Edited by Paolo Alberto Rismondo. This edition of Arie a voce sola de diversi auttori (Venice: Alessandro Vincenti, 1656), a collection of secular monodies for voice and basso continuo, complements the
Edited by Talya Berger. A large-scale dramatic cantata for solo alto voice with unfigured basso continuo for the harpsichord. From the series Recent Researches in Music of the Baroque Era, Vol. 192
Edited by Louise K. Stein. An opera in three acts. This edition is based on manuscripts held in Evora and Madrid. From the series Music of the Baroque Era, Vol. 187.
Edited by Jonathan P. Wainwright. This volume brings together, for the first time in a critical edition, the complete works of the English composer Walter Porter. From the series Recent
Edited by Jonathan R.J. Drennan. From the series Recent Researches in the Music of the Baroque Era, Vol. 186. Includes an introduction, facsimile plates and critical notes. Score,
Edited by Thomas D. Dunn. For voice & continuo. From the series Recent Researches in the Music of the
Edited by Elizabeth C. Ford. This edition contains twelve trio sonatas, six solo sonatas, six flute duets, and the surviving first flute part of the fragmentary third volume of trio sonatas. From the series
Edited by Thomas D. Dunn. Chamber works for four to six voices & instruments. Complete Edition. From the series Recent Researches in Music of the Baroque Era, Vol. 196. Set of
Edited by Christine Suzanne Getz. From the series Recent Researches in Music of the Baroque Era, Vol. 202. Contains twenty-three sacred concertos for two to four voices and organ;
Edited by Michael Burden. An oratorio in two parts. Includes facsimiles, critical report and appendix. From the series Recent Researches in Music of the Baroque Era, Vol. 191. Score, 274 p.
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