An expanded reflection on the plainchant Assumpta est Maria, originally for the Feast of the Assumption of the Blessed Virgin Mary, this original setting uses a dance-like meter and expansive

This original setting of the traditional hymn text by Katharina von Schlegel, translated by Jane Borthwick was written in 2014 for solo voice, SATB choir, and piano. Other arrangements include: solo voice

A movement from the complete setting of "The Divine Liturgy of St. John Chrysostom," which was composed in the Slavic idiom reminiscent of Tchaikovsky, Gretchaninoff, and Rachmaninoff.

Winner of True Concord's 2019 Stephen Paulus Emerging Composers Competition, this piece sets text by William Shakespeare in an a cappella arrangement.

Written for the Choir of the Church of the Advent in Boston, Massachusetts, this piece was composed for the wedding of John Sterling Lambert and Susan Tighlman Bisson at the Advent on October 12, 2002. The

This brilliant setting from Psalm 102  features a solo tenor or baritone canonarch, whose lining out of the text alternates and overlaps with SATB chorus. This antiphon from The Divine Liturgy of

This anthem is based on verses from Jeremiah 17. While mostly comforting and calm, the text also includes a passionate plea for God's healing and salvation. I love the imagery of God's faithful people as

This first movement of "Cinematic Psalms" is a programmatic journey of faith through God's Old Testament hymn book, a deep, cinematic concert worship experience of epic proportions. The musical influences

Celebrating 20 years since it's composition, this lyrical and gentle SATB setting of "God Be in My Head" and "The Breastplate of St. Patrick" is perfect for Lent, Confirmation, Graduation, Baptism of the

An excerpt from Kurt Sander's "The Divine Liturgy of St John Chrysostom," the first complete setting of the Orthodox Liturgy in English composed in the Slavic choral idiom. This work is a first-rate example