This arrangement of the beautiful song from Richard Strauss' first collection of published lieder features well-written vocal parts with an authentic piano accompaniment. The piece supplies opportunities

This authentically constructed arrangement of the Schubert masterwork features reasonable ranges and accessible reading for developing singers. Both German and English lyrics are included in the score of

Isabella Leonarda was one of the most prolific woman composers of 17th-century Italy, publishing 20 volumes during her lifetime including the first known sonatas written by a woman. This edition seeks to

Schubert, composer of over 600 lieder, elevated the art form by creating settings that give equal consideration to the melody, piano accompaniment and painting of the text. This adaptation of a classic lied

This chorus from Haydn's "Heiligmesse" is an ideal introduction to Classical style for treble choirs. Explore musical phrasing, quality tone production, and pure vowels with this simple Latin text and

Beginning with joyous acclamations, this exuberant piece features a polyphonic middle section followed by a lyrical presentation of the "amens" and the return of the homophonic style in the closing

This adaptation of Mozart's choral work has been carefully edited with dynamics and phrasings to help choirs realize the composer's intentions and perform this classic with stylistic integrity. Singers will

This beautiful Schubert masterwork is a must for contest or festival performance. The carefully crafted, easily playable piano accompaniment and translation/pronunciation guide help to make this edition a

An authentic and representative lied from a Romantic-era female composer set in a dynamic arrangement for women's or treble choirs. Clara Schumann's dramatic setting of the poem Lorelei was a

Brahms' best songs are small, priceless jewels. They are unusual, mysterious, inventive, bass heavy, uncomplicated, melodious, and they are glorious creations! Op. 63, No. 8 O wusst' ich doch den Weg

This early Mozart work (KV 276) contrasts soli with the full choir. Available for mixed and treble choirs, this arrangement is a vigorous seven-minute concert feature of this well-known and well-loved

A three-part madrigal by Thomas Weelkes, this sprightly dance-like piece is easily learned and delightful in performance. A wonderful selection for contest and festival! With hand drum.

Two of Clara Schumann's most renowned solo art songs, Sie liebten sich beide and Warum willst du and're fragen, are beautifully adapted for treble choirs. Retaining the original German

Often considered to be one of the first great American female composers, Amy Beach's art songs are stylistically similar to those of other late-Romantic European composers. Here we have two solo art songs