A haunting chromatic melody attaches itself to this text pleading for God's mercy. The lower voices are shrouded by the angelic upper voices throughout. Halfway through the piece, the minor mode transforms
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Containing the very rich texts of Isaac Watts and Ralph Hudson, this anthem of original music begins somberly as it moves through the passion story. Tone painting is found throughout, emphasizing the text,
Nickel’s Easter Oratorio (one hour) traces that last days of Christ until His resurrection with 18 movements . This is one of the stand alone movements - ideal for Lent and the Easter
A minimum quantity of 12 is required on this title.
Serving as the epilogue to Warner's larger musical work "The Passion of Saint John," this anthem features an original hymn tune, CODLADH, with text that captures the sorrowful mood of Good Friday. The
A minimum quantity of 5 is required on this title.
Caligaverunt Oculi Mei (1585) is the ninth responsory for the matins of Good Friday. Scored for unaccompanied mixed voices, the text combines scriptures from Job and Lamentations as an allegory
A minimum quantity of 10 is required on this title.
This hauntingly beautiful arrangement is a devotion for reflecting on Jesus' suffering in his Passion. The allegorical technique used here tells the story of Jesus' crowning with thorns from the perspective
With a stunning pleading quality, this meditative piece is perfect for Passion Sunday or Good Friday. Smaller choirs can effectively sing this beautiful, satisfying, and colorful piece in four parts, while
The enduring phrase "Kyrie eleison" begins many services of worship, especially during the penitential season of Lent. Sensitively set as the opening and closing material in this anthem, the choral lines
This work views the crucifixion through the eyes of Mary. Dramatic harmonic pacing and tone painting underscore the minor theme to create an unforgettable reflection for Holy Week.
Many texts have been set to the well-known folk tune O WALY WALY, but it seems at home in this moving testimony of Calvary's love. A tasteful piano part moves in and out of the choral textures with
This well-known text and tune for Good Friday is artfully arranged. Alternating between stanzas supported by organ accompaniment and a cappella passages, this piece is at once beautifully reflective and
Here is a lush and beautiful setting of George Bennard's beloved Lenten hymn. In a refreshing twist, the setting begins in a stately 4/4, eventually moving into the traditional 3/4 where it builds to a
The familiar Lenten hymn is set in 5/4 which gives it a beautifully expressive quality that emphasizes the solemn text. With lovely rich harmonies, an a cappella middle section, and flowing piano
This setting of a traditional text paints a vivid picture of Jesus in the garden of Gethsemane through rich, expressive harmonies and choral textures, complemented by a creative and sophisticated piano
Presenting the crucifixion narrative, this story-telling anthem is written from the perspective of the tree that became the cross. The harp-like piano accompaniment brings a delicate simplicity to the piece
This work sets this traditional text quite simply to reflect the foot-washing moment of the Good Friday liturgy in a beautiful motet which is both charming and satisfying to sing. In an entirely tonal
A minimum quantity of 20 is required on this title.
From the cantata Calvary's Mountain, this effective arrangement of the beloved spiritual is well crafted to deliver a fullness of sound without raising the level of difficulty. The emotional
Were You There? is a meditation for baritone and chorus written for American baritone Charles Wesley Evans. The piano accompaniment is a transcription of an improvisation by Patrick Dupre Quigley.
A minimum quantity of 8 is required on this title.
This solemn selection captures the pain, anguish, and hopelessness surrounding the moment of Christ’s death. Rose Aspinal’s powerful lyrics challenge the listener to contemplate the feelings of
This anthem, extracted from the best-selling cantata A Festival of Hymns, is not to be missed. Opening simply with a quiet solo, the music gradually builds until the final measures practically