Sarah Wallin-Huff

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For string orchestra with violin solo.

The musical motifs that run throughout this entire suite represent several core themes of humanity's journey as observed through the eyes of the main character, Teaston; the most persistent motif being that for Death. It is laid plain in the track, "I Know What Death Sounds Like". 
As Teaston says:
"You're not really listening. Can you hear the angular melodic twists?"
"That's what death sounds like, I know It's like a leitmotif; it keeps coming back to my mind."

I Know What Death Sounds Like

String Orchestra Score & Parts

Certain musical patterns are shared among all of humanity, transcending geographical and temporal boundaries. This brief orchestral suite of early spiritual songs originating from the North American continent exemplifies this remarkable unity. Whether it be the music of indigenous peoples displaced by European colonists, the religious songs adapted from folk songs of European origins, the poignant spirituals of the enslaved forcibly brought to America's shores, or the hymns sung by impoverished rural Southerners, humanity expresses hope through their shared language of music. Featuring the traditional songs "Lakota Lullaby", "Wayfaring Stranger", "I Wade the Water to My Knees", "Wondrous Love", and "Idumea", this musical journey illustrates the striking commonalities shared in the music of our diverse heritages. For the full program and historical notes on this work, visit https://sjwallin.url.lol/spiritualsongsnotes

Spiritual Songs of the New World

Full Orchestra Score & Parts

This exciting and cinematic medley of traditional Christmas carols was first created in 2015 for symphony orchestra (this version, performed by the Janacek Philharmonic Orchestra, appears on the recording "Dashing, Vol. 2" by Navona Records); then it was arranged in 2016 for concert band at the request of the Golden West Pops who debuted this version in December 2016 in Southern California. The work's duration is about 8-9 minutes, and it includes Wallin Huff's original adaptations of "I Saw Three Ships" (with original Celtic-style music first created by Wallin Huff in 2012), "O Come All Ye Faithful," "Coventry Carol," "O Holy Night," and "Hark the Herald Angels Sing."

Christmas Wayfarer

Concert Band Score & Parts

Voice

For vocal duet and piano. May be sung by in pairings of soprano/alto or tenor/bass, as well as other combinations. Words and Melody by Anjanette Navarro. Harmonies &amp; Accompaniment by Sarah Wallin Hu.

"You Are My Everything" is a love song originally written for the husband of Anjanette Navarro as a token of her enduring affection after many years of marriage. With his permission, she adapted the song to enable other loving couples to use it to express their devotion to each other.

There are multiple versions available: as a solo for high voice or low voice, or as a duet for all voice types and couplings. This special song may be performed for weddings (the "Wedding Version" shifts many of the lyrics to the future tense), vow renewals (the "Forever Version" shifts many of the lyrics to the past tense), anniversaries, and any other occasion when "words alone can't express" your feelings for your loved one.

Let "You Are My Everything" help you express your deep and lasting love.

You Are My Everything

Vocal Duet Full Score

For voice and piano. Words and Melody by Anjanette Navarro. Harmonies &amp; Accompaniment by Sarah Wallin Hu.

"You Are My Everything" is a love song originally written for the husband of Anjanette Navarro as a token of her enduring affection after many years of marriage. With his permission, she adapted the song to enable other loving couples to use it to express their devotion to each other.

There are multiple versions available: as a solo for high voice or low voice, or as a duet for all voice types and couplings. This special song may be performed for weddings (the "Wedding Version" shifts many of the lyrics to the future tense), vow renewals (the "Forever Version" shifts many of the lyrics to the past tense), anniversaries, and any other occasion when "words alone can't express" your feelings for your loved one.

Let "You Are My Everything" help you express your deep and lasting love.

Soprano/Tenor Full Score

Alto, Bass Full Score

For chimes, suspended cymbal, synthesizer, and string orchestra.
The musical motifs that run throughout this entire suite represent several core themes of humanity's journey as observed through the eyes of the main character, Teaston; the most persistent motif being that for Death. This track is the conclusion to "The Book of I" suite.

I Am Water

Now the sheet music is available for the charming 1-minute background piece, "Dreams, Stories, and Reality", part of the original score for the short film by Paul Garcia, "A Little Something About Noel".

Choose between the original orchestration for chamber orchestra (cl/bassoon/2 horns/euphonium, harp or piano, and strings) or a string orchestra version with harp or piano.

Dreams, Stories, and Reality

Score & Parts

For string orchestra with amplified string trio.

