With a nod to Gregorian origins, this setting of a familiar text is intimate and tender, at times plaintive and at times joyous. Though it's intended to be sung a cappella the music comes with a keyboard

There is a stark loveliness to this Lenten motet. The hymn tune "Herzlibester Jesu" emerges effortlessly, surrounded by original material that depicts the beauty and agony of the sacrifice.  Easy to

Sometimes the mere thought of Christ's immeasurable love can wash over the believer in an overwhelming wave. Using Charles Wesley's beloved text and Dan Forrest's own melody, this tender work

Based on selected verses from Psalm 42, the music paints a vivid picture of our longing for God. Its long lines and divisi texture provide a rich support for the text. The modal quality of the music gives

The tender beauty of the unadorned human voice makes for a compelling moment in any concert or worship service. This masterfully arranged choral quotes the beloved hymn Rock of Ages and is an

This a cappella gem is a poignant choral tableau that displays with bittersweet beauty the deep emotion of the crucifixion. There is purity in the writing that perfectly portrays the passion and the power

This a cappella setting of the 19th-century tune RESTORATION from William Walker's Southern Harmony is arranged with creative vocal textures and a solo. Optional percussion parts are offered to assist in

The choral parts are beautifully crafted in this expressive a cappella setting of a classic sacred text. This moving portrait of Christ's suffering on Calvary is appropriate for Holy Week, Good Friday and

Nickel’s Easter Oratorio (one hour) traces that last days of Christ until His resurrection with 18 movements .  This is one of the stand alone movements - ideal for Lent and the Easter

This hauntingly beautiful arrangement is a devotion for reflecting on Jesus' suffering in his Passion. The allegorical technique used here tells the story of Jesus' crowning with thorns from the perspective

Commissioned by Sonoro for the second installment of their Choral Inspirations project, this piece was composed as a response to Antonio Lotti's Crucifixus from Credo in F. Use of suspensions,