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Liturgical Anthems for the Church Choir (334)
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Worship ››  Liturgical Anthems for the Church Choir (334)
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Prayer of St. Thomas Moore
Prayer of St. Thomas Moore Prayer of St. Thomas Moore
Christopher Willcock - OCP

This lovely, mostly syllabic setting of More’s words, which were written shortly before his martyrdom, is a flowing, through-composed meditation on the nature of God’s love and grace. Because of

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Holy Mary, Revealing Your Son
Holy Mary, Revealing Your Son Holy Mary, Revealing Your Son
Ricky Manalo - OCP

Nine verses, arranged in a call-and-response format between cantor and unison choir/assembly, refer to events in Mary’s life, from the Annunciation through the Assumption and Coronation. The refrain

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Still With Thee
Still With Thee Still With Thee
Elaine Hagenberg - Beckenhorst Press

Harriet Beecher Stowe poetry comes to life in this beautiful new  setting of the classic Mendelssohn-Bartholdy hymn. Richly scored for SATB A Cappella Choir, the anthem exudes confidence, comfort and

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Pie Jesu
Pie Jesu Pie Jesu (from Requiem)
Kim Andre Arnesen - Santa Barbara Music Publishing

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Song of Farewell
Song of Farewell Song of Farewell
Ephrem Feeley - GIA Publications

Although the majority of prayers in the liturgy are addressed to God, at the end of the funeral Mass, as thecoffin is taken out of the church, the In paradisum chant is sung, which interestingly is addressed... view details
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O Worship the Lord
O Worship the Lord O Worship the Lord
G.F. Handel/arr. James Chepponis - GIA Publications

O Worship the Lord is a setting of an elegant duet by Handel. Smaller choirs will enjoy the opportunity to perform this mini-masterpiece, and larger choirs will delight in the satisfaction of singing... view details
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Teach Me Thy Way
Teach Me Thy Way Teach Me Thy Way
William Fox/ed. John Leavitt - GIA Publications
Editors Choice Selection
"Teach Me Thy Way, O Lord" is a lovely Fifteenth Century a cappella anthem that can be used as a meditation after communion or other quiet moments in the liturgy. Newly edited by John Leavitt, the lovely... view details
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Ave Generosa
Ave Generosa Ave Generosa
Ola Gjeilo - Walton Music
Editors Choice Selection

This setting of Hildegard von Bingen's Ave Generosa text uses a hauntingly joyful tonality, paying homage to the mysterious story of Mary. A beautiful middle section is surrounded by contrasting

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O Come, Let Us Sing Unto the Lord
O Come, Let Us Sing Unto the Lord O Come, Let Us Sing Unto the Lord
Ethan McGrath - Oxford University Press

Ethan McGrath's rhapsodic anthem sets verses from Psalm 95 and features contrasting sections, changing meter, and a buoyant organ part. Chorusing alleluias build to a joyous finish.

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Gloria
Gloria Gloria
Michael John Trotta - BriLee Music Publishing
Editors Choice Selection

For mixed or treble choirs, this energetic choral work offers an introduction to the traditional Latin text with compound meter and accessible choral parts. Whether chosen for its educational features, its

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Sanctus
Sanctus Sanctus (from "German Mass in F")
Franz Schubert/arr. Lon Beery - BriLee Music Publishing
Editors Choice Selection

A beautiful adaptation of this Schubert standard! This piece is equally appropriate for concert or worship settings and presents wonderful teaching opportunities for lyrical singing along with an

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Sanctus
Sanctus Sanctus
Michael John Trotta - BriLee Music Publishing
Editors Choice Selection

The final installment of the Missa Brevis, this peaceful work features opportunities for unison singing and the development of independent part singing. With conservative ranges and opportunities to focus

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Evening Hymn
Evening Hymn Evening Hymn
Bob Chilcott - Oxford University Press

This well-crafted festival anthem is written for SSAA chorus, including semichoruses, and piano, and includes a chant throughout. Based on an evening text by William Fuller from the 17th century, the

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The Tree of Life
The Tree of Life The Tree of Life
Stephen Starke/arr. James Biery - GIA Publications
Editors Choice Selection
The haunting modal melody of this traditional Irish folk carol is coupled with a lovely murmuring piano part and countermelody by the oboe. The text retells the story of Adam and Eve in the garden, connecting... view details
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From Everlasting to Everlasting
From Everlasting to Everlasting From Everlasting to Everlasting
Benjamin Harlan - Oxford University Press
Editors Choice Selection

Homophonic rhythms unite the singers in their joyous presentation of Psalm 145, while a sprightly piano accompaniment drives the music forward and leads into explorations of different tonalities. The choral

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My God, Accept My Heart This Day
My God, Accept My Heart This Day My God, Accept My Heart This Day
Howard Helvey - Beckenhorst Press
Editors Choice Selection

Based on plainsong, this marvelous a cappella setting of a Matthew Bridges prayer is modern in construction while incorporating elements of the ancient. Using close harmonies, flowing melodic lines, and

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Festival Sanctus
Festival Sanctus Festival Sanctus
Carson Cooman - Lorenz Corporation

Latin and English text are combined in this canticle of praise. Mixed meters and the use of accents drive the energy of the piece. A mystical atmospheric section adds contrast before the return of the

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For His Mercy Endureth Forever
For His Mercy Endureth Forever For His Mercy Endureth Forever
Peter J. Durow - Lorenz Corporation

Words of comfort from Psalm 136 are set to joyful, lilting music. Unison and two-part writing alternate with full SATB, all supported by the lively piano part. As in the psalm itself, the words of the title

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See How Our Christ Comes
See How Our Christ Comes See How Our Christ Comes
J. William Greene - Lorenz Corporation

Inspired by Charles Wesley, this text celebrates the life of Jesus and His glorious resurrection. This flexible anthem provides varied performance possibilities for either SAB or SATB voices. The middle

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Prayer to the Trinity
Prayer to the Trinity Prayer to the Trinity
Henry Hinnant - Lorenz Corporation

Original words reflect on the greatness of God and our human yearning for communion with Him. The rich, lyrical choral parts are enhanced by an elegant piano accompaniment, and an optional French horn part

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Sweet Would Be My Prayers
Sweet Would Be My Prayers Sweet Would Be My Prayers
Carl Smith - Lorenz Corporation

A beloved prayer by the great Italian Renaissance artist Michelangelo is set to deeply expressive music which uses mixed meters and dissonance to create an ethereal feel. This a cappella selection can be

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Speak, Lord, for Thy Servant Heareth
Speak, Lord, for Thy Servant Heareth Speak, Lord, for Thy Servant Heareth
Steven Stucky - Lorenz Corporation
Editors Choice Selection

This eminently approachable anthem sets text by Christina Rossetti asking for God to "give us ears to hear, eyes to see, wills to obey, and hearts to love." This a cappella motet features layered voices,

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The Law of the Lord Is Perfect
The Law of the Lord Is Perfect The Law of the Lord Is Perfect
Lynn Trapp - Lorenz Corporation

Gabriel Faure's beautiful and beloved Pavane combines with original chant-like music by Lynn Trapp in this unique setting of verses from Psalm 119. Faure's music appears in the organ part, in

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You Shall Love the Lord Your God
You Shall Love the Lord Your God You Shall Love the Lord Your God
Victoria Davison & Rudy Lupinski - Lorenz Corporation
Editors Choice Selection

This beautiful offering was inspired by the Gospel and Jesus' command to love God and neighbor. A supportive keyboard part gives the anthem a full sound, adding depth to the flexible SAB vocal scoring.

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