirchen (1573) and Ich weiss mir ein Maidlein (1583); and Hans Leo HASSLER (1564-1612): Das hertz thut mir auffspringen (1596). Prize-winning musicologist and choral conductor, Ross W. Duffin, has created new, easy-to-read editions, from the original sources. He includes information about each composer and translations into English.

GERMAN SECULAR MUSIC

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