John O'Reilly and Mark Williams understand the needs of young musicians and offer this fine collection of ensemble pieces to give your beginning band students something they'll love to play! It's an
Here is an exciting book of duets, trios and quartets for flexible instrumentation that correlates with Accent on Achievement, Book 1. Use these ensembles to develop confidence in young players and
Eighteen newly composed or arranged solos with piano accompaniment written at Grades 2 to 2.5. These exciting solos will add something new, fresh, and different to your solo repertoire. Perfect for use at a
With spiraling melodic passages and unique color combinations between instruments, Aequilibrium is sure to entrance audiences and performers alike.
The idea for AfterBurn simply came from the title and the myriad of ways a fire can burn. What results is a perpetual motion tour-de-force work for both players that takes listeners on a
Johnson is one of the Big Three of ragtime, along with Joplin and Lamb. This piece in the style of an 1800s fox trot.
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Bach's popular Allegro movement from Brandenburg Concerto No. 3 is perfect for mallets in this 6-part arrangement. Ideal for assessment programs.
Haunting, melody-based ostinati make up the bulk of this two-mallet piece for unaccompanied marimba. "Anasazi" is a word that refers to ancient pueblo peoples of the American
Franz Shubert's Sonata in A Major D. 959 "II. Andantino," originally written for solo piano, is an expressively diverse piece requiring virtuosic playing. Adam Bruce's arrangement for two mallet players,
The metallic sound of the bells and vibraphones combined with the warm, woody sound of the marimbas expresses the wonder and mysteriousness of the angels who are ever-present in our lives. Fluctuating
Robert Schumann composed his Arabeske during a time of forced separation from his soon-to-be wife, Clara, in 1839. It contains sweet melodies of love and longing for Clara as well as melodies of
Autumnal Overture is an unaccompanied marimba solo that intermixes slow chorale textures with small pockets of groove and a mathematical harmonic style that is dissonant but not abrasive.
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