Scott Davis

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Ludwig van Beethoven (1770-1827) is one of the world's most admired and celebrated composers. This is an orchestral arrangement of the first movement of his Moonlight Sonata orchestrated by Scott Fields Davis.

Beethoven, Moonlight Sonata, movement 1 for symphony orchestra

Score & Parts

Instrument

Toccata and Fugue in D minor (BWV 565) by Johann Sebastian Bach (1685-1750). Arranged for orchestra by Scott Fields Davis.

J. S. Bach, Toccata and Fugue in D minor for symphony orchestra

Full Orchestra Score & Parts

Voice

Voice Category

Praise the Lord is an original composition by Scott Fields Davis and is written for a cappella Soprano, Alto, Tenor, and Bass voices. This piece is suitable for civic and college choruses as well as churches and other religious organizations.

Performance duration is approximately 55 seconds. A piano reduction is included as well.

Praise the Lord

SATB Octavo

Based on a text by Quintus Horatius Flaccus (65 BC 8 BC) "The Return of Spring" is an original composition by Scott Fields Davis. Written for a cappella Tenor and Bass voices. 
Performance duration is approximately 1 minute 24 seconds. A piano reduction is included as well.

The Return of Spring

TTBB Octavo

Using the text from John 3: 16, "For God so loved the world" is an original composition by Scott Fields Davis. Written for a cappella Soprano, Alto, Tenor, and Bass voices. This piece is suitable for civic and college choruses, as well as churches and other religious organizations.

Performance duration is approximately1 minute and 20 seconds.

For God so loved the world

Ensemble

Instrument Family

The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was a phenomenal pianist and a highly skilled composer. He is also the inventor of the Nocturne. Originally written for piano by John Field and reimagined for string quartet by Scott Fields Davis.

Nocturne No. 1 and No. 5

2 Violins, Viola, Cello Quartet

Using the text from Psalm XXIII, "The Valley of the Shadow of Death" is an original composition by Scott Fields Davis. Written for a cappella Soprano, Alto, Tenor, and Bass voices. This piece is suitable for civic and college choruses as well as churches and other religious organizations. There is some divisi in the Alto part.

Performance duration is approximately 1 minute and 20 seconds. A piano reduction is included as well.

The Valley of the Shadow of Death

Using text written by Walter Savage Landor "Death stands above me" is an original composition by Scott Fields Davis. Written for a cappella Soprano, Alto, Tenor, and Bass voices. This piece is suitable for civic and college choruses as well as churches and other organizations.

Performance duration is approximately 1 minute 8 seconds.

Death stands above me

"Ave Verum Corpus" is an original composition by Scott Fields Davis. Written for (a cappella) Soprano, Alto, Tenor, and Bass voices. 

Performance duration is approximately 1 minute 11 seconds. A piano reduction is included as well.

Ave Verum Corpus

The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was a phenomenal pianist and a highly skilled composer. He is also the inventor of the Nocturne. Originally written for piano by John Field and reimagined for string quartet by Scott Fields Davis. This contains the score and parts for Yearning Waltz.

Yearning Waltz

Mel Bonis’s gentle and devotional Allons prier! is reimagined here as a warm, expressive SATB choral work. The arrangement preserves the flowing lyricism of the original solo song while expanding its harmonic palette and emotional resonance. Each vocal line is shaped to support clear French diction and natural phrasing, creating a choral texture that feels both intimate and luminous. A graceful addition to any program featuring French repertoire or sacred selections.

Allons prier!

SATB

This SATB arrangement brings Mel Bonis’s Allons prier! into a beautifully crafted English translation, offering choirs a clear and expressive alternative to the original French. The choral writing preserves the tenderness and devotional character of Bonis’s melody while enriching it with warm, supportive harmonies. Careful attention to text setting ensures that the English phrasing feels natural and musical, making this version accessible for a wide range of ensembles. A heartfelt and lyrical piece suitable for both concert and sacred settings.

A turbulent and deeply expressive work that reveals Clara Schumann’s fierce musical imagination. This orchestral arrangement amplifies the sonata’s dramatic contrasts, transforming its virtuosic piano writing into a richly colored symphonic narrative. The result highlights both the movement’s storm‑driven intensity and its lyrical, intimate core, bringing new dimension to one of Clara’s most powerful creations.

Clara Schuman sonata in g minor, movement 1 for symphony orchestra

A powerful and expansive opening movement that showcases Brahms at his most heroic. This orchestral arrangement magnifies the sonata’s dramatic gestures, brooding harmonies, and sweeping thematic contrasts, turning the piano’s stormy majesty into a commanding symphonic statement. 

The first movement of the Third Piano Sonata by Brahms begins with an eruption of sound that soon yields to moments of peace and tenderness, only to surge once again with renewed power. This dynamic interplay between storm and calm is what makes the work so rewarding to both perform and hear. This advanced-intermediate orchestration makes a compelling addition to any concert featuring the music of Brahms.

Johannes Brahms piano sonata No. 3 movement 1 for symphony orchestra

A passionate and intensely lyrical movement, rich with Brahms’ early emotional depth. This arrangement amplifies the movement’s stormy contrasts and soaring melodies, revealing new colors and dynamic power within the symphony orchestra.

It rolls in like a storm; thunderous, electric, alive. An opening blast gives way to waves of energy that sweep the listener along. A thrilling addition to any Brahms concert, this intermediate to advanced orchestration is a vibrant and exhilarating experience for both performers and audiences alike.

Johannes Brahms piano sonata No. 2, movement 1 for symphony orchestra

A bold and majestic musical work filled with youthful fire and sweeping Romantic themes. This orchestral arrangement brings out the sonata’s grand architecture, transforming its powerful piano writing into a dramatic symphonic landscape. Whether you conduct a professional or amateur orchestra, this intermediate to advanced orchestration would be a great piece to include in any concert featuring the music of Brahms.

Johannes Brahms piano sonata No. 1 movement 1 for symphony orchestra

The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was a phenomenal pianist and a highly skilled composer. He is also the inventor of the Nocturne. Originally written for piano by John Field, Nocturne number 1 has been reimagined for string quartet by Scott Fields Davis. This book contains the score and part for Nocturnes No. 13 and 15.

Nocturne No. 13 and No. 15

The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was a phenomenal pianist and a highly skilled composer. He is also the inventor of the Nocturne. Originally written for piano by John Field and reimagined for string quartet by Scott Fields Davis. This book contains the score and parts for Nocturnes No. 9 and 10.

Nocturne No. 9 and No. 10

Anton de Kontski (1816-1899) was a Polish pianist and composer. He was also known as Antoni Katski. Kontski was one of five children, all musical. He was a child prodigy pianist and a brilliant composer.

This is an arrangement for string orchestra by Scott Fields Davis of a piano meditation composed by Kontski.

Approximate duration is 2 minutes and 18 seconds.

Les Ruines de Hapsal

Melanie Chasselon was born in Ligny-en-Barrois (East of France) in 1845 and died in the same town in 1923. She was a music teacher, church organ player and choir director. Originally written for piano by Melanie Chasselon and reimagined for string orchestra by Scott Fields Davis.

Fleur Aimee

String Orchestra Score & Parts

Global Sections - CORE [DO NOT TOUCH]*

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