These introits offer a fresh take on the beloved hymn VENI, VENI EMMANUEL. The tune is the basis for the refrain, and the verses match the Roman Missal – one for each Sunday of Advent. While intended

For cantor, unison choir, assembly, and keyboard, this simple setting of Luke's Beatitudes (Luke 6:20-26) has a gentle accompaniment that perfectly spotlights the beloved scripture passage. The assembly

Caligaverunt Oculi Mei (1585) is the ninth responsory for the matins of Good Friday. Scored for unaccompanied mixed voices, the text combines scriptures from Job and Lamentations as an allegory

Remaining true to the verbatim text but using a fresh rhythmic approach to the venerable melody VICTIMAE PASCHALI LAUDES, this contemporary spin on the Easter Sequence is sure to enliven your celebration of

Antiphons for use during communion during the Easter Season. For unison choir, cantor, assembly, with optional descant. Topics: Eternal Life, Ascension, Glory of God, Joy, Pentecost, Resurrection. Full

Based on Gregorian chant, this ninth-century antiphon is given new life as an urgent plea for peace. A sense of powerlessness and desperation is reflected in the use of free and mixed meter, while

In Spanish and English, this setting of an Easter Alleluia uses SATB voices, cantor, assembly, keyboard and guitar with C instrument, trumpet, cello and percussion. The instrumentation adds layers of joy to

This simple and solemn arrangement of The Roman Missal Entrance Antiphons sets a prayerful and jubilant tone for each of the Sundays of the Easter Season. Flexible performance options are included, from

Matthew Koraus has crafted a sturdy and very singable set of acclamations for the Eucharistic Prayer based on the hymn tune Diademata, ideal for the long season of Easter as well as Christ the King and

Adapting the words of the evening hymn Before the Ending of the Day, this rich a cappella anthem wraps the singer and listener in the warmth of God's love with a confident plea for His grace,

This short, joyful Introit (or Call to Worship) is a setting of familiar phrases from the Book of Psalms. The work is built from five motives. Motives 1 and 5 are presented (and repeated) individually; the

Seven different verses from the lectionary are included in the octavo, each focusing on some aspect of the word of God. In its simplest form, it can be performed with assembly, cantor and keyboard. There

The chant tone for this setting is from the Nicene Creed from the composer's Jubilation Mass. Verses may be sung in unison or SATB (doubling the keyboard). A refrain is provided, or it can be sung

A lively and energetic setting of the Gloria for two-part equal voices. Very usable in worship and liturgical settings.

The "alleluia" refrain for the sprinkling rite and again for the gospel acclamation uses the melody of the undulating vesper antiphon the Liber usualis. The sprinkling rite is scored for cantor,