This superb contemporary praise song is arranged here as a sensitive choral ballad. The words of Psalm 103 combine with the idea that we could never begin to count the reasons for which we come before God
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For nearly 200 years, the 371 four-part chorales (371 vierstimmige Choralgesange) of Johann Sebastian Bach have enjoyed popularity and usefulness in music education. This classic collection has been used in
A slight rewording of the ending of the hymn How Can I Keep from Singing provides the inspiration for this otherwise original text. "All things are mine since I am His" becomes a bit more personal
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Walter Ehret's arrangement of this Baroque masterwork has become a standard in the repertoire for school choirs.
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Lightly contemporary with easy syncopations, this anthem reminds us that we can do anything through Christ who is our strength. The joyful and rhythmic melody is enhanced with the equally fun harmony part.
This straightforward arrangement of the familiar carol weaves voices, piano, and optional flute to form an elegant setting of the tune CRADLE SONG. C-instrument part is included in the octavo.
Canons! Fugues! Chorales! All of these forms that made the Baroque period so delightful are employed in this classic series of sight-singing material for mixed, treble and tenor-bass choirs. Beginning with
Based on Psalm 46:10, this gentle contemporary worship ballad begins with triplets in the opening theme with a contrasting middle section that invites God's presence into our worship space. The initial
This moving anthem based on the calming text found in Psalm 46:10 will be very welcome in your worship services. The stillness of the text is matched with a lovely original melody and piano accompaniment.
This heartfelt setting of the traditional text is built upon a haunting melody of folk-like simplicity underpinned throughout by a lyrical and independent accompaniment.