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An animated, lilting, and dramatic a cappella work, this choral tour de force briefly quotes the hymn Praise to the Lord the Almighty in a fresh and innovative way. It is a truly impressive work
A delightful multi-meter setting by Bradley Ellingboe! Gracia Grindal's text is suitable for Easter or for general use. Scored for flute and piano, the flute part dances above in imitation of the angels'
This setting of the traditional Latin text owes more in inspiration to Byrd than to Mozart and provides a fresh alternative to both of those standards. The composition unfolds as a series of canons which
This original setting of the traditional hymn text by Katharina von Schlegel, translated by Jane Borthwick was written in 2014 for solo voice, SATB choir, and piano. Other arrangements include: solo voice
A movement from the complete setting of "The Divine Liturgy of St. John Chrysostom," which was composed in the Slavic idiom reminiscent of Tchaikovsky, Gretchaninoff, and Rachmaninoff.
Written for the Choir of the Church of the Advent in Boston, Massachusetts, this piece was composed for the wedding of John Sterling Lambert and Susan Tighlman Bisson at the Advent on October 12, 2002. The
This brilliant setting from Psalm 102 features a solo tenor or baritone canonarch, whose lining out of the text alternates and overlaps with SATB chorus. This antiphon from The Divine Liturgy of
This anthem is based on verses from Jeremiah 17. While mostly comforting and calm, the text also includes a passionate plea for God's healing and salvation. I love the imagery of God's faithful people as
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