This stirring setting of the tune HYFRYDOL may be performed with several instrumentation options: with organ alone, organ with brass quintet, or organ with full orchestra. The piece was written for the 2015
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This stirring setting of the tune SALZBURG has two text options that make it appropriate for Easter or general use. The piece begins with an option for a short or long introduction, making it flexible for
Here is an emotive, yet simple and straightforward setting of the familiar text, in the form of a hymn-anthem. All sections of the choir are given the melody before moving into four-part harmony.
The beautiful English folk melody DANBY runs throughout this anthem, which is suitable for any season of the year and especially memorial services. A lyric solo part for oboe is provided.
This all-encompassing hymn treatment for SATB choir with descant includes optional parts for children's choir and congregation. The parts for flute and oboe may be substituted for by violins and are
This rousing commissioned anthem by Philip Stopford is strong and fits with the theme of Reformation. While it does include a few unexpected harmonic shifts, it is classic Stopford and will inspire your
In this setting of the hymn tune DANA, the music effectively captures the inclusiveness of the text and its positive message. The addition of spoken text by multiple readers gives emphasis to its hopeful
Enhance your worship with this useful set of eight hymn endings for mixed voices and organ. Included are: Come, Christians, Join to Sing; A Mighty Fortress Is Our God; Crown Him with Many Crowns; For
"For the fruit of all creation, thanks be to God! Gifts bestowed on every nation, thanks be to God!" This text can stand easily on its own as one of the greatest poems by Fred Pratt Green. Jonathan Rodgers
The noble spaciousness of this wonderful poem by Catherine Cameron is set to original music expressed like an arpeggio which can take us to the heights in just an instant. Trumpet calls echo through this
James Chepponis demonstrates his gift for writing singable music for choir and congregation in this sweeping statement of praise. The stately hymn-anthem for SATB voices and organ includes four stanzas and
Unexpected progressions and various textures provide ever-present interest in this anthem setting of RUSTINGTON. The descant allows the tenors to ascend along with the sopranos while the optional brass and
This traditional 19th century text is given new music by Howard Helvey and scored for SATB voices and organ. The first stanza is in unison, the second alternating between TB and SA voices, the third stanza
While having a folk-like feel that suits this familiar text, the musical material is entirely original but with suggestions towards the traditional hymn tune. A bit more stoic than some of the more lively
A collection of three early American folk hymns: Hallelujah, a six-part a cappella setting of the Sacred Harp tune; Angel Band, an eight-part a cappella setting of the beloved William
Here is a modern day hymn with a striking strength and a crisp determination. The 18th century text hearkens to a regal quality, and the basic tune is reminiscent of a stately hymn. Combined with the 21st
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Thomas Tallis' sublime THIRD MODE MELODY is used for an unusual choral setting with organ and oboe. Thanks to accessible choral writing and a flowing accompaniment which keeps everything moving along and
This famous prayer referred to as "Breastplate" has long been attributed to St. Patrick. This version uses the tune SEED OF LIFE by William Rowan and creates a exciting setting of this great text. May be
In Paul French's treatment of the French tune, LOURDES HYMN, the brass quartet and organ interact with choir and congregation with more lyricism than fanfare. The third stanza is SATB a cappella, followed
This anthem of thanksgiving and community begins softly and builds to a strong finish. The part for congregation (included) reinforces the theme of fellowship, while the optional trumpet adds fanfare and
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