Alternating between 3/4 and 6/8 time signatures, Robinson has created a fresh twist on this holiday classic. Several brief character solos offer lots of low-pressure opportunities to stand out, and the

From a three-part collection based on poetry by American pioneers, this third piece depicts a barn dance as vocalists circle 'round the instruments, stomp, clap, and perform with general

With its unique title, A Million Notes was inspired by Psalm 136 and celebrates a lifetime of musical service and devotion. Pepper Choplin writes "just for fun, I calculated (and guessed) that in

Based on a traditional Brazilian song for Dia dos Reis (Day of the Kings, i.e. Epiphany) that accompanies the folk celebration known as Queima da Lapinha in which people disassemble their Nativity scenes

Here's a sparkling rendition of the traditional English carol that is sure to be a holiday concert highlight! The dazzling piano accompaniment frames the piece and the choral harmonies are bright and clear.

A familiar text from Lessons and Carols services in a brand new setting. Unexpected tonality shifts and waves of building tempos lead to a final climax of "Deo gracias!" A quintessential Advent addition to

Gabriela Martínez's poetry about the loss of her beloved is crafted into a lilting a cappella number with lush harmonies. Resolving dissonance and a soprano solo further bring the poem's meaning to

Perfect for the Advent season and beautifully enhanced by handbells, this anthem incorporates the well-known carols Let All Mortal Flesh Keep Silence and Angels from the Realms of Glory

A triptych of pieces for harp (or piano) and SATB divsi chorus using texts by poet Christine Schenk. Her version of the "O Antiphons" provides a means of contemporary reflection on those ancient texts. The

With lively call and response, options for percussion, and repetition to enable quick learning, this energetic arrangement of a traditional Zambian folk song will have your choir and congregation responding

This setting of the Latin text offers a fresh take for more advanced treble choirs and women's choirs, with a lavish piano accompaniment supporting unique choral writing. A beautiful program addition for

Agnus Dei is the fifth and final movement of Dr. Thomas' Mass: A Celebration of Love and Joy. The text is in English, and the supercharged piano accompaniment supports the traditional

A mythological song about two heavenly steeds of a god's sons, this selection is a calm, meditative rendering that is almost mystical. The Latvian modality permeates the song with an eloquent tension

Part of the Jace Saplan Indigenous Composer Series, the text is in Hawaiian and carries a message of love and appreciation. It pairs naturally with the second piece in the series, Mahalo Piha.

Introduce the instruments to your students, and gain a crowd-pleasing concert piece in the process! Upbeat, with melody lines, text and rhythmic patterns ideal for teaching diction and accuracy, this A-B-A

All Await was commissioned by Trinity Presbyterian Church, Berwyn, Pennsylvania, in celebration of the church's 150th anniversary. Nancy Gifford was asked to compose a celebratory piece for this

This selection is a gentle lullaby based on an old Welsh folk song. With limited divisi towards the end, it has beautifully lyrical writing and will be a warm and welcome addition to any concert.

The ancient joy-filled word "Alleluia" is paired with contemporary harmony and gently syncopated rhythms that sometimes function as an ostinato. Independent parts weave in and out to create a brilliant

With a text from Psalm 80:2, this a cappella piece is traditionally used on the third Sunday of Advent - the Gaudete or Rejoicing Sunday. The beginning quotes the "Alleluia" from the original chant, and

Beautiful modern a cappella divisi harmonies set this short text in both Latin and English that encourages us all to find the hope within. Sections alternate between serene slow-moving harmonies and quicker

The poem by Heinrich Heine is offered in both German and English. This modern setting alternates between 3/4 and 6/8 meters, drawing us into a story about the sea where both "joy and sorrow dance."

Flute, oboe, and hand drum introduce and accompany this SATB a cappella setting that pairs Newton's traditional text with the tune GREENVILLE, an American melody in flowing 6/8 meter. The vocal parts are