The musical motifs that run throughout this entire suite represent several core themes of humanity's journey as observed through the eyes of the main character, Teaston; the most persistent motif being that for Death. 
"Phillipy refers to himself in the third person, as if existing as a separate entity from his very self. I find the habit interesting, a sport of sorts, a way of explaining one's actions from a distance.
"Phillipy knocks at the doorthree times
["three times, that's all Phillipy can take."]
"He can tell when thoughts are tangled. He may speak in the third person but he is linear, he follows one thought with the next"

Phillipy is Fragmented

Created for Ryan M. Luevano and the Neue World Orchestra Project.
Originally composed for string quartet in 2002, this charming and enthusiastic work originally for string quartet makes playful use of the various rhythmic textures able to be derived from odd-beat patterns. Though it stands, in its spontaneity and brevity, as one of Wallin Huff's earlier works, it remains a favorite among those who have tackled its deceptively simple intricacies.

Greek Dance

Evoking the driving forces of metamorphosis and migration, INTREPID is a cinematic Fantasy for soloist on oboe and english horn, with small chamber orchestra accompaniment. It is rich in color and texture, persistently forward-moving on its sweeping journey.

INTREPID

Chamber Orchestra Score & Parts

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Appears on "Soul of the Machine" by Navona Records. This original Sonata for Violin and Piano was completed in April of 2013; the early sketches for this four-movement work existed as early as 2008, and were a part of Wallin Huff's first graduate lessons in composition, while studying under Dr. Mark Carlson. "Tzigane Sonate" is a unique addition to Wallin Huff's repertoire in that it is an early exploration of patterns, color, and formula. The nature of the four movements can be described as follows: I. Dance-like and fluid; II. Surreal and Sublime; III. Diligent; IV. Passionate yet Controlled. The work is riveting and soulful in its earthy and irreverent, rhythmic and harmonic wanderings.

Tzigane Sonate

Violin Solo with Piano

For string orchestra, percussion (tambourine, crash/sus cymbals, timpani), and boy soprano (or countertenor).

The musical motifs that run throughout this entire suite represent several core themes of humanity's journey as observed through the eyes of the main character, Teaston; the most persistent motif being that for Death.

"The woman sits at the edge of the cliff looking out to the seaa daughter of North Africa perhaps. Her cheeks reflect olive light. She looks at me, carving her face in my memorythe step towards the rocky edgeI listen to the lines forming her faceI return to the melody still dancing in the air
"Luciohad a delicate facesharp angles, oblong eyes, and a classic Greek nose. I saw his face before the rocks disfigured himhe has the face of the forgotten I try to paint him I take a Renaissance approach, depicting him in a diaphanous light, like an angel
"I know those faces arearound me They joined the sea because they had no other choice. Their faces are washed of past concerns. If Iattempt to render them as ex-living people in my canvas, the white foam is quick to reclaim them. That is why all my canvases turn whitethe frothy sea swallows them."

Faces in Foam

For string orchestra.
The musical motifs that run throughout this entire suite represent several core themes of humanity's journey as observed through the eyes of the main character, Teaston; the most persistent motif being that for Death. 
This track represents one part of the two-fold heart of the main character's ultimate saga. Essentially, this track is comprised of an increasing hodge-podge of melodic fragments  ripped violently from the original works in which they are first found (from "I Know What Death Sounds Like," "Faces in Foam," and The Everyman and Her Majesty themes at the beginning of this present track)  that swirl into an angry and frustrating mass of sound and angular textures, up until the very end, when they merge together into the blank Whiteness of Teaston's mind.

The Elusive Everyman & Her Majesty

Composed in 2002, this charming and enthusiastic work originally for string quartet makes playful use of the various rhythmic textures able to be derived from odd-beat patterns. Though it stands, in its spontaneity and brevity, as one of Wallin Huff's earlier works, it remains a favorite among those who have tackled its deceptively simple intricacies.

Also available for string orchestra.

2 Violins, Viola, Cello Quartet

Envisioning aspects of the classic "Hero's Journey", this work faces "The Unknown", traverses "The Abyss" (through which personal convictions and fortitude are honed), and arrives at "Apotheosis": the state of enlightened "godness", where the hero is so established in their self-awareness and oneness with All that nothing can shake them.

Listen to the demos of all three movements at https://soundcloud.com/sarah-wallin-huff/sets/the-noble-journey

The Noble Journey

Global Sections - CORE [DO NOT TOUCH]*

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