The series Eighteenth Century Italian Music includes compositions of special historical and musical significance. Each edition is based on the original sources to offer performers works that satisfy clear
Edited by Cesare Fertonani. For cello & piano. Sonatas from the Italian baroque era. Includes an introduction, biographical notes, and source notes in It. and Eng. Score, 87 p. and part.
The series Eighteenth Century Italian Music includes compositions of special historical and musical significance. Each edition is based on the original sources to offer performers work that satisfy clear
This series of eighteenth cetury Italian music includes compositions of special historical and musical significance. Each edition is based on the original sources to offer performers works that satisfy
The six sonatas for cello and basso continuo in this volume all belong to the "Fondo Correr" collections held in the library of the conservatory of music "Benedetto Marcello" in Venice. This valuable
A terrific collection of romantic selections perfect for any wedding! Featuring Be Thou My Vision, Flower Duet, Wedding March, Clair de Lune and many more!
Includes: Air
The finest collection of works for solo instrument and piano including all the most requested and beloved Romantic melodies including works by Bach, Wagner, Mendelssohn, Purcell, Debussy, and traditional
All arrangements are designed for the specific instrument, and are in accessible ranges and keys for the late beginning to intermediate student. Includes a solo insert and piano score. Score is spiral-bound
"A Summer Night" for euphonium and piano is based on the composer's vocal setting of Elizabeth Drew Stoddard's sensuous poem. It begins with a languorous melody, evocative of a warm summer evening. The
This arrangement is a nice "slow-fast" movement combination, appropriate for recital or contest containing ample opportunity for musical expression and technical display.
Ludwig van Beethoven's Adagio movement from the Sonata Pathetique (Piano Sonata No. 8 in C minor, Op. 13, Movement 2) is one of the most beautiful in the repertoire, with flowing