A contemporary collection of short solos designed to further the technical and musical skills of the beginning percussionist. Titles include: Festival Dance; Caribbean Cruise; British Grenadiers; New
60 Second Vibes began as a single 60-second vibraphone solo written as a demonstration for a percussion methods masterclass. In this extended four-movement suite, each movement is exactly 60
A Cricket Sang and Set the Sun by Blake Tyson is a beautiful, lyrical piece for solo marimba. The opening passages of the piece ebb and flow and create a very reflective mood.
Known as The Harmonious Blacksmith, Air Mit Variationen includes the original music by Handel and new variations by Nishimura.
The famed hymn arranged as a three-mallet solo for the beginning marimbist.
Inspired by the classical guitar and lute, this set of over 50 beginning, intermediate and advanced level four-mallet pieces is suitable for recitals, juries, and sight-reading. The progressive pieces
The two stave notation indicates the counterpoint, but not necessarily which hand or mallet plays a passage or pitch. Such details are left to the performer to compose.
Inspired by the William Blake poem "Morning," Ascends the Sky is a beautiful intermediate work for solo five-octave marimba filled with 16th notes flowing up and down the full range of the
Autumnal Overture is an unaccompanied marimba solo that intermixes slow chorale textures with small pockets of groove and a mathematical harmonic style that is dissonant but not abrasive.
Azureus is a jazz waltz inspired by the composer’s wife's rose garden. The piece follows an AABACA form that serves as the basic structure for the improvised solos. The use of jazz harmonies,
Here are 16 masterpieces by the Fab Four, expertly arranged for mallets. Titles include And I Love Her; Blackbird; Eleanor Rigby; Hey Jude; Let It Be;
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Best Wishes was commissioned by Max Farbman in 2014 as a gift for his former percussion instructor, Lia DeRoin. This piece is based around a short repeating rhythmic pattern and a simple
Beyond the Sequestered Grove is simply the second movement extracted from Zachary Cairns' Concert(in)o for Marimba and Wind Quintet. It is largely an introspective work, but there is plenty of
Blur is inspired by H. Owen Reed's theory of compensating parameters. This is the idea that, in a composition, certain aspects of the music may need to be simplified if others are made
Written for medium-advanced students looking to improve their four-mallet technique, this piece uses the double lateral technique throughout the first section with a simple melody being played in
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