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OperAria Mezzo-Soprano, Vol.1: Lyric
ed. Peter Anton Ling & Marina Sandel
Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential, singers with a lower voice and a special talent for the trouser role through to the heroine find everything they need for …
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Mezzo-Soprano Solo Collection & Online Audio
11195344Supplier ID: EB8871UPC: 9790004184615
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Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential, singers with a lower voice and a special talent for the trouser role through to the heroine find everything they need for their performance. This is a repertoire anthology of opera arias from roles specific to the lyric mezzo-soprano, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the practical aspects of musical and theatrical nature (style, era, role, type, national provenance.) Each aria includes background information on the composer and librettist, the work, the vocal range, alternate versions, and casting considerations; a short synopsis of the opera's plot; and a scene description from the singer's perspective. Additionally, there are pronunciation aids for each aria available as a download.
Acolta! Se Romeo t'uccise un figlio (I Capuleti e i Montecchi) Ah scostati / Smanie implacabili (Cosi fan tutte) Buon giorno, Fritz! / O pallida (L'amico Fritz) C'est moi / Me Voici dans son boudoir (Mignon) Connais-tu le pays (Mignon) Deh per questo istante solo (La clemenza di Tito) E sgombro il loco / Un bacio ancora (Anna Bolena) Faites-lui mes aveux (Faust) Ich lade gern mir Gaste ein (Die Fledermaus) Nacqui all'affanno / No piu mesta (La cenerentola) Nobles seigneurs, salut! (Les Hugenots) Non so piu cosa son, cosa faccio (Le nozze di Figaro) O patri! / Di tanti palpiti (Tancredi) Parto, ma tu ben mio (La clemenza di Tito) Sein wir wieder gut (Ariadne auf Naxos) Una voce poco fa (Il barbiere di Siviglia) Va! laisse couler mes larmes (Wether) Voi che sapete (Le nozze di Figaro) Vois sous l'archet fremissant (Les Contes d'Hoffmann) Vous aimez le danger / Ah! que j'aime les militaires (La Grande-Duchesse de Gerolstein) Werther! Werther! (Werther) Wie di warst! (Der Rosenkavalier)