The Essay begins with a quiet fanfare idea in a solo flute. Gradually, the orchestra takes up the idea, but the strings get hold of it and turn it into a more agitated second theme. The entire orchestra joins in, playing with both the …Read More
The Essay begins with a quiet fanfare idea in a solo flute. Gradually, the orchestra takes up the idea, but the strings get hold of it and turn it into a more agitated second theme. The entire orchestra joins in, playing with both the fanfare and the second theme. This leads to a quick, acerbic fugue based on the fanfare, developed with wit and power. Eventually, he combines all three themes in a huge climax, and rounds off the work with an extended, massive coda based on the fanfare. Premiered on April 16, 1942 by the New York Philharmonic. Orchestral parts are available on rental from the publisher. Duration: ca. 10'. Study score, 45 p.