A memorable melody and clever interplay between voices make this original piece a ghastly grim and gloriously gleeful change-of-pace concert offering for Halloween or any time of year. Perform with piano or
A minimum quantity of 5 is required on this title.
Add a touch of mystery to your concert program with this delightful number from "Harry Potter and the Prisoner of Azkaban." With John Williams' music, lyrics based on Shakespeare, and a sensational
This gorgeous vocal jazz arrangement combines Autumn Leaves with When October Goes in an artful setting that is unified both textually and musically. The sumptuous choral harmonies and
This text-driven setting of Rossetti's treasured poem is top-tier. A well-developed choral interlude sounds like swirling winds with round vowels and captivating harmonies. The masterful text painting
Here's a unique choral setting of a spine-tingling poem by Edgar Allan Poe. Jay's riveting music is a perfect complement to the unconventional text. With a mysterious quality that makes it appropriate for
Younger choirs will build important choral skills with this tender setting of a poem by Robert Louis Stevenson. Alternating between modal and major key tonality, the part-writing is carefully crafted,
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Don't be scared! This Purple People Eater only wants to play in a rock and roll band! Have some fun performing this crazy 1958 chart topper, complete with optional kazoos and hilarious solo opportunities
A stark fifth in the piano represents a chill in the air and frames the opening of this sensitive setting of the popular Rachel Field poem. Nuanced dynamics, tempi, and phrasing invite expressive singing. A
"Sometimes they're in the corner, sometimes they're by the door, sometimes they're all a-standing in the middle of the floor..." This child-like poem by Eugene Field recollects the fear we all had of going
Here's a novelty number that's perfect for Halloween. "Just as eyelids start to close, just as you begin to doze, there in the hall a resounding thump, things that go bump in the night...." Douglas Wagner's
Absolutely beautiful, this a cappella original was inspired by the colors and nostalgia of the Kansas prairie in autumn. Lonely, empty spaces in the fading landscape evoke conflicting feelings of
Vampires, zombies and monsters abound in this novelty piece that offers the opportunity to introduce jazz, swing, and the concept of scat singing to developing singers. Perfect for fall concerts and
The #1 title song from the 1984 mega-hit movie, this is a great feature for Halloween or anytime you just want to have some fun! It's a fantastic pop/show choir feature with super choreography potential!
"My Sorrow, when she's here with me, thinks these dark days of autumn rain are beautiful as days can be..." Robert Frost's beautifully sorrowful poem is treated with loving care in this superb setting. Use
"Leaves of gold, red and brown, glories past now lie down, leaving branches bare to weep and moan..." Picturesque and melodically lovely, this is an excellent winterscape piece for middle school
All the colors of autumn are right here in this lilting, dance-like original. With charming lyrics and well-crafted voice parts, this simple, pretty piece is full of teachable moments and easy enough for
This haunting contemporary a cappella work features a wistful text about the departure of summer and the coming of winter. Rich harmonies and thoughtful dynamics heighten the mood of this stunning piece.
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