Here is the lovely Spanish carol as arranged by Norman Luboff for SSA choir. With effective vocal writing supported by a simple piano accompaniment, this is a classic addition to your Christmas program or
This hauntingly beautiful arrangement features the gentle feel of a lullaby and an interesting mixture of major and minor modes. Adapted and translated from the traditional carol, it alternates between
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This fine arrangement in the Contemporary A Cappella series will display your choir's musicianship beautifully at Christmas.
This thrilling carol arrangement begins with a hush and builds in momentum, invoking images of the angel hosts gathering into a multitude to announce Jesus' birth. With just a few
What is a Christmas concert without this classic carol? Heather Sorenson's stunning setting breathes life into the seasonal favorite, spanning the dynamic spectrum and offering a musical presentation
This lively arrangement originally for TTBB, now available for SATB with fiddle,string bass, and piano accompaniment is based on a sturdy American hymn tune with a text by Reginald Heber. The accompaniment
This lightly syncopated original tune is effectively paired with the familiar words of Away in a Manger, and the result is easy to sing and easy to like! Add the optional percussion to enhance the
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Twenty-three familiar holiday songs in three minutes! For extra fun, you can involve your audience in counting the tunes as they fly by. Your students can even hold up numbered signs every time a different
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A "Fantasia" in the truest sense, this choral tapestry of English carols was composed in 1912 after Vaughan-Williams had completed the scores for his first symphony ("The Sea"), and the Tallis Fantasia. In
Dan Forrest's setting of this beloved carol takes a wonder-filled, reflective gaze inside the stable in Bethlehem. The anthem takes its time to savor the beauty and meaning of the scene and to communicate
This glorious processional will create an impressive opening to your holiday concert. The modal harmonies and open intervals are not difficult to sing, but capture the sound of the season. And a light
From Piae Cantiones, this setting of Gaudete! is in a progressive style, yet well suited to the medieval melody. Its energy is derived from the accented rhythms and dance-like percussive
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