Paganini’s 24 Caprices, Op.1 for solo violin are the most demanding in the repertoire. Each caprice highlights a particular violin technique, such as cross-string arpeggios in the first and

Eighteen newly composed or arranged solos with piano accompaniment written at Grades 2 to 2.5. These exciting solos will add something new, fresh, and different to your solo repertoire. Perfect for use at a

A single motif guides the melodic and polyrhythmic development of a dreamlike musical journey. In this mallet quintet written by Mo Longo, Adrift a Luminous Sky unveils five independent parts which unite to

With spiraling melodic passages and unique color combinations between instruments, Aequilibrium is sure to entrance audiences and performers alike.

The idea for AfterBurn simply came from the title and the myriad of ways a fire can burn. What results is a perpetual motion tour-de-force work for both players that takes listeners on a

Johnson is one of the Big Three of ragtime, along with Joplin and Lamb. This piece in the style of an 1800s fox trot.

Bach's popular Allegro movement from Brandenburg Concerto No. 3 is perfect for mallets in this 6-part arrangement.  Ideal for assessment programs.

A timeless melody that has been arranged for almost every combination of instruments and voices imaginable. Here is an Afro-Cuban influenced arrangement for mallet percussion and an accompanying ride cymbal

Franz Shubert's Sonata in A Major D. 959 "II. Andantino," originally written for solo piano, is an expressively diverse piece requiring virtuosic playing. Adam Bruce's arrangement for two mallet players,

The metallic sound of the bells and vibraphones combined with the warm, woody sound of the marimbas expresses the wonder and mysteriousness of the angels who are ever-present in our lives. Fluctuating

Robert Schumann composed his Arabeske during a time of forced separation from his soon-to-be wife, Clara, in 1839. It contains sweet melodies of love and longing for Clara as well as melodies of

Autumnal Overture is an unaccompanied marimba solo that intermixes slow chorale textures with small pockets of groove and a mathematical harmonic style that is dissonant but not abrasive.

These classic two- and four-mallet solos by Harry Breuer are arranged for solo xylophone plus three to four marimbas accompanying. All accompaniments are easy enough for the youngest of keyboard